Play Live Radio
Next Up:
0:00
0:00
Available On Air Stations
Watch Live

Search results for

  • Georges at the Cove invites sweetheart couples for a prix fixe Valentine’s Day dinner on Friday, February 14 in the lower-level private events space that still offers majestic views of the water. The three-course dinner is $110 per person, and it must be pre-paid. First course is a choice of Tuna Belly, Beef Tartare, Pea Salad, or Potato & Holey Cow Cheese Ravioli. Second course is a choice of Hokkaido Scallops, Smoked Duck Breast & Confit Leg, New York Steak, or Wild Mushroom Risotto. Third course is a choice of Chocolate Mousse or Strawberry Shortcake Tres Leches. George's at the Cove on Facebook / Instagram
  • Thailand and Cambodia have signed an expanded ceasefire agreement during a ceremony attended by President Donald Trump.
  • Come chat with us at the next installment of the San Diego Automotive Museum Curator Talks Series, featuring Dr. Denise Sandoval, professor of Chicana/o Studies at CSU Northridge. Dr. Sandoval, a celebrated advocate for the lowriding community, with over 20 years of experience in researching and curating exhibits, will present "Lowrider Intersections" focusing on the rich, intertwined histories of the lowriding community, with her research and thesis work centered on the Black and Chicano lowriding experience. Her work has been instrumental in destigmatizing lowriding and highlighting its cultural significance. As artist Rubén Ortiz-Torres aptly wrote in 1998, “Style is a function of politics... Today lowrider cars combine and exacerbate old and modern Baroque sensibilities, transforming American cars into the sexualized moving altars of an American dream gone amok.” These rolling works of art encapsulate the intersectionality of Chicana/o culture, blending Mexican and American elements to form a complex tapestry of identity and history. Dr. Sandoval's talk will engage our guests and give a perspective on how lowriding has not only influenced car culture but also empowered communities to gain respect and autonomy over their passions. For more information visit: sdautomuseum.org Stay Connected on Facebook and Instagram
  • Come see multi-award winning Andrew Polec, take you on a tour of Broadway's Golden Era! Polec, currently leading the cast of "A Gentleman's Guide to Love and Murder" as Monty, will dazzle with hits from "Oklahoma!," "The Music Man," "West Side Story," and I "Do! I Do!." Having classically trained in this genre of music, Andrew and his special guests will be sure to have you laughing, loving, and singing along! Come along for the ride and exclaim "Oh, What a Beautiful Day!" "Oh, What a Beautiful Day - Andrew Polec Sings the Golden Age of Musicals' will run August 11, 2025 at 7:30 p.m. North Coast Repertory Theatre is located at 987 Lomas Santa Fe Drive, Solana Beach, CA 92075. Tickets are $30. Call 858-481-1055, or visit www.northcoastrep.org to purchase tickets. Fact Sheet: What: "Oh, What a Beautiful Day - Andrew Polec Sings the Golden Age of Musicals" Starring: Andrew Polec Where: North Coast Repertory Theatre 987 Lomas Santa Fe Drive, Solana Beach, CA 92075 Schedule: August 11, 2025 at 7:30pm Box Office: 858-481-1055 or www.northcoastrep.org Price: $30 Andrew Polec on Facebook / Instagram
  • Caught in the one second between life and death, a man must reconcile his life choices while navigating the ridiculous characters in his head including a Shakespearean Baseball Coach, a disgruntled Buca di Beppo server, and an acid-induced gargoyle. "Frankly, My Frank" blends characters and storytelling for an evening of humor and heart. Written and Performed by Second City Alumnus Frank Caeti (MADtv, Modern Family, Upright Citizens Brigade, Jimmy Kimmel Live) www.frankcaeti.com Directed by Ithamar Enriquez Press Reviews “Frank’s characters are as sublime as they are joyfully ridiculous and his unwavering commitment to them truly makes them burn bright”. – The Comedy Bureau LA “It brought tears to my eyes from being both belly-achingly funny and earth-shatteringly truthful. Frank Caeti plays multiple facets of himself with ease, shifting into fully-fledged characters in the blink of an eye and showcasing their depth and their humor to the audience’s delight. He has crafted one of the most unique one-man shows I’ve seen that will stay with me for a long time. Go see it!” – Dramaworks Audience Reviews “'Frankly my Frank, I Don’t Give a Frank' is a masterclass in solo performance. The show is simultaneously hilarious, heartfelt, insightful, impressive, and inspiring. This is not an easy task, but Frank makes it look effortless.” Kevin McGeehan – (10-Time Moth Winner, 2019 New York Moth GrandSLAM Champion) “Frank’s mesmeric performance is sheer proof of the unfortunate narrative that show business does not necessarily reward truly exceptional talent. A breathlessly hystericaland chokingly poignant examination of passionate aspirations and the shifting perspective of priorities. Frankly, you should give a Frank. I truly loved the show.” – Lance Barber (The Comeback, Young Sheldon) “Frank Caeti is a powerhouse performer. He captivates the audience from minute one and never takes his foot off the gas. And amidst all the silliness he had me crying like a baby at his honesty and vulnerability.” – Amanda Blake Davis (Second City, Hey Day) “A vulnerable, hilarious, wonderfully layered solo show. Frank gives a stellar performance.” – Stephnie Weir – (Second City and MADtv alum) “This show is fantastic! I laughed, I cried, I loved every minute of it. Frank expertly weaves deep emotion, serious questions, and joyful silliness into a dazzling tapestry of love and hope.” – Erin Z. “Frank possesses the uncanny ability to be both hysterical and vulnerable. Structurally, the show is a masterclass in story and character, all taking place in a brief moment in time. But I left the theater really moved, reflecting upon and appreciating the nuances in my own life.” – Bryan K “A heartwarming, hilarious, memorable show that will move you and keep you giggling all hour long.” – Monette M Frank Caeti on Instagram
