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  • Join San Diego Children's Discovery Museum for an exciting family jamboree filled with live performances, food trucks, crafts, and beer and wine for adults! Event Details: Saturday, June 10 | 5:00 p.m. - 7:30 p.m. Tickets: Museum Members: $10 | Non-members: $15 Families will enjoy live musical performances from Kathryn the Grape & Hooray Miss Marae and activities such as: • Sun prints with The Photographer's Eye • An improv circle with Patio Playhouse Escondido • Pottery with the San Diego Archaeological Center Stay connected with the San Diego Children's Discovery Museum: Facebook + Instagram + Twitter
  • The Fleet Science Center begins a Saturday morning community access program for families from underserved neighborhoods.
  • As the youngest recipient of the Pulitzer Prize in music, GRAMMY Award-winning composer Caroline Shaw strives to create intricate soundscapes that have never been heard before but have always existed. For this season’s Takeover at The JAI, Shaw will curate a cabaret-style concert of music she composed and music she loves, with the Miró Quartet and other friends, accompanied by cocktails and conversation. Date | Wednesday, August 24 at 8:30 p.m. Location | The JAI at The Conrad Prebys Performing Arts Center Get tickets here! Ticket prices ranging from $68 to $83. For more information, please visit
  • For the fifth week in a row, Swift's The Tortured Poets Department was the best-selling album in the country. Post Malone and Wallen's "I Had Some Help" repeated as the top song.
  • Sparks Gallery is pleased to announce San Diego artist Kathleen Kane-Murrell’s solo exhibition, “Wayfinding in Suspended Times,” opening on May 7, 2023 in conjunction with Sparks Gallery’s annual small works show, “minis 2023.” The small works exhibition will feature over 60 works that are 12×12 inches and under; each are $500 retail or less. This exhibition is a chance to collect a small work of art from both prominent and emerging artists from California. Below is a preview of several small works that were selected for the exhibition. Kane-Murrell’s work is inspired by her observation of the interconnectivity between humans and nature, and her longing to reconnect after isolation during the pandemic. Her solo exhibition brings her perceptions and musings to life through her highly textured collage techniques. Many of her works present themselves like a miniature ecosystem; reverse-painted plexiglass panel is placed between the viewer and the textural backdrop of the work. Highly detailed renderings of butterflies, gingko leaves, and other organic elements painted on the transparent plexiglass appear to float over the materials affixed to the layer behind. Kane-Murrell’s specific style of mixed media collage both unites and contrasts familiar icons of nature with abstraction and human-designed composition. She reflects “My work is abstractly narrative. I aim between spontaneous and controlled…patinas of layered mark-making reflect my perception of light, color, and sound. When a viewer reaches to touch my work to understand what is seen, I have achieved an elusive goal.” Kane-Murrell’s work investigates the human experience as but one aspect of the natural world. With work inspired by wondrous natural phenomena that scientists are only beginning to understand, the artist explores the concept of our place in this interconnected web of life. The idea that everything is intertwined, even in ways we may not expect or be aware of, also brought Kane-Murrell comfort during the isolating time of the pandemic. Kane-Murrell holds reverence for the mycorrhizal network (in which trees communicate with each other through their underground root systems), the migration patterns of monarch butterflies, and starling “murmurations” – birds that fly together collectively in groups of seven. This philosophy is visually explored in the repeating motifs within each work; the artist repeats butterflies, leaves, or cut paper shapes across the piece, drawing attention to their similarities and mass as a group. Subtle changes in these repetitions, such as unique colors or placement, differentiate individual elements from each other. Yet the abstract work is undoubtedly unified, communicating the connectedness of every unit to the entire composition as a whole. Regular Gallery Hours: M,TH,F 10 a.m. - 6 p.m., Saturday 11a.m. - 7 p.m., Sun 11a.m. - 5 p.m. Sparks Gallery on Facebook / Instagram
  • Saturday, May 10, 2025 at 7 p.m. on KPBS 2 / Stream now with KPBS Passport + Encores May 10 at 9 p.m. on KPBS TV and May 11 at 6:30 p.m. on KPBS 2. Grab a front-row seat at a concert featuring some of the greatest show tunes of musical theatre. Performers include Megan Hilty, Michael Maliakel, Nikki Renée Daniels and Tommy Sutter with Luke Frazier and The American Pops Orchestra.
