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Arts & Culture

Journey From the Fall: Interview with Filmmaker Ham Tran

On April 30, 1975, American forces pulled out of Vietnam. The event that marked the end of the war also marked the beginning of a new chapter for the Vietnamese people, some of whom fled to the United States while others remained behind. The new film

Journey from the Fall (opening April 6 at Horton Plaza Theaters) follows one familys fate in the years following the fall of Saigon.

Journey From the Fall

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Filmmaker Ham Tran was born in Saigon. In 1982, when he was just eight years old, he and his parents left Vietnam for the United States. His desire to understand what his parents and their generation went through led him to make a short film called The Anniversary. In researching that film, he came across a photo of a Vietnamese boat refugee. The woman had severe burns on her chest. The caption said that her mother had poured boiling water on her to keep pirates from abducting her. Thats when Tran asked himself a question.

HAM TRAN: Why has this story not been told in the last thirty years? Why do we keep seeing American vets in films about Vietnam? And thats really the reason I started on this path.

That path led to Journey from the Fall, a film about one Vietnamese familys struggle to survive in the aftermath of the war. Miriam Lam teaches Southeast Asian studies at UC Riverside. She says she appreciates the way Journey from the Fall breaks Hollywood stereotypes.

MIRIAM LAM: Often you think of these refugees as very weak and in some ways if you are considering the politics of the situation as very passive or puppet-like, and none of these characters, the Asian men or the females were weak at all and I found that quite new.

Long Nguyen in Journey from the Fall

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In order to tell this Vietnam story, filmmaker Ham Tran enlisted actual Vietnamese refugees. One of them was Long Nguyen.

LONG NGUYEN: I left Vietnam when I was 16, and if you look on TV the last day of America pulling out of the embassy on the 29th you see a bunch of people outside the fence, one of thems my family. But anyway we didnt get on the helicopter, and we got a chance to escape the next day theres still two boats left at the pier and somehow we managed to get five of us onto the boat.

In the film, Nguyen plays a South Vietnamese man who urges his wife and family to escape by boat to the U.S. while he remains behind to fight.

Nguyens character is imprisoned in a Communist re-education camp. Meanwhile, his family makes the arduous journey to America. To create the script, Ham Tran interviewed 400 people from the Vietnamese community in the U.S. Their personal stories provided the dramatic material for the film. But Tran says he found very little visual documentation to use as reference. That lack of material concerns Miriam Lam.

MIRIAM LAM: In terms of re-education camp experiences, yes this is a huge part of history that isnt in the history textbooks yet and its been an ongoing concern for academics who are worried about this period in world history and Vietnam history and US history Its similar to the Holocaust victims earlier its a whole generation that were not going to hear from much longer. And many of them are dying.

Ham Tran wanted to accurately convey the experiences of the boat people and the prisoners at the re-education camps. Each day on the set, Tran asked his cast and crew if he was getting the details right. For instance, in one scene on a boat a storm breaks out. Tran says his impulse was to show everyone ducking for cover.

Rain falls on the boat people in Journey from the Fall

HAM TRAN: Somebody that was cast as a boat person and was a boat person herself stood up and said no, no. Ham thats not how it happened. When youre out there on the boat youre so thirsty and youve been going days without water that when it rains everybody climbs up on deck. We collect it in our shirts we wring it out later for water, we take any kind of tarp we can find and collect it and save that water, and it was because of her that we changed the scene and everybody was trying to drink from that rain water and it became like a benediction like a sacred moment for them.

Now that the films done, Tran says he takes pride that its helping younger Vietnamese Americans to understand what their parents went through.

HAM TRAN: The younger generation will come up to me and say my parents dont talk about it but now I totally understand them. Another one came back to me and said since your film my dads been telling me a lot more about his own experience... that was the rewarding part, to get the older generation to start talking because they want to talk but they dont know where to start.

Ham Tran hopes that his film will provide a starting point for a broader discussion about the Vietnamese experience.

Click here to listen to Beth Accomando's feature on The World.