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  • Kolwezi has some of the world's largest copper and cobalt reserves and that makes it a key location at the heart of the U.S. and China's jostle for mineral supremacy on the African continent.
  • Join Southern Caregiver Resource Center for a free, in-person workshop and resource fair dedicated to empowering family caregivers who are caring for someone with Alzheimer’s Disease. This event will include special guest speakers, resources from community health organizations, and an opportunity drawing. Space is limited - register today! View this event on Facebook
  • Reception: 4-7 p.m. Thursday, March 21 Artist Talk: 5-7 p.m. Wednesday, April 17 FA103 Free parking during the event in FACULTY spaces in LOT 1 only. All events are free and open to the public About the exhibitions: With panels celebrating local women and artwork delving into personal narratives of displacement and connection, this dual-themed exhibit shines a light on Black women's experiences in America. Artwork by Jean Cornwell Wheat and Elizabeth Salaam is paired with 2014’s "Beautiful, Brilliant and Brave: a Celebration of Black Women" curated by Starla Lewis and Aisha Hollins for the Women's Museum of California. Presented by the Mesa College Art Gallery in honor of Women’s History Month this exhibition will be on display from March 18 – April 18, 2024, with a reception on Thursday, March 21 from 4 - 7 p.m. featuring a special musical performance by Mariea Antoinette. There will also be additional programming including story telling, music and workshops. An artist talk is scheduled for Wednesday, April 17, 5 – 7 pm. The gallery is closed for Spring Break: March 25 - 29. The exhibit “Beautiful, Brilliant and Brave” consists of biographical panels recognizing the contributions of twenty female Black leaders with connections to the San Diego region. San Diego Mesa College president Ashanti Hands and retired San Diego Community College chancellor Dr. Constance Carroll are honored in this iteration and included with several notable artists, educators and community activists. Gallery director Alessandra Moctezuma took this as an opportunity to highlight two local Black women artists belonging to different generations: Jean Cornwell Wheat and Elizabeth Salaam. As a mixed race child adopted into a white home and raised in a white town, Elizabeth Salaam grew up with a deep sense of disconnection. As an adult, in hair salons and living rooms and around kitchen tables, she finally found herself in deep conversations with other Black women. For this new body of work, Salaam plaited synthetic hair into braids, and used seed pods, branches and plaster-cast body parts to weave together narratives of displacement and to explore the multifaceted experience of being Black in America. The braids also symbolize the bonds between women in all cultures and the fundamental element of community in the health and wholeness of a human being. Many of the braids in the exhibition were crafted in communal settings, and their abundance embodies the spirit of togetherness and resilience. Through “Re-Mother,” a large womb-like chair woven with braids and adorned with breasts, and its companion “Re-home,” a film that captures the intimacy of Black women braiding together, the work highlights the significance of community as a source of nourishment and a place of comfort. Painter, sculptor, multi-media artist, and a professor of art history, Jean Cornwell Wheat invites the viewer into her personal realm in artworks that cover a variety of topics. Cornwell Wheat moved to San Diego from Harlem in 1966, and the cultural life of this historical Black epicenter shaped her unique and timeless perspective. Her canvases are vigorous and engaging. In the exhibit there is a large portrait of author Toni Morrison, who stares at us with an intense gaze and a luminous landscape that breaks up in a cubist prismatic composition. An abstracted nude and a lush enlargement of a snail’s shell, both rendered in warm flesh tones, speak to earthiness and our connection to Nature. A female head, regal as an Egyptian goddess, is actually a depiction of the only artwork that survived the 2007 fire that destroyed the artist’s studio: a bronze bust burned to reveal amazing flecks of brilliant colors. Ms. Jean, as she's affectionately called, is a mentor to under-privileged youth in San Pasqual Valley. In 2023, the San Diego Museum of Art acquired one of her paintings for their collection. Gallery Hours: M, T, W, TH 12 - 5 p.m. (Or by appointment.) Closed Fridays, Weekends & Holidays. For additional information, please visit: https://www.sdmesa.edu/art-gallery or call (619) 388-2829. Parking during non-events is $1 per hour. Kiosks available in Lot 1 near the gallery, or use the PARKMOBILEAPP, campus code 21003. Related links: Facebook: Mesa College Art Gallery Instagram: @sdmesacollege_gallery TikTok: sdmesacollege_gallery
  • Hallmark's partnership with the Kansas City Chiefs seems perfectly timed to capitalize on Taylor Swift's relationship with Travis Kelce. But the story of a family's devotion to a sports team is something many fans can relate to.
