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  • Bob Boilen's favorite Hanukkah tradition graces the Tiny Desk for fun-filled songs about latkes and gelt.
  • A veteran attendee shares some pointers for not just surviving Comic-Con but enjoying it.
  • Director Matthew Vaughn explains the inspiration behind "Argylle."
  • One week after a parent complained, Gorman's The Hill We Climb was moved. The NAACP chapter in Miami says it wants "to ensure that it takes more than one form to remove our history and heritage."
  • Hospitals were overwhelmed last winter by a surge in pediatric cases of RSV. Now a new monoclonal antibody shot could help, but price and supply issues are causing delays in getting it to infants.
  • As the U.S. plans new mines for copper, lithium and other metals to use in green technologies, mining projects in the West could threaten scarce water supplies.
  • The comic can pick up on the "micro bad mood" of whoever she's talking to. And when she wants her 3-year-old daughter to open up, she talks to her in the voice of Marcel the Shell with Shoes On.
  • "The Far Voice" Speaker: Hannah Zeavin, Assistant Professor, Indiana University Respondent: Alain J.-J. Cohen, Professor, Department of Literature, UC San Diego Hosted by Wentao Ma, PhD Student, Department of Literature, UC San Diego This event will be held via Zoom Webinar -- registrants will receive the Zoom link prior to the event start time. Abstract “The Far Voice” describes the rise of mass telecommunication therapies, focusing on the suicide crisis hotline (originated by Protestant clergy) in England and the United States in the 1950s and 1960s and investigates how this service first became thinkable, and then widely adopted and used. I redescribe the hotline as psycho-religious in origin and intent, rather than as the secular service it has usually been assumed to be. I argue that these services, in their use of the peer-to-peer modality, radically upset former regimes of pastoral care and counseling, as well as those of psychodynamic therapy. Hotlines generate a new, hyper-transient frame for the helping encounter, removing nearly all the traditional aspects of the therapeutic setting except for speech and listening. At the same time, these hotlines devalue the need for expertise and rescind the fee associated with that expertise. They challenge every clinical concept associated with the structure and dynamic of the analytic encounter. It is contingent, it is not in person, and requires (or permits) a distanced intimacy with no guarantee of repeating; and it makes use of the phone—an appliance paradoxically thought of as capable of bringing people together and as responsible for their greater alienation. I will conclude by examining the afterlives of these radical early hotlines in our contemporary, when algorithmic surveillance, datafication, and tracking have relinked the hotline with forced hospitalization and carceral intervention. Biography Hannah Zeavin is a scholar, writer, and editor, and works as an Assistant Professor at Indiana University and a Visiting Fellow at the Columbia University Center for The Study of Social Difference. Zeavin is the author of The Distance Cure: A History of Teletherapy (MIT Press, 2021) In 2021, Zeavin co-founded The Psychosocial Foundation and is the Founding Editor of Parapraxis, a new popular magazine for psychoanalysis on the left, which will be releasing its first issue in Fall 2022, and serves as an Associate Editor for Psychoanalysis and History and an Editorial Associate for The Journal of the American Psychoanalytic Association. About the Media Care Talk Series Dozing at the movie theater, listening to the podcast on the subway, counseling via Zoom appointments, searching immigration policy on the internet…In this increasingly crumbling world, media offer maintenance and sustain our vitality while they also harm our well-being through abuse and addiction. This talk series examines the concept of care and showcases the process of knowledge production surrounding artificial care in media practice. We will browse a range of media objects and platforms - from cinema to teletherapy, from smart drugs to sleep apps - and explore the habitual, affective, and material potential of healing and solidarity within film and media theories. This series is co-organized by the Film Studies Program and the Suraj Israni Center for Cinematic Arts at UC San Diego with generous support from the following: 21 Century China Center, Department of Communication, Department of Visual Arts, Department of Literature, and the Institute of Arts & Humanities. Questions Email surajisranicenter@ucsd.edu. By registering for this event you agree to receive future correspondence from the Suraj Israni Center for Cinematic Arts, from which you can unsubscribe at any time.
  • The Moth is an acclaimed not-for-profit organization dedicated to the art and craft of storytelling. It is a celebration of both the raconteur, who breathes fire into true tales of ordinary life, and the storytelling novice, who has lived through something extraordinary and yearns to share it. At the center of each performance is, of course, the story – and The Moth’s directors work with each storyteller to find, shape and present it. Since its launch in 1997, The Moth has presented thousands of stories, told live and without notes, to standing-room-only crowds worldwide.
  • Some areas in San Diego are harder to find childcare. Meanwhile, a new center in North County prepares to open for victims of violence. Plus, the La Jolla home of the late author of the Dr. Seuss series will be up for sale soon.
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