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  • In a camp in Gaziantep and in makeshift settlements in the fields around it, survivors of Monday's quake say they do not have enough food, water, heating or basic amenities to keep themselves alive.
  • As members of the middle class have fallen into poverty in the wake of the Taliban takeover, families are no longer able to serve sumptuous repasts on their traditional dining rugs.
  • State officials say $72 million from the Biden administration is the first major federal funding to address harmful impacts as the Salton Sea recedes.
  • The South American country of Chile has become a center of lithium mining, which has boomed as demand for electric car batteries has risen. But what are the environmental costs?
  • Complete Communities is the city's most aggressive attempt yet at tackling the housing shortage. Less than two years in, it appears to be working as intended — though not everyone is happy about that.
  • On view: Jan. 15-Mar. 12, 2022 Opening reception: Friday, Jan. 14, 2022 from 6:30-8:30 p.m. Artist walkthrough: Saturday, Jan. 29. 2022 at 11 a.m. Gallery hours: Tuesday through Saturday, 10 a.m. to 5:30 p.m. About the exhibition: Writer Jared Stanley and artist Matthew Hebert collaborate on the interactive sound installation La Jolla Reading Room. Composed of sculptures and sound recordings, the exhibition draws inspiration from the Athenaeum’s collection of over 2,000 artists’ books, as well as the tradition of library reading rooms, places set aside for silent reading and contemplation. The sculptures resemble a set of reading tables arranged in a maze-like pattern within the gallery, and recordings are composed of the voices of writers, artists, and book enthusiasts within the larger San Diego and La Jolla community—a collaged chorus of readers, thinking aloud about the experience of reading and interacting with artists’ books. Stanley and Hebert invited community members to visit the Athenaeum and spend about 45 minutes engaging with selected books in the library’s collection, after which they recorded brief interviews about their experience. Selections from the interviews are included in the installation, blended with the voices of others in the community to create a constantly shifting chorus. “Our fond wish is to have visitors enter a space which seems static, quiet and formal, but which upon entry becomes full of sound, a cacophony of voices filling the air with sounds, ideas, emotions, and tones, creating a loud library, a place where book bound language could be returned to the status of voices, revivifying tones, timbres, accents, and emotions.” –Jared Stanley Major support for this exhibition provided by the University of Nevada, Reno. About the artists: Jared Stanley is the author of three full-length collections of poetry, EARS (Nightboat Books, 2017), The Weeds, (Salt Publishing 2012) and Book Made of Forest (Salt Publishing, 2009), which won the Crashaw Prize for Poetry. His poetry and prose have appeared in many journals including Harvard Review, Triple Canopy, The Academy of American Poets' Poem-a-day and in the anthology Counter-Desecration: A Glossary for the Anthropocene (Wesleyan, 2018). His awards include a Silver Pen Award from the Nevada Writers Hall of Fame and fellowships from the Nevada Arts Council and the Center for Art + Environment. Born in Arizona, Stanley grew up in northern California and now lives in northern Nevada, where he is an Assistant Professor of English at the University of Nevada, Reno Matthew Hebert has been working under the studio name eleet warez since completing his undergraduate studies in the mid-90, a name borrowed from hacker culture suggesting the technical sophistication, improvisational spirit, and freewheeling appropriation that is essential to his work. Hebert creates work that deals with technology and its effects on the domestic environment and our sense of space and place, taking recognizable forms and layering new use and meaning onto them. He has exhibited at the Museum of Contemporary Art San Diego, Berkeley Art Museum, Milwaukee Art Museum, Museum of Craft and Folk Art, San Francisco; California Center for the Arts, Escondido; Chicago Cultural Center, and Core77 in New York. He received his BA in Architecture from the University of California, Berkeley; and his MFA from California College of the Arts. Hebert has taught at the University of Wisconsin – Madison, CalArts, and School of the Art Institute of Chicago, and is currently Associate Professor of Art at San Diego State University. Related links: The Athenaeum Music & Arts Library on Instagram The Athenaeum on Facebook
  • From the gallery: An art project inspired by Baja California & San Diego topography, representing the 5 topographic and climate regions: Beach(Coastal Prairie), Coastal, Inland, Mountain, and Dessert. Each zone provides flavors unique to the Baja California / SD region. The entire project is designed to go the bring experiences of our regional landscape to all our senses. The food is meant to be held, felt, smelled, and tasted. Music is made by the modules of sounds that directly simple from the climate zone. Augmented Reality is used to reflect new way of sharing food under the recent social norms. The exhibition can be viewed in the AAC Gallery at the Athenaeum Art Center (1951 Julian Avenue, San Diego, CA 92113) during opening hours, Tuesday and Thursday, from 10 a.m. to 4 p.m., and every second Saturday from 6 to 8 p.m., during the Barrio Art Crawl, and by appointment. Performances: Friday, Dec. 10 from 6-8 p.m. Saturday, Jan. 8 from 6-8 p.m. Objective: In this special time, I hope to create an art experience that can dedicate to transcend both the physical Border Wall between Mexico & the U.S. as well as the emotion of the recent pandemic experience.The immersive art is designed to help recognize the interconnections among us. The project: The ingredients are grown/sourced locally in both Baja California & San Diego. The ingredients of native plants are included to reflect different ethnic layers of an immigration society. In a multicultural society with values of freedom of speech and mutual respect, we need each other to reconnect with direct experiences and to leave out our preconceived ideologies. Our bodies serve as basic equipment to receive information. Food-Landscape encourages us to engage our direct experience network again, which can help us build common ground. Artists: Maggie Shen Marcos Fernandes Claire Guilbert Harikrishnan Varma Learn more here. Related links: Follow Athenaeum Art Center on Instagram
  • Celebrate "Thanksgiving in Spain" at Café Sevilla on Thursday, November 25th, while listening to live Latin music. Gather with family and friends to enjoy a delicious 3-Course Prix Fixe Thanksgiving Menu from 4pm-11pm. We will be featuring live Latin guitar music 5pm-9pm. The holiday menu includes Thanksgiving classics with a Spanish twist including butternut squash soup with lemon and chive cream; roasted turkey breast and glazed black forest ham served alongside sweet mashed potatoes, gravy, stuffing, brussel sprout casserole, corn bread and barbacoa pineapple chutney; and homemade pumpkin pie with cinnamon ginger whipped cream for dessert. Café Sevilla's Thanksgiving menu is priced at $49.50 for adults and $24.50 for kids (2-courses). Dinner menu is also available all day. For those who prefer to celebrate at home, Café Sevilla offers Thanksgiving Feasts to Go. These festive Thanksgiving packages are available for 2 or 4 guests and can be picked up hot and ready to serve on Thanksgiving Day, Thursday, Nov. 25. Dine-in reservations are recommended and can be made by calling 619-233-5979. Cafe Sevilla is conveniently located in the heart of San Diego's Gaslamp at 353 Fifth Avenue, San Diego, CA 92101. For more information, visit http://www.cafesevilla.com
  • The Imperial Irrigation District in California announced it will conserve 100,000 acre-feet of water in 2024, less than its initial water conservation goals.
  • California wildfires are generating pollution that is harming people's health and the situation is getting worse, not better.
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