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  • A federal appeals court ruled Friday to uphold a lower court's temporary order blocking the Trump administration from conducting indiscriminate immigration stops and arrests in Southern California.
  • The Imperial Irrigation District Board of Directors on Tuesday, April 1, approved the first-quarter amendment to the 2025-2026 biennial budget, significantly increasing the Energy Department’s capital spending from the original allocation of $813 million in 2025 to approximately $970 million.
  • Bird Talk with Live Falcons! Join us as Dr. Bob Gordon and his raptor friends showcase the world of falconry and conservation. Through live demonstrations, he’ll reveal the history, skills, and environmental importance of these magnificent birds. Free with museum admission; members free! Visit: https://www.heritageoftheamericasmuseum.com/bird-talk-with-live-falcons Heritage of the Americas Museum on Instagram and Facebook
  • Sudan's civil war has displaced 10 million citizens. Here are profiles of two young people from the most vulnerable groups: an unaccompanied minor caring for twin brothers, a woman who was raped.
  • Highs above degrees 110 were expected this week in the desert, the NWS said. Desert lows will range from 82 to 92.
  • From the organizers: Join us for an unforgettable evening of Rondalla and Kulintang music of the Philippines at the Mingei International Museum in Balboa Park, San Diego, CA. Experience the rich melodies and rhythms of these traditional Filipino musical ensembles, featuring a unique blend of string and percussion instruments. Immerse yourself in the vibrant sounds and cultural heritage of the Philippines. Don't miss this one-of-a-kind event! For the first time, on October 28, 2023, Saturday, at 6:00 pm, the Samahan Filipino American Performing Arts & Education Center (dba Samahan Arts) holds at the Mingei International Museum a music concert entitled “Struck & Plucked - An Evening of Rondalla and Kulintang Music of the Philippines.” The concert is offered as the “finale” to the celebrations of the Filipino American History month. The Filipinos’ traditional string and indigenous “gong” music will be presented with a few cultural dances in an intimate setting of the La Atalaya Theatre of the museum. Featured are the “home-grown” Rondalla and Kulintang musicians led by Samahan Arts’ Music Director and Ethnomusicologist, Dr. Bernard Ellorin. This music concert is funded in part by the Dr. Lolita Diñoso Carter Endowment through the San Diego Foundation, the California Arts Council and donations of generous patrons. Limited number of admission tickets at $25 each may be obtained at https://SamahanArts.org. Discounted student ticket at $15 each may be made available to student groups. For information: admin@samahanarts.org. About the music: The Philippine rondalla is of Iberian origin composed of string instruments such as the banduria, laud, octavina, guitara and bajo. The rondalla typically plays nostalgic folk and contemporary pieces by Filipino composers. On special occasions, it accompanies both European and Latin American influenced dances. The Samahan Rondalla started in 1982 under the tutelage of the late Bayani De Leon, well known Filipino Ethnomusicologist. Samahan Arts’ dynamic outreach activities and educational program have been instrumental in maintaining its “staying power.” In the ‘90s, Music Coordinator, Dr. Juanita Caccam patiently taught Ellorin how to play the banduria, getting him eventually interested in pursuing a degree in Ethnomusicology. Since 1992, Ellorin has been the principal banduria player of the Samahan Rondalla, and is currently the ensemble’s lead. As an undergraduate student at UCLA, he attended extended Rondalla studies with Tagumpay De Leon, NEA National Heritage Fellow in 2021 and the director of the UC Riverside Gluck Rondalla Ensemble. Tagumpay and Bayani are sons of Felipe De Leon, also a famous Filipino composer and a National Artist for Music of the Philippines. Dr. Caccam and Frederick Embalsado, Rondalla Director, ardently nurtured musicians, such as, Mitchell Almoite, Alex Alcantara and Taryn Chiong, who are currently active Samahan Rondalla musicians, with Rogelle Zamora and Ellorin. Kulintang is an ancient instrumental form of music played on a row of horizontally laid bossed gongs that function melodically, accompanied by large, suspended gongs and drums. It is the customary music of the indigenous Muslim societies in Mindanao Island, Philippines, for rituals, ceremonies, weddings and other social occasions. Samahan Arts’ Kulintang Ensemble plays traditional music of the Maguindanaos, Maranaos, the Sama and Tausug people. In 1996, Ellorin was designated as the ensemble director after mastering a number of Kulintang pieces taught by the late Maguindanao Kulintang Master Danongan Sibay Kalanduyan, NEA National Heritage Fellow, 1996. The ensemble, originally made up of Master Kalanduyan’s students in San Diego, adapted the name Pakaraguian Kulintang Ensemble, when it merged with the ensemble that was co-founded by Ellorin with his colleagues in UCLA in 2003. Playing with the ensemble is Master Kalanduyan’s granddaughter, Kimberly Kalanduyan Villanueva, who was Ellorin’s apprentice in 2019 with the Apprenticeship Program of the Alliance for California Traditional Arts (ACTA). The 2021 ACTA apprentice of Ellorin for Sama kulintang music, Rogelle Zamora also plays with the ensemble. Janet Asuncion, Michelle Camaya, and Mitchell Almoite are also dedicated musicians of the ensemble who study the music intensely with Pakaraguian.
