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Rossini’s "Il turco in Italia" is a witty, self-aware comedy fueled by curiosity, attraction, and cultural collision. When a Turkish traveler and a free-spirited Italian woman meet, their mutual fascination ignites a whirlwind of romantic confusion, comic chaos, and sharp social satire. Sparkling with effervescent ensembles and impeccable comedic timing, the opera offers a playful yet pointed look at love, identity, and the challenge of being true to oneself. Peter Kozma directs the production and conducts the Opera Neo Orchestra. Opera Neo on Facebook / Instagram

Where: The Star Theatre Oceanside at 402 N. Coast Hwy. Audition Dates: Monday, February 16 & Tuesday, February 17 Call Backs: By director invitation only - Wednesday, February 18 Mandatory Parent Meeting: Monday, March 2 Rehearsals Begin: Monday, March 2 Rehearsals: Monday, Tuesday, Wednesday & Thursday 4:30 p.m. - 6:30 p.m. Actors will only be called if they are being used. Most actors will not be called everyday. Show Dates: April 24, April 25, April 26, May 1, May 2, May 3 School Show Dates (Mandatory): April 28 & Apr 30 FOR ACTORS AGES 7 to 18, "HONK!" is a delightful and award-winning adaptation of one of the world's most beloved fables is a heartwarming celebration of what makes us special. Since it first hatched in 1993, Stiles & Drewe's musical, "Honk!," has winged its way around the world in over 8,000 productions and in many different languages. Winner of multiple awards, including the 2000 Olivier Award for Best Musical, this heartwarming celebration of being different is sure to delight audiences of all ages with its sparkling wit and memorable score. Ugly looks quite a bit different from his darling duckling brothers and sisters. The other animals on the farm are quick to notice and point this out, despite his mother's protective flapping. Feeling rather foul about himself, the little fowl finds himself on an adventure of self-discovery, all the while unknowingly outwitting a very hungry Cat. Along the way, Ugly meets a whole flock of unique characters and finds out that being different is not a bad thing to be. The Star Theatre on Facebook / Instagram

Taylor Frankie Paul rose to fame on The Secret Lives of Mormon Wives, then filmed a season of The Bachelorette. But it won't air as planned because of resurfaced domestic violence allegations.

Long before Gounod’s famous "Faust," a 26-year-old French composer, Louise Bertin, took on Goethe’s epic drama and created something entirely her own. Raw, visceral, and unfiltered, "Fausto" unfolds as the story of an aging, disillusioned scientist who strikes a desperate bargain with the Devil to reclaim youth and pursue pleasure. Blending classical elegance with romantic intensity, Bertin offers a strikingly eclectic yet deeply personal musical voice. Both bold and deeply human, Opera Neo’s American premiere of "Fausto" invites audiences to rediscover a forgotten masterpiece and encounter a uniquely youthful female perspective on one of Western culture’s most enduring stories. Peter Kozma directs the production and conducts the Opera Neo Orchestra, performing on period instruments. Opera Neo on Facebook / Instagram

Meet the Opera Neo artists, one aria at a time! Enjoy an evening of beautiful music at the La Jolla Woman's Club as Opera Neo presents each young artists singing their signature "Aria." The Gala performance will be followed by hors d'oeuvres, wine, and dessert with the artists. Visit: https://www.operaneo.com/gala2026 Opera Neo on Facebook / Instagram

Telemann, Bach & The Gospel Tradition Bach Collegium San Diego (BCSD), one of the country’s leading baroque ensembles, is bringing together of two venerable traditions–on the one hand, two extraordinary works from the German Lutheran tradition which meditate on the release of death and the joys that await, and on the other hand, music of comfort from the Gospel tradition and where and how these two worlds intersect. Rooted in the deep traditions of gospel music, Black funerals transform grief into joy, mourning into praise. Death is seen not just as the end of suffering, hardship, or injustice, but as a victory, a return to a promise fulfilled. Both cantatas are likely to have been written for funerals around 1707-8, though the specific identity of the deceased is unknown. A unique “quiet” instrumentation is featured in both cantatas which highlights violas da gamba, recorders, and omits the customary instruments of the violin family. This instrumentation was often linked to funeral cantatas. G.P. Telemann Du aber Daniel gehe hin TVWV 4:17 J.S. Bach Gottes Zeit ist die allerbeste Zeit ‘Actus Tragicus’ BWV 106 Including music from the Gospel tradition rooted in a triumphant send-off celebrating the end of earthly struggles. SOLOISTS Margaret Carpenter Haigh, soprano Reginald Mobley, countertenor Gene Stenger, tenor David Tinervia, bass Bach Collegium San Diego engages audiences with accessible, historically informed performances and educational programs featuring repertoire from the Renaissance, Baroque, and early Classical eras. The ensemble was founded in 2003 by Music Director Ruben Valenzuela to diversify the musical offerings of the San Diego community. Bach Collegium San Diego on Facebook / Instagram

