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  • Officials say a new child care center on Marine Corps Air Station Miramar will help with long waitlists — as long as they can fully staff it.
  • Over a career that lasted more than 30 years, Grammy-winner Adam Abeshouse made hundreds of records with some of classical music’s biggest stars.
  • Immigrant rights groups say ICE has a pattern of keeping immigrants detained for months, and even years, after they have won their immigration cases, putting a toll on them and their families.
  • Russia's president signed at least a dozen deals with his Vietnamese counterpart and offered to supply fossil fuels to Vietnam, as Moscow is seeking to offset its international isolation.
  • Voters in three states will decide whether to legalize recreational use. Earlier this year, Pew reported that 88% of U.S. adults said marijuana should be legal for medical or recreational use.
  • Government accountability officer says fraud is committed by "all walks of life" including "insider threats," but must be proven in court
  • Prop. 36 pledges to send more people convicted of drug possession to treatment instead of prison. Behavioral health directors say that’s easier said than done with workforce shortages across the state.
  • For the past fifteen years, Lauren Lee McCarthy has worked in performance, video, installation, software, artificial intelligence, and other media to address how an algorithmically determined world impacts human relationships and social life. "Bodily Autonomy" is McCarthy’s largest solo exhibition in the United States to date. The show brings together two major works —"Surrogate and Saliva"—to examine bio-surveillance. Surrogate takes the form of performances, videos, and installations wherein McCarthy offers her body up as a remote-controlled surrogate to individuals and couples interested in having a child. This proposition is never fully realized by the artist, but it prompts important conversations regarding familial norms, legal barriers, genetic manipulation, gender, and reproduction. Saliva is a series of performances, installations, and videos about DNA sampling and data harvesting through the routine collection of swabs and spit. In a newly commissioned installation at the Mandeville Art Gallery, as a counter-gesture McCarthy has devised a saliva exchange station where visitors can trade their own samples with one another through the assistance of an attendant. The process sidesteps the anonymity of medical and corporate entities, and invites active discussions on data privacy, race, gender, and class as they pertain to genetic material. Together, "Surrogate and Saliva" encourage a potent and timely dialogue regarding bodily autonomy in times of rapid technological development and increased corporate and government surveillance. "Bodily Autonomy" marks the official premiere of "Saliva and Surrogate", both Creative Capital–funded projects. The opening coincides with UC San Diego Graduate Open Studios at the Visual Arts Facility.
  • The first basketball game at Frontwave Arena in Oceanside will be played Tuesday night.
  • Two-thirds of the bills opposed by the oil industry in 2023 were killed — thanks in part to an alliance with the building trades union, which forces Democrats to sometimes choose between jobs and the environment.
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