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Wednesday, 9:30 a.m. –1:30 p.m. (Includes 1/2 hour lunch break) March 19 (1 day; 3.5 total hours of instruction) La Jolla Studio In this workshop you will have a wonderful and rare opportunity to draw two models together! We will have a 20-minute warmup, and then the models will take one long pose. Proportion and sighting will be emphasized, and students will have individual attention from the instructor. You may bring any material (drawing or painting) that you would like to use—excluding oil paints. Butcher paper and charcoal will be provided. The instructor will also bring a variety of drawing materials to try and to play with. We will take a break in the middle, so bring your lunch. A variety of teas, snacks, and water will be provided by the instructor. All skill levels are welcome! Materials: Two or more large sheets of charcoal or pastel paper and one kneaded eraser. Or, if you want to use water media, bring two or more large sheets of mixed-media paper or canvas. Remember to wear clothes that can get dirty! Visit: https://www.ljathenaeum.org/classes/17b Athenaeum Music & Arts Library on Instagram and Facebook

Join a panel of scientific and artistic thinkers for a deep look at the roles of fungi on the planet and microscopic elements within complex systems. The visiting Treseder Lab of UC Irvine examines fungi’s layered relationship to planetary life and discusses how fungi mediate and connect distant ecosystems. David Familian introduces life webs and AI as complex systems, a topic that comes to focus in the art exhibition, "Future Tense: Art, Complexity, and Uncertainty." Artists in residence with the Beall Center’s Black Box Projects working with the Treseder Lab, art collective Cesar & Lois introduce their ecosystem-based artwork that articulates fungal respiration and bioelectric signaling. Moving across perspectives in art and science, the panelists reframe how we picture the planet. Scientists from The Treseder Lab include Dr. Kathleen Treseder and researchers Eduardo Misael Choreno Parra and Melanie Taleen Hacopian. David Familian is artistic director of Beall Center for Art + Technology at UC Irvine. CSUSM Professor Lucy HG Solomon and Brazil-based Professor at UNICAMP Cesar Baio make up art collective Cesar & Lois.

Tuesday, 9:30 a.m. – 1:30 p.m. (Includes 1/2 hour lunch break) March 18 (1 day; 3.5 total hours of instruction) La Jolla Studio In this workshop you will have a wonderful and rare opportunity to draw two models together! We will have a 20-minute warmup, and then the models will take one long pose. Proportion and sighting will be emphasized, and students will have individual attention from the instructor. You may bring any material (drawing or painting) that you would like to use—excluding oil paints. Butcher paper and charcoal will be provided. The instructor will also bring a variety of drawing materials to try and to play with. We will take a break in the middle, so bring your lunch. A variety of teas, snacks, and water will be provided by the instructor. All skill levels are welcome! Materials: Two or more large sheets of charcoal or pastel paper and one kneaded eraser. Or, if you want to use water media, bring two or more large sheets of mixed-media paper or canvas. Remember to wear clothes that can get dirty! Visit: https://www.ljathenaeum.org/classes/17a Athenaeum Music & Arts Library on Instagram and Facebook

Whisper/Najva - Kurdish Tanbur Music of Iran Aliakbar Moradi: Tanbur Pejman Hadadi: Tombak and Daf Visit: http://music.ucsd.edu/tickets

Friday, Saturday, Sunday, 9:30 a.m. –12:30 p.m. March 14, 15, and 16 (3 days, 9 total hours of instruction) La Jolla Studio Follow your imagination and the patterns in fabric scraps as you combine them with painted paper, cutouts, and paints. This is a chance to recycle many colorful leftovers into fantasy creations. Compositional forms will be explained with a focus on movement and repetition. During the first class meeting, Susan will demonstrate techniques for preparing paper and gluing items smoothly, and she will provide some fabric scraps for your use. She will be working on a mixed-media collage while in class. The following classes will be used to complete a larger work using still life or photographs as inspiration.   Materials: Fabric scraps, paper,* acrylic paints, 11” x 14” canvas (or larger), gesso, brushes, clear acrylic medium, copies of old photos, magazines for collage, scissors. Useful additions: Rags, scraps of foam-core, corrugated cardboard, mat board, colored pencils, soft pastels, oil pastels, India ink, watercolors. *Paper for the base of the artwork needs to be at least 100 lb. Pick no smaller than 16” x 20”. Various sizes and types of art paper (Arches cover, Stonehenge, Bristol) are good. All kinds of scrap paper and wrapping paper can be used in the mixed-media art piece. Max students: 12 Visit: https://www.ljathenaeum.org/classes/16 Athenaeum Music & Arts Library on Instagram and Facebook

Come enjoy Tropical Night with San Diego’s professional volleyball team, the San Diego Mojo, on Thursday, February 20, as they take on the Omaha Supernovas! Dress up in your most vibrant and bold tropical wear to cheer on the Mojo at Viejas Arena at San Diego State University. Show up early to be one of the first 1,000 Mojo fans to get a tropical Mojo shirt! You can cheer on the Mojo by sporting your SPIKEtacular island wear. With tickets starting as low as $15 before taxes and fees, everyone can enjoy an exhilarating night of professional volleyball. San Diego Mojo Pro Volleyball on Instagram and Facebook

"The Last Black Man in San Francisco" Drama (2019, R, 2h 1m) Friday, Feb. 28 at Carlsbad Dove Library A black man who lives with his best friend and works in an elder care facility dreams of living in the grand Victorian house his grandfather built in the Fillmore District. Now a white, affluent area, he is totally priced out of the neighborhood, but it doesn't stop him from dreaming in this drama about place, identity and race.

