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President Trump called for the release of the grand jury transcripts after growing pressure to divulge more information about Jeffrey Epstein's case, but the judge on the case said there is nothing new to release.

Businesses say they’re seeing a drop in customers and fearful communities. As federal operations continue, protests are planned in Escondido and San Diego this weekend. Then, the San Diego City Council voted Tuesday to repeal a controversial footnote in city code, impacting neighborhoods in southeastern San Diego. Plus, Midday Edition host Jade Hindmon spoke with Dr. Jennifer Au from the Scripps Cancer Center about the health impacts of alcohol.

Trump campaigned on helping American workers through his immigration policies. Now that he's revoked work authorization for thousands of immigrants, those left behind are feeling taxed by their absence.

President Trump's new tariffs are pouring in. But it's still only a fraction of overall government revenues — and falls short of new spending in the recent Republican megabill.

The library is launching a project in collaboration with Harvard Law School and OpenAI this summer to digitize the materials and make them more fully searchable.

Social media is full of videos saying hormonal contraception can hurt you and promoting natural alternatives. How did the treatments get such a bad reputation and do alternatives work?

Israel's military targeted an Al Jazeera correspondent with an airstrike Sunday, killing him, another network journalist and other people, all of whom were sheltering outside the Gaza City Hospital complex.

We will explore the fundamentals of watercolor—adding pen-and-ink as well. The class is designed to break down fear and encourage spontaneity. All levels are welcome in this positive and encouraging class. Materials: Paper: two 22” x 30” sheets of 100%, 140 lb., rag, cold-pressed paper (such as Arches or Fabriano). Brushes: one #8, #10, or #12 round brush (with a good point); one 3/4” or 1” flat brush; one large (2” or 2 1/2”) cheap bristle brush (from hardware store). Other: palette (any palette with eight or more color wells will do); water container; sketchbook; two No. 2 pencils; 3/4” or 1”–wide masking tape; small drawing board (Gatorfoam board or Masonite, 12” x 16” minimum); paper towels (Viva preferred). Paint: Any colors you have. Must-have colors (at least 14 ml) are Daniel Smith New Gamboge; Winsor & Newton Burnt Sienna (do not substitute another brand for this one); Alizarin Crimson Permanent; French Ultramarine Blue; Phthalo Blue; Burnt Umber. Please prepare a selection of photo references. Have ready several still-life or landscape reference photos. Max students: 13 Athenaeum Music & Arts Library on Instagram and Facebook

From one of the first woman photographers, Anna Atkins, to lifestyle icon, DIY celebrity Martha Stewart—the Cyanotype Photographic Process continues to fascinate us with its beautiful tones of Prussian Blue colors, by the contact printing of objects (photograms), to using today’s digital negatives. This light sensitive process, activated by the ultraviolet rays of the sun and discovered by Sir John Herschel in 1842, has experienced several revivals since the 19th century. First in the 20th century with its rediscovery as an alternative process within university curricula worldwide to this last turn of century, in the 2000s, creating a revolt by fine art photographers in response to the onslaught of technology and its pesky pixel. In this two-day intensive workshop, we will push the process further by cyanotype printing on fabric, including the latest technique of exposing wet cyanotypes. We will be introduced to the basic procedures using commercially coated fabrics, then move quickly to hand-applied emulsions on various fabrics from cotton to silk. By embedding the photographic image within the “ply-ability” of fabric, we can explore finishing strategies for the image, from sewing, embroidering, quilting, and garment making to creating sculptural forms with the photograph on fabric. Materials: Materials provided with a $40 fee paid to instructor on the first day of class include chemistry and a contact printing frame. Recommended fabrics will be the responsibility of the student. Max students: 12 Visit: https://www.ljathenaeum.org/class/summer-16 Athenaeum Music & Arts Library on Instagram and Facebook

Join us for a fun still-life oil painting workshop inspired by a colorful summer tea party. All aspects of still-life painting will be covered in this two-day workshop: perspective, composition, color, and accuracy will be taught using a tabletop arrangement of cups, saucers, teapots, and flowers. Bright colors and a square format will encourage experimentation. Grab a coffee; we will begin each morning with a PowerPoint lesson followed by a demo on the painting process and technique. Afterward students will paint independently for the remainder of the morning. As the paintings progress, students will learn through discussion of creative issues and group critique. Pat welcomes students of all levels. Materials: A $5 fee will be paid to Pat on the first day of class. Please bring the following supplies: one square canvas or canvas panel: 10” x 10”, 12” x 12”, or 16” x 16”; half-dozen brushes: white bristle flat or filbert, #2, 4, 6; one medium-size palette knife; small, pointed round brush for detail, #2–4; Winsor & Newton Liquin; wooden palette; oil paints: Alizarin Crimson, Cadmium Red Medium*, Cadmium Yellow Medium*, Cadmium Lemon*, Phthalo Blue, Ultramarine Blue, Permalba White, Cadmium Orange*, Red Iron Oxide or Burnt Sienna; paper towels; Gamsol odorless solvent; container for solvent with lid. *Be sure to purchase true Cadmium colors not Cadmium Hue. Max students: 12 Athenaeum Music & Arts Library on Instagram and Facebook