  • Sunday, Dec 17, 2023 Posada & Tiagüis You are cordially invited to the Tianguis de la Raza of the year 2023 + our annual Posada. Save the date and let’s celebrate the beginning of the winter with a day of music, raffles and prices, delicious food, natural medicine, and local POC artisans with products for all occasions. Come and celebrate the end of the year with us. View this event on Facebook
  • A powerfully gifted musician and a scholar of Black American music, Jake Blount speaks ardently about the African roots of the banjo and the subtle, yet profound ways African Americans have shaped and defined the amorphous categories of roots music and Americana. His 2020 album Spider Tales (named one of the year’s best albums by NPR and the New Yorker, earned a perfect 5-star review from the Guardian) highlighted the Black and Indigenous histories of popular American folk tunes, as well as revived songs unjustly forgotten in the whitewashing of the canon. Blount’s new album, The New Faith, is a towering achievement of dystopian Afrofuturism and his first album for Smithsonian Folkways (released September 23, 2022). The New Faith is spiritual music, filled with hope for salvation and righteous anger in equal measure. The album manifests our worst fears on the shores of an island in Maine, where Blount enacts an imagined religious ceremony performed by Black refugees after the collapse of global civilization due to catastrophic climate change. Blount’s music is rooted in care and confrontation. On stage, each song he and his band play is chosen for a reason—because it highlights important elements about the stories we tell ourselves of our shared history and our endlessly complicated present moment. The more we learn about where we’ve been, the better equipped we are to face the future. This is Jake Blount’s San Diego premiere. For more information visit: artpower.ucsd.edu
  • The FIRE+WATER double bill will couple Hong Sangsoo's "IN WATER" (61 min) with Pedro Costa's "THE DAUGHTERS OF FIRE" (9 min). Both films, fresh of their North American premieres, show consummate artists taking some of the boldest risks of their careers. For Hong it's shooting a feature film in varying focal lengths, a decision that comes fully into focus in the film's indelible final image. For Costa, it's staging a three-screen mini-opera with three incredible performers filmed independently but somehow performing in unison. "THE DAUGHTERS OF FIRE" by Pedro Costa, 2023, 9 min Official Selection - Cannes, TIFF, NYFF Three young sisters are separated by the eruption of Fogo, but they sing: one day, we will know why we live and why we suffer. "IN WATER" by Hong Sangsoo, 2023, 61 min Official Selection - Berlinale, NYFF A trio of friends venture to the rocky shores of a large island to shoot a film together. The director, Seongmo (Shin Seokho), recently gave up acting and has decided to make a film with his own money. His former classmate, Sangguk (Ha Seongguk), will operate the camera and Namhee (Kim Seungyun) will act in it. The only problem: Seongmo hasn’t decided what to make. As he wanders in the rocks and wind, Seongmo searches for a story. What he finds is a young woman picking up trash. And that is all he needs. His most overtly experimental work to date, "In Water" reveals Hong at the height of his allusory powers. The story is simple: three friends set out to make a film, and then they do it. But with bold formal choices and his signature impulse toward the uncanny, Hong evokes infinite mysteries and hints at whole worlds lurking below the surface of everyday reality. Digital Gym Cinema on Facebook / Instagram
  • “We all get dressed for Bill,” says Vogue editrix Anna Wintour. The “Bill” in question is 80+ New York Times photographer Bill Cunningham. For decades, this Schwinn-riding cultural anthropologist has been obsessively and inventively chronicling fashion trends and high society charity soirées for the Times Style section in his columns “On the Street” and “Evening Hours.” Documenting uptown fixtures (Wintour, Tom Wolfe, Brooke Astor, David Rockefeller—who all appear in the film out of their love for Bill), downtown eccentrics and everyone in between, Cunningham’s enormous body of work is more reliable than any catwalk as an expression of time, place and individual flair. In turn, Bill Cunningham New York is a delicate, funny and often poignant portrait of a dedicated artist whose only wealth is his own humanity and unassuming grace. For more information visit: digitalgym.org Stay Connected on Facebook
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