Search results for

A deadly raid in central Nigeria left more than 100 villagers dead and hundreds displaced. Survivors say it's part of a brutal campaign to drive Christian farming communities from their land.

Reception: Sat. June 8, 2:30 p.m. – 4:30 p.m. “Bonita Paint-Out” with Mehl Lawson: Friday, June 7 p.m. at 9 a.m. Art Materials Swap: Sat. June 8 10:00 a.m. to 2:00 p.m. Juror: Jean Stern, Director Emeritus of the Irvine Museum. The museum is honored to welcome Mr. Stern, the preeminent authority of California Plein Art History, to jury for the annual Plein air exhibition in 2024 Artists in the Exhibition: Liz Abeyta, Geoff Allen, Drew Bandish, Brian Belfield, Julie Bradbury-Bennett, Gloria Chadwick, Lorraine Marie Cote, Brian Gibson, Danny Griego, Karen Haub, Carolyn Hesse-Low, Marie Huggin, Michelva Hutchinson, Justine Javes, Rose Ireland, Margaret Larlham, Mehl Lawson, Fan Li, Shuang Li, Kevin Liddell, Rod Lingren, Chrysanne Lowe, Lester Machado, Lisa Colette Martin, Nathan McCall, Carmelita Molina, Mark Nakananishi, Carol Perrington, Lisa Passin, Jean Petaja, Kathryn Peterson, Nina Pierson, Jeff Remmer, Dot Renshaw, Jenny Rivera, Grace Schlesier, Lynne Schulnk, Gina Sheehan, Sarah Sullivan, Majorie Taylor, Christa Thurber, Joyce Trinh, Minnie Valero, Lydia Velarde, Colleen Veneri, Jami Wright Sketchbooks with members of San Diego Urban Sketchers Beyond the Borders is an exhibition and a collaborative effort between the California Art Club San Diego Chapter, the Salmagundi San Diego Chapter, San Diego Watercolor Society, Desert Plein Air Association, San Diego Urban Sketchers, Oceanside Museum of Art, San Diego Plein. Air Painters Meet Up Group, Temecula Art Guilt, Fallbrook Art Guild, Coronado and the Bonita Museum and Cultural Center. Joyce Trinh, exhibition coordinator, California Art Club San Diego. "Beyond the Border, en Plein Air" takes visitors on a visual journey starting from the public parks, regional and national parks, into neighborhoods, past historical sites of architectural marvel, along the bay, and the serene Pacific shoreline. The journey concludes with a tranquil finale at the dock, leaving a lasting impression of the journey's diverse landscapes. This journey, much like the artistic process, is a transformative one where each step reveals new perspectives and insights. The exhibition offers a space where plein air artists share their unique interpretations of the world around them. Each painting is the artist's experience, inviting viewers to pause and reflect. The time and consideration given by each artist enriches the public's understanding of the artistic journey, making the exhibition a shared experience of discovery and appreciation. Thank you for highlighting the beauty of this artistic en plein air painting voyage. For more information visit: bonitahistoricalsociety.org Stay Connected on Facebook and Instagram

Dozens of Wisconsin dairy farmers are breathing a sigh of relief after federal funds they had been awarded were released and payments are now being promised. But anxiety persists for some.

After years of cracking down on California’s oil industry, Gov. Gavin Newsom and legislative Democrats are moving to get Kern County wells pumping again to avoid soaring gasoline prices.

Weinstein's 2020 conviction on sex crimes in New York was overturned last year. In a new trial, jurors heard allegations from three women.

British prosecutors have approved 21 charges against brothers Andrew and Tristan Tate, including rape, assault and human trafficking

Make a Turkey Wing Hand Broom! Sunday, January 12, 1 p.m. - 4 p.m. A Turkey Wing hand broom is an epic example of Appalachian folk art. It could be considered a functional tool or a decorated art piece. These brooms are made with natural broomcorn. Instructor AB will teach you the traditional techniques for binding and shaping the broomcorn, which is made from sorghum, to create a fun and unique experience…others call it a spiritual occurrence. Let’s sweep it up. Ages 13+ years and up is recommended. Materials fee: $10 (cash) to be paid to instructor at the start of the workshop • Military and sibling discounts. • Scholarships available. • Homeschool funds accepted. • If this class is full, join the Interest List. • If you would like to be notified of future offerings, join the Interest List to be notified when new dates or spaces are available. Visit: Hand Broom Making Workshop San Diego Craft Collective on Instagram and Facebook

Celebrating dedicated high school art teachers, this exhibit features a variety of art in a variety of media created by artists that teach in North County High Schools located in Carlsbad, Del Mar, Encinitas, Oceanside, and Vista. Exhibit held in the Kruglak Art Gallery (Building 3400), Oceanside Campus. Exhibit closed March 18–22 Stay Connected on Facebook and Instagram

This exhibit highlights the profound impact of Favela and the Royal Chicano Air Force (R.C.A.F.) on Chicano art and activism. Favela was a trailblazer in the use of calavera imagery to depict Chicano life, addressing issues and perspectives often marginalized in the mainstream. His involvement with the R.C.A.F.—a Sacramento-based Chicano art collective founded in 1969—offered him and his peers a powerful medium of expression through silkscreen posters. For the R.C.A.F., Chicano arte was not created for art’s sake but as a tool of resistance and empowerment, reflecting the cultural pride and activism central to Chicanismo. The R.C.A.F. began as un grupo de estudiantes Chicanos with profe’s and community gente, who came together to form an art collective with the aim of making cultural arts accessible to the working-class raza—La Plebe! As Favela often said, "Have causa, we’ll travel." In other words, your struggle is our struggle, and we will be there to support you with our arte. Curated by: Florentina Favela and Eddie Salas. Chicano Park Museum and Cultural Center on Facebook / Instagram

"For Dear Life" opens at Museum of Contemporary Art San Diego, featuring American art about disability, medicine and health from the 1960s until the onset of COVID-19. For co-curator Jill Dawsey, this one is personal.