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  • Climate change is increasing the risk of dangerous floods. But people often balk at the cost of flood insurance, especially since many doubt they need protection.
  • In a brief order, the court directed the Trump administration not to remove Venezuelans held in the Bluebonnet Detention Center in Texas "until further order of this court."
  • The 2025 Pulitzer Prizes were announced Monday afternoon. Percival Everett won the award for fiction for his novel James, a powerful re-imagination of Huckleberry Finn.
  • DESCRIPTION: Grab your headphones and comfy shoes for a site-specific, immersive soundwalk that takes you on an urban odyssey exploring the built environment and natural world around La Jolla Playhouse and UC San Diego. 59 ACRES is a poetic, meditative and innovative work from Los Angeles-based artist Marike Splint offers new ways of seeing and listening as it navigates you through the physical, cultural and geographical landscapes we inhabit, in search of the extraordinary amidst the mundane. First commissioned by La Jolla Playhouse for the 2024 WOW Festival, 59 ACRES will be available for you to explore and enjoy for free anytime during daylight hours through June 2025. HOW TO PARTICIPATE: 59 ACRES can be enjoyed at any time during daylight hours starting at the front of La Jolla Playhouse’s Potiker Theatre and ending at the Geisel Library. To experience the soundwalk, users will need to download the 59 ACRES app. Bring your own, fully charged mobile device and earbuds/headphones that will connect to your smartphone. You will be walking up to 1.5 miles round trip on the university campus which includes terrain of grass, pavement, gravel and natural soil. The walk has accessibility ramp alternatives whenever there are steps or stairs. Wear comfortable shoes and bring a jacket for inclement weather. From Geisel, it’s a 0.8 mile (approx. 15 min) walk back to La Jolla Playhouse. Get ready for an immersive soundwalk and download the app at www.59ACRES.com.
  • Congressional Republicans have become more aligned with President Trump since he first took office. That makes even a single vote against him a "moderate" stance, even for staunch conservatives.
  • Helen Whybrow's memoir, The Salt Stones, is a closely-observed account of her life as a shepherd. In A Marriage at Sea, Sophie Elmhirst tells the true story of a couple adrift on a rubber raft.
  • It started as a one-off dinner with a chatbot — a night of shrimp, sarcasm — then veered into something unsettlingly human.
  • The festival is a premier film showcase of Asian American and international cinema with more than 170 films from 35 countries over 11 days.
  • Nocturnal scenes of San Diego’s ubiquitous taco stands and a massive shipyard are the subjects of “Night Light,” an exhibit at The Photographer’s Eye Gallery that will feature fine art images by Philipp Scholz Rittermann and Marshall Williams. This free show will open May 10 and run through June 7. Rittermann and Williams are both accomplished San Diego artists, commercial photographers and teachers whose works have been shown at prominent venues locally, nationally and internationally. When Philipp Scholz Rittermann stepped into the metal shell that was to become the hull of the Exxon Valdez, he could not envision that he was documenting the first chapter of a future catastrophe. The year was 1985, and four years later the oil tanker would run aground in Prince William Sound, Alaska, bleeding its cargo of crude oil into the sea and etching the ship’s name into the log of notorious environmental disasters. Rittermann was a young man, recently arrived in the United States, when he landed an internship at the San Diego Museum of Photographic Arts, which led to his securing a pass to do night photography at the National Steel and Shipbuilding Co. (NASSCO) shipyard on San Diego Bay. The result is his collection, “Shipyard Nocturnes,” which will be shown at the nonprofit Photographer’s Eye Gallery. One of the featured images in the exhibit is Rittermann’s large black and white print shot inside the Exxon Valdez as it was being built. The work is remarkable for both its artistic appeal and what it came to signify. “I was standing inside one of the enormous holds and looking into this cavernous space that was the size of a cathedral on the inside, and an engineer walked by and I said, ‘So where are you putting the oil tanks?’ And he said, ‘You're looking at it.’ And I said, ‘Do you mean they go here?’ And he goes, ‘No, you're looking at it.’ “And I said, ‘Oh … this is the tank?’ And he goes, ‘Uh-huh,’ and walks away,” Rittermann said. “I thought, geez, what happens when you put a zipper in this?” Rittermann recalled, “and then four years later, that's exactly what happened.” Rittermann’s images stand as tributes both to industrial might and technology, and to the human fallibility that enabled such a disaster. “While the images haven’t changed since I made them,” Rittermann said, “the way I feel about them has.” Marshall Williams was inspired to create images of San Diego’s taco stands when he found himself waiting for a traffic light to turn green, and a neighborhood fixture caught his eye. “I was staring at the taco stand across the street when it illuminated and in that moment I was a bit startled by the transformation,” Williams said. “I saw this structure in a way I hadn't seen it before." “I came back to photograph it at the same time of the evening and from that point on I began to notice the different taco stands around town all shared many of the same elements, but no two seem to be the same,” he said. The result is “Taco Stand Vernacular,” a collection of images that captures the folk nature of one of San Diego’s most common fixtures — one so common that it is easily overlooked. Williams photographs them as day yields to night, and he produces his images in black and white. “As a photographer, we love that transitional moment between day and night when there is a balance and ‘best of both worlds’ from a lighting perspective,” he said. In daylight, these small structures are swallowed by their surroundings, he noted, “but in the early evening they are cloaked in a subdued ambiance and emitting their own light, exuding a sort of theatrical like presence.” “This has been an exercise in taking the commonplace and attempting to elevate it to an object of appreciation,” Williams said. “If taking the time to observe the details of a taco stand can change our view of it, what other details have we missed or left unappreciated in the hustle of our busy lives?” “Night Light” opens on May 10 and closes June 7. The gallery is open Fridays and Saturdays, from 11 a.m. to 5 p.m., and by appointment. There will be an artists’ walk-through on opening day at 4 p.m., followed by a reception at 5 p.m. Artists Rittermann and Williams will conduct a night photography walkabout on May 15. Consult The Photographer’s Eye website for details. Visit: https://www.thephotographerseyecollective.com/ and https://www.marshallwilliamsphotographs.com/taco-stand-vernacular The Photographer's Eye: A Creative Collective on Instagram
  • Nestled in the heart of downtown San Diego, overlooking the picturesque San Diego Bay, the Marriott Marquis San Diego Marina provides the ultimate backdrop for a Mother’s Day gathering with a special brunch buffet at Marina Kitchen. Curated by award-winning Executive Sous Chef Rafael Corniel, savor various premium seafood specialties like shrimp cocktails and lobster rolls, signature dishes such as Dungeness crab benedict, a carving corner featuring honey-glazed ham and smoked New York steak, and made-to-order crepes and omelet stations with all the fixings. Additionally, indulge in Senior Pastry Chef Victor’s famous house-made desserts, including crème brûlée and Valrhona chocolate layer cake. As a special touch, each table can create a mini bouquet for Mom to take home.
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