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Statements recognizing Indigenous rights to territories seized by colonial powers may be well-meaning. But some Indigenous leaders fear these acknowledgments may become routine and performative.

Most doctors get little training in the science of obesity or how to counsel people with the disease. As a result, many patients experience stigma in the exam room.

Ice sculpting and tropical heat don't usually go together, until Kenyan journalist Michael Kaloki decided to do something "crazy": form a team to represent Africa at the Quebec Winter Carnival.

Netflix has brought back the TV satire in which Volodymyr Zelenskyy plays a history teacher who unexpectedly becomes president of Ukraine.

One San Diego hospital is expanding its operations to deal with more high risk pregnancies. Meanwhile, San Diego police are creating a special team to investigate “ghost guns.” Plus, a preview of this weekend’s local arts events.

A new virtual art exhibition celebrates theater, movies and television with original sketches by Broadway set and costume designers.

Every Ocean Hughes (EOH), f.k.a. Emily Roysdon (born 1977), is an transdisciplinary artist and writer. EOH’s recent projects take the form of performance, photographic installations, print making, text, video, and curating. EOH was editor and co-founder of the queer feminist journal and artist collective, LTTR. Her many collaborations include music with The Knife, Colin Self, and JD Samson & MEN; costume design for choreographers Levi Gonzalez, Vanessa Anspaugh, Faye Driscoll, and the band Le Tigre. Solo exhibitions include Studio Voltaire, London (2022); Moderna Museet, Stockholm (2022); Kunsthalle Lissabon, Lisbon (2017); Secession, Vienna (2015); PARTICIPANT INC, New York (2015); Art in General, New York (2011); and the Berkeley Art Museum (2010). EOH has received commissions for new work from Tate Modern, London (2012, 2017), the Stedelijk Museum Amsterdam (2013–14); Portland Institute of Contemporary Art (2013–14); and the Kitchen, New York (2010). EOH’s work was featured in the 11th Gwangju Biennale, South Korea (2016); the Biennale of Sydney (2014); Future Generation Art Prize at the 55th Venice Biennale (2013); the Whitney Biennial 2010, New York; Manifesta 8, Murcia, Spain (2010); Greater NY, MoMA/PS1 (2010); and The Generational, New Museum (2009). She is currently the Sachs Visiting Professor at University of Pennsylvania. http://everyoceanhughes.com/ Date/Location: Oct. 15, 2021 @1:00pm Virtual Zoom Link For more information on this event please visit: https://www.eventbrite.com/e/every-ocean-hughes-remote-guest-lecture-tickets-186336356057

Phoenix has long been one of America's fastest growing cities. But central Arizona may finally be facing a reckoning as much of its groundwater supplies are becoming tapped out.

Alida Cervantes, Angélica Escoto, Carlos Castro Arias and Cog•nate Collective were chosen this year by a newly expanded jury of nonlocal curators representing the Whitney Museum, San Francisco's MOMA and more.

The decision by the three-judge panel represents a significant win for federal prosecutors, clearing the way for them to use as part of their investigation the entire tranche of documents seized during an Aug. 8 FBI search of Mar-a-Lago.