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People have a lot of opinions about how to cure a hangover. Are any of them true? Medical experts dispel common misconceptions about the effects of drinking too much alcohol.

Mitzi Gaynor, the effervescent dancer and actor, starred as Nellie Forbush in the 1958 film of "South Pacific" and appeared in other musicals with Bing Crosby, Frank Sinatra and Gene Kelly.

MCASD is collaborating with artist Mr. B Baby to bring the limited edition plush “Chucho” to The Shop. Chucho is a piñata character typically drawn with visible cracks, teaching us that it’s okay to have flaws. On Thursday, Feb. 16, 2023, MCASD will also host a free event with Mr. B Baby, where guests will learn more about the creation of Chucho and what he means to her. There will be music, an opportunity to take pictures with two life-sized Chucho mascots, and a raffle. Free with tickets More about the artist: Raised in San Diego, Mr. B Baby’s artwork is a whimsical twist, exploring the relationship between Mexican folk art and children’s books by combining the cultural world with a playful, colorful touch. Growing up in a predominantly Spanish-speaking home, she is heavily influenced by her community and Puerto Rican/Mexican upbringing, using elements of her heritage as inspiration for her striking and lively artwork. By combining vibrant colors with traditional imagery, she creates a wide range of characters who all tell their own unique story and hopes to bring happiness and joy to her collectors and her community through her creations. Mr B Baby on Instagram Museum of Contemporary Art San Diego on Facebook / Instagram

Hillary Clinton leaned into her identity when she ran for president. Vice President Kamala Harris is decidedly not.

The displacement of 170 nursing home residents is raising questions and renewing concerns over care facilities and the steep challenges families and frontline workers face in the care system.

Join us December 6, when San Diego-based band The Resizters will rock out for Planned Parenthood! Hear your favorite protest songs at Humphrey's Backstage Live in San Diego and support the Imperial Valley Homan Health Center Fire Relief Fund. Proceeds from tickets and the online auction (going live on Dec 5th) will help rebuild the flagship center in El Centro, recently destroyed in a fire this past August. Learn more and get tickets at http://planned.org/rebuild

Simon Penny is an artist, theorist and teacher with a longstanding focus on emerging technologies and on embodied and situated aspects of artistic practice, working with the question of how to build systems that attend to bodily affect and embodied experience. He has built interactive installations and robotic art since the mid 1980s. He explores - in artistic and scholarly work and in technical research - problems encountered when computational technologies interface with cultural practices, and the ways in which making things can be a form of critical interrogation, an interest that is pursued more recently through a focus on "critical craft practice." For more information visit: visarts.ucsd.edu Stay Connected on Facebook and Instagram

The streaming platform's convention was in Las Vegas last year, but San Diego has been its favorite home.

This weekend in the arts in San Diego: a major exhibition of Caribbean art; Disco Riot artists-in-residence and more arts and culture this weekend.

Bringing their recent debut to San Diego for two nights only, Seattle duo Jenny Peterson and Kaitlin McCarthy present a dance work of horror, humor, and friendship. Told through their distinctive aesthetic of the unhinged and uncanny, "DRIVE WOLVES MAD" tracks the aftermath of an inciting event and ambiguous line between victim and perpetrator. A musical score by Jenny Peterson riffs on predatory pop songs, altering and abstracting them as an act of reclamation. Peterson/McCarthy’s journey seeks to transcend archetypes authored by men, finding their way to a place of survival and remediation–a way to exist in a context of their own creation. Through the dance they move from a place of dissociation into states of empowerment–which sometimes looks like camaraderie, sometimes wild physical abandon, and sometimes a complete release of the societal obligation to be a palatable, consumable feminine entity. Featuring original costume design by Kaitlin McCarthy, this physical and vulnerable dance work culminates a decade of development in the duo’s most ambitious and risky performance to date! Visit: https://www.drivewolvesmad.com/