  • The Downtown Chula Vista Association is excited to announce the return of its annual Día de los Muertos Celebration for a fifth consecutive year, taking place on Saturday, November 1, from 3 p.m. to 8 p.m. This cherished tradition invites families, friends, and community members to come together and honor the lives of those who have passed while celebrating the joy and color of life. The heart of Downtown Chula Vista, including Third Avenue and Memorial Park, will be transformed into a vibrant tribute filled with cempasuchils, music, large-scale alebrijes, a community altar, and a few friendly competitions. The free community event promises a day filled with live music and dance performances, a lowrider car show with ofrendas, kids crafts, artisan vendors at Mercado by Las Jefas Market, bites and sips, themed photo ops throughout the neighborhood, a community ofrenda and much more Attendees are also encouraged to participate in the altar contest offering cash prizes, or the Catrín/Catrina ensemble competition, with categories for youth, adults, and couples. Sign-ups for the contests can be found here: - Altar Contest Sign-Up - Catrín/Catrina Ensemble Contest Sign-Up Downtown Chula Vista on Facebook / Instagram
  • Material Intimacies is a one night performance art gathering that invites viewers to contemplate the ephemeral edges between the self and the collective body curated by Jun!Yi Min. Performance artists JAX, Jun!, Hamsa Fae, and erika, fruiting will offer durational and staged works as portals of liminality, disruption, and soft ferocity. About the artists: erika, fruiting researches practices and states of <con/tending with> through the construction of {experimental} experiences and trace encounters. in surfacing the un/bounds of the body, they investigate the we(ight) of being alive. more at www.erikaaa.info / @softfruiting JAX is an interdisciplinary artist from Los Angeles, CA. (I’m not gonna talk in third person lol) My inspiration comes from following my MTDNA line to the Mitochondrial Eve, and unpacking the grief stored and transferred from the womb and body of the mothers before me. I use synthetic braiding hair along with Black coded items to create installations that incorporate my own performances, using lighting, sound, dance and action. I think of them as sets or stages that also present a subject and background for my video making, as well as supporting my sculptural and printed matter practice. I am interested in theatricality and the innate theatricality of Blackness; obsessed with exaggeration, layering and grandness, which both show up in the way I display and contextualize my work.Extremely long hair, dramatic lighting as well as presenting myself as an extension of the installation in ways that compromise my own mobility, are necessary repeating themes.It is important that I am visible in the work, though my presence is often obscured.It is also important that I do the most. (using AAVE terms). To take up space, encroach on the space and build a nest as if I’d always been there. I am an alumni at UC Berkeley, where I received my B.A in Art Practice, African American Studies and Creative Writing. I am currently attending UC San Diego as a MFA candidate for Visual Arts. Jun!yi Min (she/her) is a performance artist from singapore living and working in San Diego. She is currently pursuing her MFA in Visual Arts at uc San Diego. Jun!’s works deal with queering Asian familial ties and exploring the concept of home in a trans body. Her durational performances challenge her audience’s sensitivity to looking and calls the audience to witness and extend care to the enduring body. Jun! has performed at Bread and Salt, Teatro Morelos, and St Paul’s Episcopal Church. She was a part of a group exhibition at Project [Blank], The Northfield Arts Guild, and has also received a grant to perform at the Qualcomm Institute in 2022. Jun! also performed and curated Queering the Table at Mingei Museum, a one-day gathering dedicated to queer Asians in San Diego. Hamsa Fae (she/her) is a trans-Vietnamese woman and interdisciplinary artist who is native to Los Angeles. She comes from a rich lineage of mystics and healers, and has integrated such identities into her work. Hamsa’s artistic practice uses body and memory as medium for exploring the Asian American diaspora, ecological reverence, and queerness. Her process calls upon her poetry to re-narrate dreamscapes through performance. Her poetry book, Blood Frequency, was awarded by C&R Press and the Diasporic Vietnamese Artists Network in 2022. This work along with her recent performance, “Homework”, debuted at the Mingei International Museum to audiences in 2023. Related links: Project [BLANK] website | Instagram | Facebook
  • Researchers at the Salk Institute have discovered a way to make soil fungus work harder, delivering more nutrients to plants.
  • As U.S. wheat farmers face painful losses in the global market due to President Trump's policies, one domestic flour mill on a reservation in Oregon is expanding its production twelvefold.
  • The pop-up event’s organizer said alleys could be safer, greener places to walk, bike and sit.
2,043 of 17,603