Carmen Winant is a Professor in the Department of Art at Ohio State University, where she is the Roy Lichtenstein Chair of Studio Art, and an affiliated faculty member in Women's Gender and Sexuality Studies. Winant’s work poses a challenge to the ways that we understand women’s power, pleasure, labor, healing, and liberation to function, querying the aesthetic and political legacy of second-wave feminism. Winant’s appropriative installations and artist's books grapple with this question for all of its contradictory impulses: the awe of living in a revolutionary moment, a shared preoccupation with the female body as a zone of political strife, cognizance of the racial and class-based limitations of the second-wave movement; the mine- and not-mine nature of historical legacy. In using found photographs, Winant acts upon primary evidence (rather than indexical reference); the images incorporated into her work contend directly with the complex notion of socio-political inheritance. Winant has taught in Ohio prisons through The Ohio Prison Education Exchange Project (OPEEP) has also served as the Dean of Skowhegan School of Painting and Sculpture (2013-2015); and is a 2019 Guggenheim fellow in photography. Visit: https://visarts.ucsd.edu/news-events/20250210_carmenwinant.html UC San Diego Visual Arts on Instagram and Facebook

Join us at Southwestern College Art Gallery for the opening of Movidas Razquaches and Other Cheap Thrills, a collection of new work by artist Perry Vásquez. The exhibition is open from February 4 - March 4, 2025. Regular Gallery hours are Monday through Thursday, 10:30 AM -2:30 PM or by appointment. ARTIST STATEMENT“As an artist I try to pay attention to things being created and consumed within my milieu along the San Diego/Tijuana boundary. I find inspiration by reframing and recontextualizing overlooked things I find here and there and on the margins. I chose Movidas Razquaches as the title for my show because I think it captures the spirit and methodology of what I want to accomplish as an artist.” – Perry Vásquez. ABOUT THE LANGUAGEAccording to Tomás Ybarra-Frausto, rasquachismo is a sensibility that gets expressed in Chicano cultural forms and practices. Ybarra-Frausto writes, “It is a sensibility that is not elevated and serious, but playful and elemental. It finds delight and refinement in what many consider banal and projects an alternative aesthetic, a sort of good taste of bad taste.” Like African-American funk, or the improvised inventions of Rube Goldberg, the emphasis is on wit, resourcefulness and working with what is at hand. The add-on word, movida, can be translated as a maneuver, or a play (as in a game). Poet Juan Felipe Herrera interprets movidas rasquaches as “cheap thrills”, linking it to a pleasurable activity open to anyone who cares to partake. While legal scholar Alfredo Mirandé offers the word “hustle,” suggesting an illicit or unethical way to make a living. Sociologist David Spener uses movidas rasquaches to describe the network of the ad hoc work-arounds and tricks employed by migrants to navigate the US/Mexico border. While no single one of these terms perfectly captures the full meaning, taken together they give a reliable framework for interpretation. ABOUT THE WORKOver the last year and a half, Vásquez has created new work that divides into four projects using different media and including collaborative and solo work. Some of the projects are well established while others are being presented to the public for the first time in this exhibition. Blankets Vásquez collects flyers advertising gardening services left on his driveway by workers seeking employment. The no-thrills graphic style and the not-so-subtle way in which they seem to copy each other caught the artist’s eye. The act of weaving the flyers into blanket designs celebrates the DIY approach while reminding us of the workers’ aspirations to provide warmth and shelter for their families. Le Voyage/El Viaje This is an AI imaging project whose goal was to rethink and replace the transactional language used to prompt and generate AI images. “The AI image making process is hyper-focused on the outcome as the only part of the process with artistic merit. The prompt itself is written to be transactional and limiting.” Vásquez turned the process of generating imagery into a Surrealist game by inserting lines from French poet Charles Baudellaire’s poem Le Voyage into the software. The resulting images were used as the basis for a series of oil paintings. Monopalms The presence of cell towers disguised as palm trees (monopalms) has become a common sight in Southern California. This series of paintings implies the link between palm trees and the myth of paradise. The paintings also offer commentary on the telecommunications industry and how it alters our perception of nature and our sense of public and private space. Mexus Nexus Fluxus Inspired by Mexican recording artist Esquivel and the German techno artist Señor Coconut, Vásquez arranged four traditional Mexican songs for the synthesizer. He then worked with visual artists Lianne Mueller-Thompson and Carlos Solorio to create video and animations for the music. The music will be presented as a video installation. RECEPTIONSSaturday February 8, 11 AM -1 PM. (free parking in Lot O for this event) Tuesday, February 11, 11 AM -1 PM.

Wednesday, February 5 · 1 - 10 p.m. A day-long cypher and battle led by two notable hip hop artists, Johnny Lopez (Johnny 5) and Quentin Robinson (SpecialFX). Johnny5 was born in Oakland and is a Mexican/Latino professional Turf Dancer and the founder of TURFinc - a local Oakland/Bay Area-based company that instills positive changes in the community through dance. SpecialFX is a father of two, a Marine Corps Veteran and the founder of Movement4Movements. At CSUSM, they will share hip hop dance and culture with students, faculty, staff and the local community. The event includes guest lectures, dance workshops and a cypher featuring authentic hip hop dancers, performances, competitions and classes. Join them for a meet & greet in collaboration with the Cross-Cultural Center and a workshop for black male-identifying students organized by the Black Student Center. February 4: Black Brilliance in Motion: A Workshop for Black-Identifying Males with Hip Hop Artist Quentin Robinson 12-2 p.m., RSVP, https://forms.office.com/r/SWZUf29nfa Meet & Greet with TURFinc Dancers at the Cross Cultural Center 5-6 p.m.