  • Mental health professionals with the Veterans Health Administration say the stress caused by Elon Musk's "What did you do last week?" emails is hurting veterans' care.
  • Reuniting with birth siblings after an international adoption is a challenging — and emotionally charged — mission. Here are stories from four families.
  • Theme: Heartfulness Concepts and Practices Talk Topics: the art of lovingkindness and compassion, exploring our inner emotional landscape, responding to life circumstances versus reacting from fear, working with pain This six-week class will provide an introduction to mindfulness meditation as a practice that offers an opportunity to experience the mind as free from reactivity. Such freedom produces a well balanced mind. The goal of the class is to teach you how to be mindful of the present moment so as to live a full and fulfilling life. The class is recommended for ages 18 and up. Everyone is welcome to drop-in on any class during the series. For more information visit: sandiego.librarymarket.com
  • Cups, windows and bottles are the familiar presence of glass in our lives. Yet, glass is so much more. Curated by Barrio Glassworks owner Mary Devlin, Breaking Glass Boundaries captures the magic of glassblowing and sculpture, offering a fusion where complex material is reimagined as swimming sea creatures, teardrops and even dramatic sentries. Experience this vivid expression of versatility, creativity, intricacy and the beauty of glass in many new and unexpected forms. Barrio Glassworks, founded in 2020, is a public glassblowing studio and retail gallery located in the historic Barrio community of the Carlsbad Village at 3060 Roosevelt Street. Stop by for a unique experience with an open viewing section for the public, allowing an up-close look at the mesmerizing art of glassblowing. Pop Up Art activities will take place at the Cannon Gallery between noon and 2 p.m. on Saturday, July 1, July 22 or Aug. 12 where visitors can join in for a unique and free activity with one of the featured glass artists. For more information visit: barrioglassworks.com
  • Please join San Diego Poet Laureate, Jason Magabo Perez, for the launch of his signature project entitled San Diego Poetry Futures 2024! We are thrilled for the launch of Poet Laureate Perez’s signature project, San Diego Poetry Futures 2024 (SDPF24)! SDPF24 will serve as a collaborative space for poetic experimentation and explore poetry as a form of intergenerational community empowerment, through various programs and projects to bridge communities. Please join us on Wednesday to learn more and celebrate! Learn More Here: sandiego.gov/arts-culture/initiatives/poet-laureate/jason-perez
  • In this talk, Ramírez will set forth an introduction to brown artistic practices that put neo-colonial and liberal reason in crisis. Furthermore, he seeks to think about the paradoxical relationship between contemporary art and indigeneity as a creative entanglement that reshapes the repertoires of art history and museum collections. Pablo José Ramírez is a curator and an author. He is a curator at the Hammer Museum and co-curated "Made in LA 2023: Acts of Living" together with Diana Nawi. He was the inaugural adjunct curator of "First Nations and Indigenous Art" at Tate Modern (2019-2023). Ramirez was a co-curator of the 19th Paiz Biennale: Transvisible and part of the curatorial team of the 58th Carnegie International. He is the co-founder of Infrasonica, a leading curatorial platform for non-Western sonic cultures. He holds an MA in Contemporary Art Theory from Goldsmiths University of London. Structural & Materials Engineering Building, SME 149, UC San Diego
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