On June 30, Sound Praxis presents an evening of electronic and electroacoustic music by Mike Nigro, Matthew D. Gantt, Ess Whiteley, and Jonathan Piper. This presentation is generously hosted by Brown Building in City Heights! **Mike Nigro** is an electronic musician and label operator based in Sydney, Australia (previously Brooklyn, NY and Newark, Delaware). His solo practice and collaborations draw inspiration from the minimalists, early synthesizer pioneers, and contemporary experimental underground. His work explores the spaces between musicality and noise; movement and stasis; synthetics and organics. **Matthew D. Gantt** is an artist, composer, and educator focused on sound in virtual spaces, generative systems facilitated by idiosyncratic technology, and digital production presets as sonic readymades. He worked as a studio assistant to electronic music pioneer Morton Subotnick, and has been an active participant in the international creative community, presenting or performing at spaces such as Pioneer Works, Issue Project Room, Roulette, Babycastles, SVA Visible Futures Lab, Panoply Performance Laboratory, EMPAC, the Wrong Biennale, and countless DIY venues across North America. **Ess Whiteley** is a composer, performer, sound, & intermedia artist. Their work combines electronics with acoustic instruments, multimedia, repurposed technological objects, and sonic artifacts to produce audible worlds that explore temporal elasticity, living memory, haunted presents, and strange posthuman mutations. Sometimes hyperreal and maximal, other times hypnotic and meditative, their work plays with perceptual ambiguity, reference, technological agency, and absurdity, generating entangled, synthetic-organic architectures that shift between moving states of entropy, periodicity, and stasis. **Jonathan Piper** is a San Diego-based tubist and technologist. His work as a tubist centers on the exploration of sonic and gestural possibilities found at the limits of both the instrument and the performing body. Supported by extended techniques and live electronic processing, he combines elements of drone, doom, noise, free jazz, and contemporary idioms. Jonathan performs as a soloist and in collaboration with musicians including Ryan Ebaugh, Michelle Lou, Stevie Richards, Nathan Hubbard, Nathan Berlinguette, Meghann Welsh, and Nick Lesley. He has presented work at Oracle Egg's BROILER Residency Series, Drone Not Drones, High Desert Soundings, Project [BLANK]'s Working Title, Sudden Somethings From Nothing, and Vernacular New Music. June 30, 2026 Brown Building @ 4133 Poplar Street Music at 7:30 p.m. $15 suggested (NOTAFLOF) Refreshments available All proceeds to the artists