Telemann, Bach & The Gospel Tradition Bach Collegium San Diego (BCSD), one of the country’s leading baroque ensembles, is bringing together of two venerable traditions–on the one hand, two extraordinary works from the German Lutheran tradition which meditate on the release of death and the joys that await, and on the other hand, music of comfort from the Gospel tradition and where and how these two worlds intersect. Rooted in the deep traditions of gospel music, Black funerals transform grief into joy, mourning into praise. Death is seen not just as the end of suffering, hardship, or injustice, but as a victory, a return to a promise fulfilled. Both cantatas are likely to have been written for funerals around 1707-8, though the specific identity of the deceased is unknown. A unique “quiet” instrumentation is featured in both cantatas which highlights violas da gamba, recorders, and omits the customary instruments of the violin family. This instrumentation was often linked to funeral cantatas. G.P. Telemann Du aber Daniel gehe hin TVWV 4:17 J.S. Bach Gottes Zeit ist die allerbeste Zeit ‘Actus Tragicus’ BWV 106 Including music from the Gospel tradition rooted in a triumphant send-off celebrating the end of earthly struggles. SOLOISTS Margaret Carpenter Haigh, soprano Reginald Mobley, countertenor Gene Stenger, tenor David Tinervia, bass Bach Collegium San Diego engages audiences with accessible, historically informed performances and educational programs featuring repertoire from the Renaissance, Baroque, and early Classical eras. The ensemble was founded in 2003 by Music Director Ruben Valenzuela to diversify the musical offerings of the San Diego community. Bach Collegium San Diego on Facebook / Instagram

Darren Indyke, longtime attorney for Jeffrey Epstein, testified he "did not know" of Epstein's sexual abuse of women and girls. He also confirmed the existence of hard drives held by Epstein's estate.

Disguise, desire, and political intrigue drive Vivaldi’s rarely staged "Arsilda, regina di Ponto," a fast-moving drama of love and hidden identity. After Prince Tamese is believed lost at sea in a shipwreck, his sister Lisea disguises herself as her brother to secure the kingdom’s future, only to find herself betrothed to his fiancée. Vivaldi’s brilliant score shifts effortlessly between comic sparkle and psychological depth. Opera Neo’s American premiere of Arsilda offers a captivating theatrical ride and a timeless meditation on love, identity, and renewal. Peter Kozma directs the production and conducts the Opera Neo Orchestra, performing on period instruments.

Bach Collegium San Diego (BCSD), one of the country’s leading baroque ensembles, presents its season highlight with its namesake composer “J.S. Bach: Mass in B Minor BWV232.” The "Mass in B minor" represents a pinnacle and summation of Bach’s musical language into one cohesive work. Completed in 1748-9, the "Mass in B minor" was never performed during Bach’s lifetime. The first documented complete performance took place in 1859, over a century after Bach’s death. The "Mass in B minor" is a vast and complex work, with 26 individual sections exemplifying diverse musical styles, oftentimes borrowing from and recasting earlier works of Bach. Bach takes us on a journey through some of his most sublime musical ideas, from moments of meditation and repose, to full blown ecstasy and euphoria. Soloists Estelí Gomez, soprano Jay Carter, countertenor Aaron Sheehan, Michael Jones, tenors Enrico Lagasca, bass Bach Collegium San Diego engages audiences with accessible, historically informed performances and educational programs featuring repertoire from the Renaissance, Baroque, and early Classical eras. The ensemble was founded in 2003 by Music Director Ruben Valenzuela to diversify the musical offerings of the San Diego community. Bach Collegium San Diego on Facebook / Instagram