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  • After eluding a manhunt for nearly two weeks, convicted murderer Danelo Cavalcante has been captured, the Pennsylvania State Police announced Wednesday morning.
  • A multi-year San Diego Music Award nominee, Enter the Blue Sky is a collection of dedicated instrumentalists in support of passionate storytelling at its best. Playful and lighthearted at times, their sound is a blend of poetry, and original and unique melodies that make room for reminiscing and musing, and encourage the listener to journey with them. Supported by warm inflections and textures, the sincerity of the lyrics and the band’s delivery is nuanced and powerful at the same time. Award-winning vocalist and songwriter Sandé Lollis writes all songs for the band. Her performance is raw and emotional, and wholly uplifting. Sandé’s lyrics are thoughtful and speak to all generations. Her melodies are hard to forget, moving and soulful. As rhythm guitarist and lead singer for Enter the Blue Sky, Sandé is an indomitable spark of energy and melodic bliss. Not a back burner type, Karen Childress-Evans on viola, jumps in with both feet and keeps smiling. A refreshing and innovative team player, she brings achingly beautiful tones and a classic sensibility to the project. Backing vocalist Tina Dee adds an enthusiastic undercurrent of harmonies suited perfectly to Sandé’s leads, and to three-part with Karen making for transcendent moments of joy. Her voice is smooth and buttery, and puts a delicate finish on each song. Each member of Enter the Blue Sky is committed to creating a welcoming and rich soundscape, fitting together like pieces of a musical puzzle. The talent and experience of the band is showcased collectively, as well as with lush and stirring solos. www.enterthebluesky.com Lindsay White can make you laugh, or cry, or call your therapist. With influences ranging from Bob Dylan to Ani DiFranco, Lindsay White’s songwriting has earned recognition from the Telluride Bluegrass Festival, Kerrville Folk Festival, and American Songwriter Magazine. Her latest LP Lights Out debuted #2 on the iTunes Singer-Songwriter charts, was named #1 Album of the Year by Global Texan Chronicles, and earned her an SDMA for Best Singer-Songwriter. Subsequent singles have charted on iTunes and earned additional San Diego Music Award nominations, including a 2022 win for Best Folk/Acoustic Song. White was named one of “15 Lesbian/Bi/Queer Musical Artists You Need to Know” by AfterEllen.com. She has opened for notable acts such as The Lone Bellow, David Crosby, Steve Poltz, Susanna Hoffs (The Bangles), Raining Jane featuring Jason Mraz, and others. Visit: sdfolkheritage.org/events/enter-the-blue-sky/ Follow Lindsay White on Facebook & Instagram
  • Coinbase's public debut comes as more institutions warm up to the idea of cryptocurrency and its popularity among investors soars.
  • Millions of Ukrainians still worship in Orthodox churches deeply influenced by Russian clergy who support Moscow's invasion, sparking a clash of faith and national loyalty.
  • The park had been at the center of citywide debates over housing, homelessness and environmental justice.
  • Defense Secretary Lloyd Austin had stressed the need for multilateral partnerships in the Indo-Pacific, which China's defense minister suggested was an attempt to back his country into a corner.
  • The Oak Fire last year threatened the Southern Sierra Miwuk Nation's way of life. Now the tribe is restoring ancient heritage sites and cultural practices in collaboration with local agencies.
  • The Far Voice Speaker: Hannah Zeavin, Assistant Professor, Indiana University Respondent: Alain J.-J. Cohen, Professor, Department of Literature, UC San Diego Hosted by Wentao Ma, PhD Student, Department of Literature, UC San Diego Abstract: “The Far Voice” describes the rise of mass telecommunication therapies, focusing on the suicide crisis hotline (originated by Protestant clergy) in England and the United States in the 1950s and 1960s and investigates how this service first became thinkable, and then widely adopted and used. I redescribe the hotline as psycho-religious in origin and intent, rather than as the secular service it has usually been assumed to be. I argue that these services, in their use of the peer-to-peer modality, radically upset former regimes of pastoral care and counseling, as well as those of psychodynamic therapy. Hotlines generate a new, hyper-transient frame for the helping encounter, removing nearly all the traditional aspects of the therapeutic setting except for speech and listening. At the same time, these hotlines devalue the need for expertise and rescind the fee associated with that expertise. They challenge every clinical concept associated with the structure and dynamic of the analytic encounter. It is contingent, it is not in person, and requires (or permits) a distanced intimacy with no guarantee of repeating; and it makes use of the phone—an appliance paradoxically thought of as capable of bringing people together and as responsible for their greater alienation. I will conclude by examining the afterlives of these radical early hotlines in our contemporary, when algorithmic surveillance, datafication, and tracking have relinked the hotline with forced hospitalization and carceral intervention. Biography: Hannah Zeavin is a scholar, writer, and editor, and works as an Assistant Professor at Indiana University and a Visiting Fellow at the Columbia University Center for The Study of Social Difference. Zeavin is the author of The Distance Cure: A History of Teletherapy (MIT Press, 2021) In 2021, Zeavin co-founded The Psychosocial Foundation and is the Founding Editor of Parapraxis, a new popular magazine for psychoanalysis on the left, which will be releasing its first issue in Fall 2022, and serves as an Associate Editor for Psychoanalysis and History and an Editorial Associate for The Journal of the American Psychoanalytic Association. About the Media Care Talk Series: Dozing at the movie theater, listening to the podcast on the subway, counseling via Zoom appointments, searching immigration policy on the internet…In this increasingly crumbling world, media offer maintenance and sustain our vitality while they also harm our well-being through abuse and addiction. This talk series examines the concept of care and showcases the process of knowledge production surrounding artificial care in media practice. We will browse a range of media objects and platforms - from cinema to teletherapy, from smart drugs to sleep apps - and explore the habitual, affective, and material potential of healing and solidarity within film and media theories. This series is co-organized by the Film Studies Program and the Suraj Israni Center for Cinematic Arts at UC San Diego with generous support from the following: 21 Century China Center, Department of Communication, Department of Visual Arts, Department of Literature, and the Institute of Arts & Humanities. Questions: Email surajisranicenter@ucsd.edu. By registering for this event you agree to receive future correspondence from the Suraj Israni Center for Cinematic Arts, from which you can unsubscribe at any time. * This event will be held via Zoom Webinar -- registrants will receive the Zoom link prior to the event start time.
  • The Titanic director has made 33 dives to the shipwreck and visited ocean depths in a submersible he built himself. He compares OceanGate to the Titanic in that both ignored safety warnings.
  • How to deal with burnout and ageism at work, and what to do when your boss treats you differently because of your political views.
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