  • Republican strategist Sarah Longwell says getting involved in the Israel-Iran conflict would be an "unforgivable sin" to many Trump supporters.
  • From the KPBS/Arts newsletter: I checked out the de la Torre Brothers' "Post-Columbian Futurism" last weekend at Institute of Contemporary Art San Diego in Balboa Park. I knew what to expect: the massive, immersive lunar lander of "Colonial Atmospheres" (pictured), which had recently been installed at The Cheech in Riverside. To be fair to my expectations, it really is an astonishing piece of art. It's massive in scale, with so many details and so much humor, meaning and history, and it's the first thing you see as you descend the stairs into the museum. The entire exhibit imagines a battle between Aztec gods, anchored by two lenticular pieces of Coatlicue (the mother of the gods) and Mictlantecuhtli (the god of the dead). It's also an imagined future of what would happen if humanity consumed itself to death. My favorite: the dining table installation around the corner. An intricate feast is set at a lavish, antique table, but something is wrong, something is amiss about the whole scene and I could have spent an hour just trying to understand every dish. With tipped over chairs and the weirdest glass food ever, it's ominous and beguiling. ICA San Diego-Central is open Thursday through Sunday from noon to 5 p.m. and admission is free. —Julia Dixon Evans, KPBS From the museum: In Post-Columbian Futurism, one of their largest and most ambitious projects to date, brothers Jamex and Einar de la Torre (b.1960 & 1963, Guadalajara; live and work in San Diego/Baja California) transform the ICA’s Central campus into the site of an epic battle for the future of humankind. Through a fusion of Mexican, American, and Indigenous cultural iconographies, the de la Torre brothers engage with our seasonal theme “Limitless Growth, Limited World,” by relaying a cautionary tale about the dangers of overconsumption in all its forms. Post-Columbian Futurism imagines a battle between the Aztec gods Coatlicue, who represents Mother Earth, and Mictlantecuhtli, the god of the dead. In the brothers’ current conceptualization, Coatlicue morphs into “Coatzilla,” a savage creature wreaking destructive havoc on urban infrastructure, while the transformed “Miclantiputin” continually releases new traffic-filled highways in entrail-like ribbons that spill from his rib cage. We humans are caught in the middle…or perhaps we’re on both sides? Much like the brothers’ lenticular paintings, which reveal different images depending on the viewing angle, the resolution of this conflict may depend on one’s perspective. Post-Columbian Futurism includes newly commissioned work to fill over 6,000 square feet of exhibition space.Two massive lenticular paintings of the gods will confront each other in the gallery, surrounded by a series of projections, floor coverings, and related glass sculpture. “Colonial Atmosphere” (2002), an installation of a lunar lander in the shape of a massive stone Olmec head, will anchor the space, inviting us to consider how far we are willing to go, and how long we are willing to fight, for the juggernaut of humanity. Related links:
  • The National Oceanic and Atmospheric Administration suggests people stay at least 50 yards from seals and sea lions.
  • The word itself predates Christianity, but the conclave with its secretive deliberations and ancient trappings still captures the public's curiosity.
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