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  • Fort Lee, named after the leader of Confederate forces during the Civil War, was redesignated on Thursday to honor Lt. Gen. Arthur Gregg and Lt. Col. Charity Adams.
  • Tech companies are in a race to roll out AI chatbots and other tools. As technology gets better at faking reality, there are big questions over how to regulate it.
  • Our weekend arts picks include outdoor performances by San Diego Dance Theater and SD Master Chorale, a new filmed play at Coronado Playhouse, Lux Art Institute's outgoing regional artist-in-residence and a (virtual) first show from The Shell.
  • In 2005, Kim Osorio sued The Source for gender discrimination, sexual harassment and hostile work environment, retaliation, defamation. Responses to the case reinforced hip-hop's culture of silence.
  • LITVAKdance has dedicated the Fall of 2021 to revisiting some of its most well-received repertoire from their four year tenure. At the Garfield Theatre at the Lawrence Family JCC, LITVAKdance will present five works full of punch, play and power. Choreographers include local dance icon and octogenarian Patricia Sandback, visiting choreographer Chuck Wilt and LITVAKdance artistic director, Sadie Weinberg. Performance event includes pre-concert complimentary cocktail and conversation with LITVAKdance artistic director, lobby art exhibition, intermission performance by Kelzmer violinist Yale Strom and access to current LFJCC photo exhibit, "Jerusalem: Art and Mystery" by Viviana Tagar. This is LITVAKdance's first main stage production since March, 2020. Note: Proof of COVID vaccination is required to enter LFJCC facilities. Program: "Rein" by Keith Johnson: Rein was originally commissioned as a part of LITVAKdance's virtual Fall 2020 production Polymorphic, a collaboration with composer/violinist Kristopher Apple. A play on words, the dance vacillates between the feeling of being reined with the release of a summer rainstorm. Keith is a professor of dance at CSU Long Beach and performed in NY with the companies of Bill T. Jones/Arnie Zane and Doug Varone and Dancers. "Radiant" by Chuck Wilt: Premiered in Fall 2019 and called 'turbulent and athletic' by dance critic Janice Steinberg, the 18-minute work for 6 dancers was inspired by the life and work of queer artist and AIDS activist, Keith Haring. Chuck directs Una Productions, a dance company currently based in San Fransisco. He is a graduate of NYU's Tisch School of the Arts. "Girls with Balls" by Patricia Sandback: A comic work created by the octogenarian in 2019, Girls with Ballstakes a serious look at all of the balls women are expected to keep afloat in life through witty and playful dance vignettes that include rhymes, spoken word and even a ukulele. Patricia was a professor of dance at San Diego State University for almost half a century. She continues to make work and perform in her retirement. Works by artistic director Sadie Weinberg: In addition to directing LITVAKdance Sadie teaches at UC San Diego and MiraCosta College. She holds a BFA from The Conservatory of Dance at Purchase College and an MFA from UC Irvine. "Another Ezio Summer: New and Archived Phrases": A work for 12 dancers, "Another Ezio Summer" brought the house down at LITVAKdance's Spring 2018 inaugural performance."I gave myself two tasks; never repeat and layer. I wanted to match the intensity of Ezio Bosso's music; just when it feels like the sound can’t possibly get bigger, it does." "The Practice of Coming Back": A solo with four supporting dancers inspired by company member, April Tra and her uncanny ability to shift seamlessly from intricate isolations to watery, full-bodied connectivity. The piece is a study on coming back to a movement idea; a metaphor for being forced to continue to grapple with the same thing over and over.
  • ˆFrom San Diego Dance Theater: With the many changes in the performing arts this past year, San Diego Dance Theater has fought to survive and to continue to provide excellent dance experiences for everyone throughout the pandemic. To conclude 2021, Executive Artistic Director Terry Wilson has designed an evening of dance that journeys into the heart and soul. Capturing Balance: Dances of Live, Love, and Loss includes choreography by Terry Wilson, former Artistic Director Jean Isaacs, and Guest Choreographer Khamla Somphanh. When: Friday, Nov. 12, 2021 at 7:30pm Saturday, Nov. 13, 2021 at 7:30pm Sunday, Nov. 14, 2021 at 2:30pm Where: Light Box Theater General Admission, $30. Senior/Military Admission, $20. Student Admission, $15. Tickets can be purchased at the Ticketleap link below, or by calling 619-225-1803. For more information and ticket purchases please visit HERE!
  • Gathering signatures is the first step to putting together a measure to get arts funding for every public school in California on the ballot.
  • Join the Library for our Autumn Concert Series on Fridays from September 2 to October 28. Each concert will begin at 1 p.m. in the Winn Room. Doors will open 15 minutes prior to the performance. This weeks performance by classical pianist Eric Brelsford will feature pieces by Schumann, Liszt, Chopin, and Rachmaninoff. Eric Brelsford has appeared on concert stages since 10 years of age. His training in classical performance is extensive and spans the globe. Eric decided to depart from the concert scene after completing his undergraduate studies at the Cleveland Institute of Music. Since then, his personal life and musical/artistic journey (being one and the same) have flourished. Eric's artistic philosophy is: as in music, so in life. sometimes vice versa. Eric's arrival on the San Diego recital scene began a few years ago with a foray into various piano "meetup" groups using the 'meetup' app on his smartphone. From there, he participated and received accolades for his 3 days of performance presentations at the Conrad in La Jolla during the San Diego Int'l Piano Competition for Amateurs (2019). Eric immediately withdrew from the recital scene again, to consider deeply the next steps of his journey. He will share the results today with his performance at the Coronado Public Library.
  • This year, the symposium will focus on transboundary conservation, specifically across the US-Mexico border, which spans nearly 2,000 miles across six distinct ecoregions and shapes a landscape that is home to more than 15 million people. It represents a unique opportunity to explore how to improve conservation outcomes for both people and ecosystems – and how to do so in the context of multinational, transboundary collaboration. The symposium will explore such topics as opportunities for, and barriers to, effective conservation in Mexico and the border region; climate change impacts; how to balance cultural needs, sustainable economic development, security, and the health of natural systems; the role of Indigenous leadership; and how the region’s distinct history and biogeography offer insights and learnings for other parts of North America. The 2022 symposium will be a hybrid format, with options for both in-person attendance in Denver, CO, as well as virtual participation.
  • Join us in celebrating the FOURTH year of this competitive exhibition. Opening reception is September 24 from 4-7 p.m. Many of the artists will be on hand to discuss their work. Light refreshments. If you can't attend the opening reception, normal gallery hours are Friday and Saturday 11 a.m.-5 p.m. OR by appointment (e-mail donna@thephotographerseyecollective.com). Social Media: Facebook & Instagram
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