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  • For the fourth Republican primary debate on Wednesday night, the field got smaller than ever, with just four candidates meeting the RNC criteria to participate. Here are some highlights.
  • KPBS presents a joyful holiday special featuring seven of San Diego's most talented choirs, celebrating and sharing the power and grace of the holiday season in multiple denominations. The one-hour show will premiere November 25 at 8 p.m. on KPBS TV.
  • Bangladeshi-Irish author Adiba Jaigirdar's latest YA romance promises a spoonful of drama and a dash of deception, leading to a well-baked resolution.
  • Ben Model has dedicated himself to creating music scores to bring silent films back to glorious life. He discusses the process to creating these scores and his passion to save these films and share them with new audiences.
  • Bring the family to Prebys Play Day on Free Second Sunday, March 12 to celebrate Biology Through Art and enjoy live music, games, and interactive STEAM installations created by artist-scientists in the community. Artist Sheena Dowling will also lead us in a DIY art activity inspired by artist Mely Barragan (Mexico, b. 1975) and Barragan’s piece "Black Light." Together, we will create multimedia mini paintings using collage and assemblage techniques while reflecting on visual metaphors of the human body.
  • Premieres Friday, Sept. 29, 2023 at 8 p.m. on KPBS 2 / PBS App +Encore Sunday, Oct. 1 at 11 p.m. on KPBS 2. The evening commemorating Hispanic Heritage Month includes performances and appearances by some of the country's most celebrated Hispanic artists and visionaries. Honorees include multiple Grammy/Latin Grammy winners Café Tacvba (Arts Award); Chairman of the NBCUniversal News Group, Cesar Conde (Media Award); Grammy Award nominee Omar Apollo (Inspira Award); the fastest-growing Mexican-American food brand, Siete Family Foods (Entrepreneurship Award); and Urban Latin music icon Wisin (Vision Award).
  • Monday, Dec. 30, 2024 at 10 p.m. on KPBS TV / Stream now with KPBS Passport! A cerebral, French-speaking Hollywood star, Jodie Foster's career and journey to fame has been remarkable. From her origins as a child model and acclaimed young actor, she later transitioned behind-the-camera as a filmmaker. This documentary follows her unique life and highlights her many accomplishments in the film industry.
  • From the organizers: WE Gallery at Dance Place Liberty Station is excited to present Turn! Turn! Turn! featuring Mark Siprut and Larry Caveney. This exhibit explores dance as an expression of life and return to joy following the seasons of change and uncertainty endured during our times of isolation and separation from community during the last three years. Opening event is Friday, April 14 from 6 - 8 p.m. and includes a community dance facilitated by Michele Lyons. In this exhibit of photographic prints and interactive video, Mark Siprut shares his passion for dance and music through his digital imagery incorporating photography and video with collage. Mark’s artistic expression is influenced by his love of dance, body movement and music. He began dancing at age 10 and continued through his teenage years. He danced to the popular music of the 60’s and was especially drawn to Motown music. In college, in the early 70’s, he discovered international folk dancing and fell in love with it. Folk dancing led him to an interest in playing Balkan music. He learned to play the drums; Tupan and Dumbek, and played in Balkan music ensembles in Hawaii, Santa Barbara and San Diego. Folk dancing and music reinforced his interest in world cultures, especially Middle Eastern/Turkish. Additionally he developed an interest in his Sephardic Jewish heritage which was the impetus to travel to and and then teach on a Fulbright grant in Turkey. Prior to his time in Turkey, while in graduate School at UC Santa Barbara, he discovered Lindy Swing dancing and studied with famed swing dancers, Jonathan Bixby and Sylvia Sykes. He developed a great love for this dance style and currently continues to enjoy swing and salsa dancing here in San Diego. Mark Siprut is an Associate Professor in Multimedia in the School of Art and Design at San Diego State University (SDSU). He earned his BA and MA in Art at Humboldt State University and his MFA in Art at University of California, Santa Barbara. In addition to being an educator, Mark is an artist, designer, dancer and musician. In addition to his formal studies in photography and printmaking, his current creative research is in time-base, interactive and electronic media. His work has been exhibited locally and internationally. He currently has a solo exhibition at the Bonita Museum and Cultural Center entitled; “Photographic Portraits of Bonita”. He engages in collaborative, interdisciplinary, and intercultural applications to visual communication. Larry Caveney combines bold strokes and captivating color palettes in this series of dance paintings which form a palpable and kinetic immediacy. The paintings use familiar yet ambiguous figures in order to reveal deeper existential truths. Looking closer at his canvases, the four elements are at play in each frame: air, fire, earth and water. The motion depicted in both his paintings and video works cut through the air, swirls it all about, be it a dancer’s twirl across the ballroom floor or the strut of a superstar sashaying toward the audience. In these frames, the air is disrupted by greatness and the painting captures this disruption. The energy on display burns with the heat of the subject’s intent but also the artist’s as well. The layers of meaning are derived from having captured the explosion of heat, each picture of Caveney’s is defined by the fire of what the subject burns. The solid object of the pictures is a manifestation of the element of earth. Even when the depiction creates illusionistic space, even when the artist captures crystal moments in time and articulates their magic, the object itself is what guarantees its permanence, its earth. The element at the core of Caveney’s practice is the human body, whether depicted in performance video, or the liquid paint he moves around to complete his compositions. Bodies in motion captured in a loop forever dancing. Bodies frozen in mid gesture seem to pulse with the rhythm of the dance, inviting us to the floor, where the we connect with our own embodied gestures. Larry Caveney graduated with an M.F.A from Vermont College, Montpelier, VT and has exhibited both nationally and internationally since 1983. In addition to working as a painter, sculptor, and performance artist, Caveney is a former professor from the Art Institute of San Diego. Caveney has been collected by The Permanent collection in Asheville Museum of Art, Asheville, NC and The Permanent Collection in Casoria Contemporary Museum, Naples Italy Turn! Turn! Turn! is a project of WE Gallery presented in collaboration with San Diego Ballet and Arts District Liberty Station and will be exhibited in the Mandell Weiss Gallery space in the Dorthea Laub Dance Place located at 2650 Truxtun Rd in San Diego. A portion of sale proceeds will benefit The San Diego Ballet Scholarship Fund.
