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  • Bach Collegium San Diego presents the entire Handel’s Messiah, in Spanish, performed on historically accurate instruments. The binational, cross-border, bilingual performance will be hosted March 18-20, 2022 in San Diego and Tijuana, Mexico. Bach Collegium San Diego engages audiences with accessible, historically informed performances and educational programs featuring repertoire from the Renaissance, Baroque, and early Classical eras. The ensemble was founded in 2003 by Music Director Ruben Valenzuela to diversify the musical offerings of the San Diego community. Friday, March 18, 2022, 7 p.m. | Saints Constantine and Helen Greek Orthodox Church 3459 Manchester Ave, Cardiff, CA 92007 Saturday, March 19, 2022, 7 p.m. | The Conrad Prebys Performing Arts Center 7600 Fay Ave, La Jolla, CA 92037 Sunday, March 20, 2022, 5 p.m. | CECUT Centro Cultural Tijuana P.º de los Héroes 9350, Zona Urbana Rio Tijuana | 22010 Tijuana, B.C., Mexico
  • Banksy's work, which the artist posted on Instagram Friday to 11.2 million followers, features a gymnast balancing on a pile of rubble with her hands.
  • A new program from the Balboa Art Conservation Center and Centro Cultural de la Raza will explore representation, access and the necessary methods for preserving Chicano/a/x art.
  • From San Diego weekend arts preview: British jazz group Sons of Kemet play a high-octane and powerful blend of jazz, Caribbean and African folk and rock music. Led by saxophonist and clarinetist Shabaka Hutchings, the group recently released a new full-length album, "Black to the Future." Sons of Kemet will perform at the Belly Up, and opening will be the incredible Melanie Charles. Charles recorded a Tiny Desk (Home) Concert last year with a gorgeous, Sun Ra/Afrofuturism-inspired arrangement of "Deep River," and you can watch that below. —Julia Dixon Evans, KPBS From the organizer: Saxophonist, composer, philosopher and writer Shabaka Hutchings returns with a brand-new album from his Mercury Prize nominated outfit Sons of Kemet. Black To The Future, the band’s fourth LP and second on Impulse! Records, is due out May. See them live at Belly Up Tavern on Saturday, April 16 at 9 p.m., doors open at 8 p.m. Ticket Price: $20 advanced / $22 day of show / $35 reserved loft seating (available over the phone or in person at out box office)
  • The musician was coming off of a short break from touring to address health concerns. The fans at Glastonbury supported him through every note.
  • Dreamers’ Circus returns to The Conrad to share their love of folk and traditional Nordic music with you, this February. Contemporary and innovative in their approach, they draw inspiration from the deep traditions of folk music in the region and reshape them into something bright, shiny, and new. Their art embraces music from Denmark and Sweden as well as Iceland, Finland, and the far reaches of the windswept Faroe Islands. A $15 Food & Beverage Voucher is included with each ticket. Date: Feb. 9,2022 Times: 6:30pm & 8:30pm Location: Now at the Wu Tsai QRT.yrd at the La Jolla Music Society's Conrad Prebys Performing Arts Center Cost: $63-$83 For more information on this event and ticket purchases please visit HERE!
  • Francesca Gino, a prominent behavioral science professor at Harvard Business School, has been accused of fabricating data in studies than span over a decade, and most recently in 2020.
  • A top lacrosse team — Haudenosaunee Nationals — is reclaiming its Indigenous identity after generations of being known as the Iroquois Nationals. Current team members say that name was derogatory.
  • A solo exhibition by Cecilia Wong Kaiser Jan. 17 through Feb. 5, 2023 From the gallery: Blue Sky is a collection of paintings that depict a sun-kissed, buoyant world and call to mind a boundless day, framed by a seen or unseen, probably California sky. Beyond the iterative use of the color blue across the majority of works, the paintings invite blue-sky thinking, in which all creative ideas – free of limits and judgment – are welcomed. Each painting documents a particular moment in time, and as such, is a starting point for a story that is told through and expands according to the individual viewer’s experiences. The narratives that emerge are as unique and limitless as the viewer’s own associations. Hopefully, too, they all occasion a smile. From the artist: Because I loved to draw as a child, I assumed that I would be an artist when I grew up. Some of my earliest memories center around drawing: drawing the world around me and the life I imagined for myself. At some point, I started drawing with paint, and I majored in painting in college and got a degree in fashion design thereafter. Then I became a lawyer and didn’t paint (or draw) for many years. I am grown up now, and six years ago, I started painting again in earnest. I realized that making pictures has always been a big part not only of understanding who I am and where I have been but also in telling the story of my own life. My life has been an extraordinarily blessed one, in the big moments and in the small, everyday ones. In painting what I want, how I want, I try to capture quiet celebrations of the everyday, my every day. Both in the process of committing these memories to canvas and in the open-ended narrative that is the finished painting, I memorialize the sun-filled snapshots of living here and now that might otherwise go unremembered: I paint. Related links: BFREE Studio on Facebook BFREE Studio on Instagram
  • "Jean-Michel Basquiat: King Pleasure" opened recently in New York City. It features 200 never-before-seen and rare paintings, drawings and artifacts from Basquiat, who died in 1988 at age 27.
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