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  • Plus, how well do you know your pandas and fat bears?
  • Activists across Asia are being hunted down by authoritarian governments even across international borders. Human rights groups have been warning of a "swap market" of repression in Southeast Asia.
  • The dark side of the prediction market boom is becoming more clear: Experts say the sites have become go-to outlets for gambling addicts to relapse as the companies avoid state consumer protections.
  • After 32 years in Congress, Ohio's Sherrod Brown lost his Senate seat in 2024 as many working class voters turned out for Trump. Now Brown is counting on union voters to send him back to Washington.
  • Move over, beach reads. With the fall equinox behind us, we can now curl up with cozy autumn books. There are new titles coming from Barbara Kingsolver, Chad Harbach, Jasmine Guillory and more.
  • Dance Theatre of Harlem is reviving its landmark 1982 production of Firebird under the helm of artistic director Robert Garland.
  • Wealthy New York City teenager Balthazar “Balthy” Malone (Jaeden Martell) has a crush on a classmate who organizes gun control protests. To gain her attention, he creates dramatic social media videos pleading for stricter gun laws. When an online troll (Asa Butterfield) begins mocking his videos, Balthy becomes convinced that he is communicating with a potential mass shooter and impulsively decides to travel to Texas to confront him in person. What starts as a misguided hero’s journey evolves into a complex encounter between two young men from vastly different worlds, each struggling to find their place in a divided America. Digital Gym Cinema on Facebook / Instagram
  • Cinema Associate Holly's Staff Pick for August at Digital Gym Cinema! Influenced and accompanied by manosphere mantras and motivational content, a young man sets out on a road trip through the North American continent, from his home in the Midwest all the way to Alaska, on a quest for self-optimization, in Jacob Gregor’s END OF HISTORY, a quiet yet fierce satire that is frequently funny, often absurd and always lonely. The voices of content creators preaching pop stoicism and the grievances of Canadian conservative talk radio haunt the stunning natural vistas and endless suburban sprawl of his northward journey, with nothing to be found and nothing to feel alongside the frozen lakes, at the feet of snow-covered mountains, in strip mall parking lots, gas stations and motel honeymoon suites. Influenced by the landscape films of James Benning, the film also recalls an old saw from director Alex Cox that every road movie is about the death of the American dream. END OF HISTORY certainly qualifies, but it is notable for the sobriety and wit with which it approaches the current post-dream post-history American nightmare. Unlike the road movies of the seventies and early-eighties that Cox may have had in mind (mentioning this idea in his Moviedrome intro for Robert Aldrich’s 1981 wrestling road movie …ALL THE MARBLES aka THE CALIFORNIA DOLLS), there is no naive belief in the dream to be shattered along the road as the film unfolds. END OF HISTORY doesn’t gradually reveal the hollowness and broken promises so much as use them as its essential foundation and point of departure, situating itself and us in a uniquely hopeless time and place in the American landscape. Digital Gym Cinema on Facebook / Instagram
  • Join participating L&L Hawaiian Barbecue locations on Saturday, August 8, for National SPAM® Musubi Day! Guests can enjoy one free SPAM® Musubi—a Hawaiʻi favorite featuring grilled SPAM®, rice and nori—from noon-4 pm local time, while supplies last. Select locations may also feature entertainment, giveaways and additional menu specials. Contact your nearest L&L Hawaiian Barbecue for participating location details. For more information and to find a location near you, visit hawaiianbarbecue.com/national-spam-musubi-day L&L Hawaiian Barbecue on Facebook / Instagram
  • Boris Eifman’s "Pygmalion Effect" reveals the celebrated choreographer at his most psychologically sharp, fusing virtuosic classical technique with visceral emotional power. Inspired by George Bernard Shaw’s "Pygmalion," this production reimagines the story as a dark, modern ballet about artistic control and human transformation. Eifman’s distinctive movement language captures the volatile bond between a brilliant, domineering creator and the young woman he reshapes, exposing desire, manipulation, and vulnerability beneath the polish. Dramatically charged and emotionally rich, the ballet exemplifies Eifman’s gift for turning narrative dance into gripping psychological theater. "Boris Eifman is a theatrical magician!" – NY Post Running time: 1hr 25m Trailer: https://www.youtube.com/watch?v=EV5J3JpwJbY Boris Eifman is considered to be one of the leading choreographers in the world. After working for 10 years at the Vaganova Academy of Russian Ballet, in 1977, he formed his own ballet ensemble, interweaving classical ballet, modern dance and ecstatic impulses to create a completely different form of choreography where self-expression becomes the subject and in which there is drama, philosophy, characters and a central idea. A distinct feature of Eifman’s theater, its trademark, is that almost all of his performances have a plot and, often, a literary source. In this way he can plunge into a realm that is familiar, all the while discovering and revealing the unexplored. His unique lexicon and conceptual, authorial interpretations are a breakthrough into that fantastic dimension where the boundlessness of inner worlds comes to life.
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