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  • Russia appears to be using drone attacks on civilians to train young pilots, says a Ukrainian lawmaker with ties to Ukraine's military. One city has been hit by hundreds of drone strikes this year.
  • After more than 15 months of relentless Israeli bombardment, Gaza has been left in ruins. If last week's ceasefire holds, rebuilding could take decades, cost tens of billions of dollars and present overwhelming obstacles.
  • Score big at High Dive this summer with our Olympic-sized watch parties! Join us as we cheer on the world’s best athletes with ice-cold drinks, delicious bites, and an electric atmosphere that’s pure gold. Whether you’re into diving, sprinting, or synchronized swimming (or just synchronized drinking), we’ve got you covered. Don’t miss out on the action – dive into the spirit of the Summer Olympics with us. July 26 through Aug. 11, except on Tuesdays, when they’re closed Hours: Monday 9 a.m. – 11 p.m. Tuesday Closed Wednesday & Thursday 9 a.m. - Midnight Friday & Saturday 9 a.m. - 1 a.m. Sunday 9 a.m. - Midnight For more information visit: highdivesd.com Stay Connected on Facebook and Instagram
  • The Trump administration is "twisting itself in knots" in trying to limit birthright citizenship and focus on deportations, argues New Jersey Attorney General Matthew Platkin.
  • A resident of Paradise, a town that wildfire virtually leveled in 2018, explains what it takes to build a home in California after the disaster.
  • A human rights lawyer and peace negotiator Diana Buttu talks about the the ceasefire between Israel and Hamas and what Trump's election will mean for U.S. involvement in agreement.
  • About the exhibit: Quint Gallery is thrilled to present Nancy Blum: Gathered this summer, her first solo exhibition with the gallery. An installation of 9x12 inch works from her ‘Black Drawings’ series will be situated throughout the front and back rooms of the 7722 Girard Avenue gallery interspersed with a selection of other recent ‘Star’ and ‘Flame’ drawings, all on black paper. Blum’s ongoing series of ‘Black Drawings’ radiate and transform within/beyond each 9x12 in sheet of paper, etched softly by colored pencil and graphite. She begins this daily practice with an image in mind and makes intuitive decisions underpinned by careful sensitivity to plant intelligence and movement, and the spatial geometry of nature. Taken as otherworldly species or mystic equations, these Untitled compositions evade definition. What results, however, is often a labyrinthine, curvilinear meditation on cycles of existence. By setting them in a black, non-illuminated space, the inherent potential of abstracting concrete form emerges, providing space for its subjects to glow, move outward, or curl inward, always in the process of leaving or becoming something new. “Everyone carries a room about inside them,” wrote Franz Kakfa in Blue Octavo Notebooks, one of his posthumously published journals. Under Blum’s guidance, the endless knot of her forms breathe an air of secrecy and can feel like a door to her own inner world. In drawings which repeat variations on the four elements of nature, they may be approached like a meditation or prayer. This sentiment is influenced by the Tibetan Buddhism tradition of thangka paintings, which illustrate the story of Buddha and have served a multitude of purposes, among them to aid in contemplation or give thanks. Blum has made hundreds of these drawings and each one is unique. If regarded as small parts of a larger whole, an interconnected ecosystem develops. Attuned to fire, earth, water, and air, drawing as a discipline gives form to Blum’s visioning of consciousness and what lies beyond those four elements, without which we couldn’t exist. Upon this foundation, a set of larger Flame works more directly reference the element of fire and how it has been historically illustrated and mythologized in South and East Asian art. Additionally, several new Star drawings are made from graphite and dark blue colored pencil, burnished and lightly embossed onto black paper. About the artist: Beyond the solitude of her drawing practice, Nancy Blum enjoys the often-collaborative process of developing large-scale public works using a variety of media. For New York City’s MTA Arts-in-Transit program she created a suite of large botanically themed mosaics at the historic 28th Street Station (2019). In the spring of 2024, this project was included in the book Contemporary Art Underground: MTA Arts & Design New York. Blum has completed numerous other public commissions throughout the United States, including enameled glass windows at the San Francisco General Hospital, San Francisco, CA; a series of billboards in the sculpture park of the North Carolina Museum of Art, Raleigh, NC; a resin flower wall at Sea-Tac International Airport, Seattle, WA; among many others. Blum received her MFA from Cranbrook Academy of Art and has since become a widely sought-after visiting artist, critic, and lecturer at universities nationwide. Her work has also been recognized through fellowships from the Pollock‐Krasner Foundation, Peter S. Reed Foundation, Mid‐Atlantic Arts Foundation, and New York’s Lower East Side Printshop. The first monograph of her work was published in 2017 and features essays, interviews and documentation of her drawing, sculpture, and public artworks. Nancy lives and works in Brooklyn, NY. Related links: Quint Gallery website | Instagram
  • An inspired project stemming from the core essence of Daring Greatly, this harmonious venture seeks to curate a unique set designed around the art of vocal harmonies and the soulful fusion of acoustic guitar, piano, and rhythmically precise cajon percussion. Drawing from their shared musical roots, they intricately weave a captivating tapestry of acoustic charm, evoking nostalgia while introducing a fresh sonic experience. Visit: Croome Brothers Trio at Fairmont Grand Del Mar Croome Brothers on Instagram
  • Du Plessis vs Adesanya Visit: https://www.ufc.com/events?page=1 The Smoking Gun
  • The Athenaeum and Murals of La Jolla present Kelsey Brookes, with a special presentation of his career, process, recent projects, and 2014 mural One Pointed Attention for Murals of La Jolla. The reception begins at 6 p.m., followed by an artist talk at 6:30 p.m. Kelsey Brookes' mural, One Pointed Attention, engages the viewer in a mesmerizing vision scape. His distinctive use of color and line creates a portal into an intriguing and transcendent visual experience. The undulating patterns evoke a sense of calm contemplation while also creating a more cerebral and psychological effect. His work often embodies a metaphysical and otherworldly state. The scale of One Pointed Attention allows the viewer to feel absorbed into the pulsating aura Brookes has created. Kelsey Brookes’ unique painting practice combines color and pattern-making with a comprehensive knowledge of biochemistry. Brookes was born in 1978 in Denver, Colorado. He attended Colorado State University where he studied biochemistry and pursued life as a scientist. In 2005, he left the sciences to become a full-time artist. Brookes combines a strong understanding of science with painterly skill to create colorful, highly-detailed paintings that depict the molecular structure of drug compounds, molecules, and atoms to play with sensory perception. Often starting with a central focal point, his work radiates out through precise pattern and repetition spreading across the entirety of the canvas. Brookes has had solo exhibitions in La Jolla, Los Angeles, New York, Detroit, London, and Berlin. His work was featured as the cover art for the Red Hot Chili Peppers’ 2012 “I’m With You” 7-inch records and The Flaming Lips’ 2013 “Stone Roses” LP. His work resides in many private collections, as well as the public permanent collections of the Museum of Contemporary Art San Diego; the Crystal Bridges Museum of American Art, Arkansas; and the Frederick R. Weisman Foundation, Los Angeles. Brookes lives and works in San Diego, California. Mural Members and Makers attend FREE and will receive an email to RSVP for the lecture. The lecture will be in person at the Athenaeum Music & Arts Library. There are no physical tickets for this event. Your name will be on an attendee list at the front door. Doors open at 6 p.m. Seating is first-come; first-served. This event will be presented in compliance with State of California and County of San Diego health regulations as applicable at the time of the lecture. Visit: https://www.ljathenaeum.org/events/2024-brookes-talk Athenaeum Music & Arts Library on Instagram and Facebook
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