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  • Catch the winter spirit with snow flurries every night at 5 p.m. throughout December. Flurries are made with eco-friendly artificial snow and can be enjoyed bayside at Malibu Farm. snow + glogg and hot chocolate This event runs from December 1 through December 30. Activities take place daily at 5 p.m. Malibu Farm San Diego on Facebook / Instagram
  • South Africa's iconic Market Theatre, born in the darkest days of apartheid and a force for change, is celebrating its 50th anniversary.
  • The program is funded by a three-year grant from the U.S. Department of Health and Human Services, and serves women ages 18-21 who are homeless or experiencing housing insecurity.
  • Water is often a scarce commodity in Nairobi's largest slum. The only source may be a local cartel — and with that comes the risk of sexual threats and attacks.
  • Based on a true story, the performer everyone wanted to see “live” in 1940s New York was Florence Foster Jenkins, an enthusiastic soprano whose pitch was far from perfect. Known as “the first lady of the sliding scale,” she warbled and screeched her way through the evening to an audience who mostly fell about with laughter. But this delusional and joyously happy woman paid little attention to her critics. Instead, she was surrounded by a circle of devoted friends who were almost as eccentric as she was. This hilarious comedy is appropriate for all ages and, although is not classified as a musical, it contains both music and dance. Visit: https://www.powpac.org/?utm_source=Vesta&utm_medium=Referral
  • Nocturnal scenes of San Diego’s ubiquitous taco stands and a massive shipyard are the subjects of “Night Light,” an exhibit at The Photographer’s Eye Gallery that will feature fine art images by Philipp Scholz Rittermann and Marshall Williams. This free show will open May 10 and run through June 7. Rittermann and Williams are both accomplished San Diego artists, commercial photographers and teachers whose works have been shown at prominent venues locally, nationally and internationally. When Philipp Scholz Rittermann stepped into the metal shell that was to become the hull of the Exxon Valdez, he could not envision that he was documenting the first chapter of a future catastrophe. The year was 1985, and four years later the oil tanker would run aground in Prince William Sound, Alaska, bleeding its cargo of crude oil into the sea and etching the ship’s name into the log of notorious environmental disasters. Rittermann was a young man, recently arrived in the United States, when he landed an internship at the San Diego Museum of Photographic Arts, which led to his securing a pass to do night photography at the National Steel and Shipbuilding Co. (NASSCO) shipyard on San Diego Bay. The result is his collection, “Shipyard Nocturnes,” which will be shown at the nonprofit Photographer’s Eye Gallery. One of the featured images in the exhibit is Rittermann’s large black and white print shot inside the Exxon Valdez as it was being built. The work is remarkable for both its artistic appeal and what it came to signify. “I was standing inside one of the enormous holds and looking into this cavernous space that was the size of a cathedral on the inside, and an engineer walked by and I said, ‘So where are you putting the oil tanks?’ And he said, ‘You're looking at it.’ And I said, ‘Do you mean they go here?’ And he goes, ‘No, you're looking at it.’ “And I said, ‘Oh … this is the tank?’ And he goes, ‘Uh-huh,’ and walks away,” Rittermann said. “I thought, geez, what happens when you put a zipper in this?” Rittermann recalled, “and then four years later, that's exactly what happened.” Rittermann’s images stand as tributes both to industrial might and technology, and to the human fallibility that enabled such a disaster. “While the images haven’t changed since I made them,” Rittermann said, “the way I feel about them has.” Marshall Williams was inspired to create images of San Diego’s taco stands when he found himself waiting for a traffic light to turn green, and a neighborhood fixture caught his eye. “I was staring at the taco stand across the street when it illuminated and in that moment I was a bit startled by the transformation,” Williams said. “I saw this structure in a way I hadn't seen it before." “I came back to photograph it at the same time of the evening and from that point on I began to notice the different taco stands around town all shared many of the same elements, but no two seem to be the same,” he said. The result is “Taco Stand Vernacular,” a collection of images that captures the folk nature of one of San Diego’s most common fixtures — one so common that it is easily overlooked. Williams photographs them as day yields to night, and he produces his images in black and white. “As a photographer, we love that transitional moment between day and night when there is a balance and ‘best of both worlds’ from a lighting perspective,” he said. In daylight, these small structures are swallowed by their surroundings, he noted, “but in the early evening they are cloaked in a subdued ambiance and emitting their own light, exuding a sort of theatrical like presence.” “This has been an exercise in taking the commonplace and attempting to elevate it to an object of appreciation,” Williams said. “If taking the time to observe the details of a taco stand can change our view of it, what other details have we missed or left unappreciated in the hustle of our busy lives?” “Night Light” opens on May 10 and closes June 7. The gallery is open Fridays and Saturdays, from 11 a.m. to 5 p.m., and by appointment. There will be an artists’ walk-through on opening day at 4 p.m., followed by a reception at 5 p.m. Artists Rittermann and Williams will conduct a night photography walkabout on May 15. Consult The Photographer’s Eye website for details. Visit: https://www.thephotographerseyecollective.com/ and https://www.marshallwilliamsphotographs.com/taco-stand-vernacular The Photographer's Eye: A Creative Collective on Instagram
  • Two Major League Baseball pitchers have been indicted on charges they took bribes to give bettors advance notice of the types of pitches they'd throw and intentionally tossed balls instead of strikes.
  • This isn’t your sweet little comedy show—this is grown-ass comedy for people who’ve been through some things… and lived to roast it. Silver Sisters is a no-filter crew of comics 40+ serving up truth about dating AGAIN, aging bodies, bad decisions, great stories, and why we’re absolutely not disappearing quietly. And this time? We’re celebrating National Old Maid’s Day—because apparently being single past a certain age needed a label… so we made it funny. Featuring a killer lineup (and yes, a few brave Misters), this show is bold, relatable, and just unhinged enough to make you text your friends after like: “YOU HAVE TO SEE THIS.” Silver Sisters Comedy on Facebook
  • La demanda afirma que a los inmigrantes se les está privando del debido proceso después de que previamente habían sido declarados aptos para su liberación, sólo para ser arrestados y detenidos cuando se les convocó repentinamente para reaparecer en una oficina del ICE.
  • Vancouver guitarist Paul Pigat is one of those rare players who can burn through rockabilly, jazz, roots, and everything in between without breaking a sweat. Blessed with a jazz man's sheen, a rockabilly heart, and restless musical curiosity, Pigat has quietly built a list of credits that would be the envy of anyone in the business — sharing stages and lending his distinctive guitar work to artists like Jeff Beck, Jakob Dylan, Brian Setzer, Albert Lee, James Burton, Neko Case, and the Reverend Horton Heat. Much like Steve Cropper standing behind Otis Redding at Stax, Pigat has spent years creating sweet sounds for some of the best artists around without always getting the attention you'd expect. But anyone who's caught him live knows the secret is out — Pigat is a combustible, genre-defying force on the fretboard and one of the most versatile guitarists working today. Visit: https://www.museumofmakingmusic.org/events/paul-pigat Paul Pigat on Instagram and Facebook
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