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  • State funds to legally advocate for unaccompanied immigrant children could soon dry up.
  • In collaboration with So Say We All, the Hausmann Quartet presents "Seven Last Words", a performance of Joseph Haydn’s epic masterpiece alongside spoken word presentations of original works by the authors themselves. The texts will be inspired by the same scripture upon which Haydn based each of the movements of his monumental work, The "Seven Last Words" of Christ. Originally commissioned for a Good Friday service in 1783, it was adapted for string quartet by the composer and has since become a treasured Easter-time tradition around the world. Stay Connected on Social Media! Facebook | Instagram | Twitter
  • Nearly 300 young musicians, their teachers and staff from their music school fled Afghanistan in fear for their lives as the Taliban took power. NPR caught up with them during their U.S. tour,
  • The regional planning agency known as SANDAG has been handed a series of scathing audits from its in-house watchdog. Here’s why.
  • A far-right extremist group connected to San Diego is fueling anti-semitic incidents. In other news, an Escondido company makes specialty police uniforms for departments across the country. Plus, the world premiere of a play inspired by the Logan Heights community premieres at The Old Globe Thursday.
  • Sixteen months after California began requiring health care providers to post on their websites their own medical aid in dying policies, only a handful are complying. In other news, the Padres are back at Petco Park after their series in Mexico City, and during their trip they inspired some young ball players in the heart of Mexico. Plus, a local chef talks about the perks of shopping at restaurant supply stores for your home goods.
  • Landau's partnership with James Cameron led to a best picture win for 1997's "Titanic." Together they account for some of the biggest blockbusters in movie history, including "Avatar" and its sequel.
  • Peak screening hours at airport checkpoints are 5-7 a.m. and 4-6 p.m. With holiday delays, passengers could see extended wait times of up to an hour.
  • In a new special exhibition of works by living artist Fernando Casasempere at San Diego Museum of Art, you'll find four distinct installations, each revolving around Casasempere's use of clay, color and the earth's deeply rooted history — specifically the industrial waste from Chilean copper mines. This exhibition opens in conjunction with Art Alive, the museum's annual floral show, and is Casasempere's first solo exhibition in the U.S. On view in the museum's first floor galleries 4 and 5. Related events: Tuesday, May 3, 2022, 10:00 a.m. to noon: Art and the Environment: An Artist Panel Discussion From the museum: Fernando Casasempere (b. 1958) moved to London from Santiago in 1997 with 12 tons of earth from his native Chile. He uses the earth as his medium as well his subject to explore ideas of landscape, architecture, and history with a foreboding sense of environmental collapse. The four installations of the exhibition include: Reframing Our Relationship with the Earth features a mound of earth with thousands of individually hand-pressed clay components resembling bone fragments that speak to humans’ impact on the planet. Earth Book/The Sphere of Things to Come presents a series of clay books and a spherical structure representing the earth, together making up a physical archive of what may be lost if no change is made. Salares features hanging landscape formations made of clay that pay homage to the salt flats of the Chilean Atacama Desert, as well as enlarged mortar bowls that speak of itinerant diasporas, representing civilizations forced to flee from natural disasters caused by the changing climate. Reminiscences presents ceramic constructions representing fragments of archaeological ruins, gesturing to the threat of cultural loss due to humans’ extractive relationship with the Earth. Read more here. Related links: San Diego Museum of Art on Instagram San Diego Museum of Art on Facebook Visiting information
  • The album, which features 31 songs, was previously owned by Martin Shkreli, who served seven years in prison for securities fraud, and had to forfeit it to the U.S. government.
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