  • When school is out, the fun is in at Dynasty Dance Co.! Dynasty Dance Co.'s special Memorial Day Camp on Monday, May 29, is just $99 for the day. Our unique school break camp curriculum provides STEAM based activities that keep kids ages 5-12 engaged and active all day! From exploring the arts to science, educational enrichment and physical movement, our fun promotes learning and campers have a blast! Operating hours are 8:30 a.m. - 4:30 p.m., early drop off and late pick up options available as needed. 20% off sibling discount. Limited spots available. Stay Connected on Social Media! Facebook | Instagram | Twitter
  • You are invited to the Intersections Concert Series featuring Beyond the Blues with Mamie Minch and Mara Kaye (08.10.23). Join UC San Diego for our Intersections Concert Series at Park & Market in the Guggenheim Theatre hosted by UC San Diego and New York-based violinist Yale Strom, one of the world’s leading ethnographer-artists of klezmer and Romani music and history. MAMIE MINCH Mamie Minch is a longtime staple of New York City’s blues scene. Listening to her sing and play is like unpacking a time capsule of American music that’s been stored in her 1930s National steel guitar for decades and filtered through a modern femme sensitivity. Mamie’s honest, deep singing voice and old school guitar walloping become a vessel for her toughness and pathos as she delivers timeless performances that can rile, groove, sooth, and understand. If you’ve been lucky enough to see Mamie perform in New York City or somewhere else in the wide world, then you know: there are some things a person is simply meant to do. After graduating from art school in non-traditional printmaking techniques, Mamie came to New York City where she fell in with a crowd of 78 record collectors, some of whom had contributed rare recordings to the same reissue labels she loved. It was a mind-expanding time for her and she connected with a crowd who were interested in early American music. Soon, she was playing around the city in small clubs with her first band, Delta Dreambox. She met Meg Reichardt (Les Chauds Lapins, Low Down Payment), another guitarist and singer who could sound like she’d jumped off of an Edison wax cylinder, and they founded the four-piece, all-woman harmony group the Roulette Sisters, who played together for a decade and recorded two full-length albums. In 2008, Mamie released her first solo album, "Razorburn Blues," in collaboration with bassist/engineer Andy Cotton. Through the community of musicians centered around Barbes, Mamie connected with beloved singer/guitarist Dayna Kurtz. They toured together as a duo—two altos performing show-stopping, full-bodied harmony over layers of guitar—and made a 10” record, “For the Love of Hazel.” MARA KAYE The blues flows through San Diego. It has for a long time. Sometimes it has been obvious, flowing on the surface, and other times it has tunneled underground from far, far away just to bubble up underneath our feet. But, improbable as it may sound, a continuous stream of one of the greatest branches of American music flows through our city. Sam Chatmon, member of the legendary Mississippi Sheiks and possible author of the blues standard “Sittin’ on Top of the World” spent his summers here in the 1970s playing coffeeshops and folk festivals. Players like Robin Henkel and Tomcat Courtney have gigged constantly here for decades and made themselves into blues institutions. And still younger generations of musicians like Nathan James, Ben Powell, Whitney Shay, and Sarah Rogo have taken up the mantle. So, when a new blues voice appears in San Diego, it had better stand out. Over the last year, Mara Kaye’s voice has been doing just that. I’ve been watching it happen in real time as I back her up on mandolin and fiddle. When Mara starts singing in bars and dining rooms across the city, folks with their backs turned to the stage turn around. They smile, they applaud, like nice audiences do, but a lot of them become transfixed—like they’re seeing something they can’t believe, or something they didn’t know existed but hoped it did. When she sings, there is a kind of freedom that you can hear and see. And, at some subconscious level, that’s what every audience member wants to see—someone being free. The blues is a vast tradition, with important and distinctive branches spreading out over more than a century of evolution. Some of us love the old acoustic stuff from the Mississippi Delta; some of us love the later electrified stuff from Chicago. Some of us study it and stay close to the old styles; some of us draw from the old ways to create something new. Mara’s blues are deeply rooted in the old ways but remixed in a way that still feels novel—like some last pocket of the blues that never got explored in the old days, all wrapped up in a ball of 21st-century Brooklyn-bred attitude. (Written by San Diego Troubadour, 2020) More info: The Intersections Concert is a new interdisciplinary event series, presented by UC San Diego Division of Extended Studies, taking place at the multi-tenant, mixed-use business, arts, and educational office building in downtown San Diego’s East Village. Intersections offers new, diverse takes on traditional ideas and forms in a variety of disciplines, from artistic performances to educational lectures will take place at Park & Market’s state-of-the-art Guggenheim Theatre. Hosted by UC San Diego and New York-based violinist Yale Strom, one of the world's leading ethnographer-artists of klezmer and Romani music and history.
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