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  • Drag queen Alaska is coming to San Diego for her brand new The Red 4 Filth Tour! A bizarre cosmic collision propelled Alaska to Earth in March 1966… and on to the fifth season of Logo TV’s RuPaul’s Drag Race in January 2013. Still radioactive, no one knows who or what she is yet, but no one cares, as long as she never returns to her native planet. Her age and species remain unknown to the public, but a few of her enemies claim to hold copies of her spawning record and universal passport. See her live at House of Blues on Friday, December 2 at 8 p.m.
  • In a Google ad now pulled from Olympics coverage, a dad uses AI to craft a fan letter from his daughter. It’s the wrong approach to express admiration in a star athlete – and to instill confidence in a burgeoning one.
  • A SDSU professor is trying to engineer a better kind of foam for the inside of football helmets to reduce the problem of head injuries.
  • moses was a Hawaiian artist known for the intricate hats he'd sculpt out of everyday brown paper bags. In a new exhibition at the Mingei, "Fold, Twist, Tie," a collection of his 1980s paper bag hats will be on view alongside his photography of beachgoers wearing his sculptures. The exhibition is intended to bring the process to life, and I especially love the juxtaposition of a hat as an art object against a photo of it being worn. There's no doubt the wearer marveled or respected the work, but it feels deliciously far removed from a modern "don't touch the artwork" sensibility. One of my favorites is the towering "Sun Bishop" hat, constructed of repeated tube-like lengths of rolled paper bag strips, sitting high on the head like a bishop (fun fact: a bishop's hat is called a "mitre"). It's not the most elaborate of the designs in the exhibition, but that's part of its charm. —Julia Dixon Evans, KPBS (from "5 works of art to see in San Diego in April") From the museum: This exhibition at Mingei International Museum features whimsical and sculptural paper hats made by self-taught artist, moses. Self-taught artist moses is best known for his whimsical and sculptural paper bag hats. Each piece mimics materials ranging from leather to bamboo and challenges conventional ideas with extraordinary and elaborate design. FOLD, TWIST, TIE explores the process behind the making of his hats, pairing them with recently restored photos of his creations, often worn by enthusiastic participants. The hats were given grand titles by the artist, such as Sun Queen and Thelonious. The utilitarian paper bag, usually used to hold groceries or lunch, is transformed in this exhibition. Viewers will delight in the creative designs of moses and are sure to leave the show rethinking this simple material. Related links: The Mingei on Instagram The Mingei on Facebook
  • Canadian rapper NAV is coming to San Diego for his brand new Never Sleep Tour! See him live at SOMA on March 18, 2023 at 8 p.m. Tickets are on sale NOW Follow on Social Media: Facebook + Instagram + Twitter
  • An entire industry wouldn't exist without him, yet few know his name. In his songs, Knott challenged the faithful to examine their faults and hypocrisies.
  • The funds are earmarked for SDCCE's Gateway to College and Career program, which "offers paid internships, connections to industry, assistance in securing a high school diploma or equivalency, and a college and career readiness course aimed at helping youth find viable pathways to a productive future," according to the college.
  • ALO
    “ALO is a lot of things. Simply put, it’s a rock band, a family, an artistic outlet, a community and a business. But that only scratches the surface of this 30-year musical vision quest,” says Zach Gill, keys player for the beloved funk n’ roll outfit that began in 1989 when Gill, Dan “Lebo” Lebowitz, and Steve Adams teamed up in their Bay Area hometown at the ripe old age of 13 to play music. “We’ve all been through so much together, there’s a lot of trust,” adds Lebo. “This long term relationship of ours is a beautiful thing.” Before their senior year of high school the three had already recorded an album, and in keeping with their shared vision and rock n’ roll dreams, they relocated as a band to Santa Barbara for college. After nine studio releases and nearly a couple decades of worldwide touring, ALO continues to defy the odds as they prepare to embark on their 14th Annual Tour "d’Amour", and unleash "Creatures Vol. 2: Weave, the second in a series of EPs". With the release of "Creatures Vol. 1: Spark" in July 2019, ALO unveiled a fresh sound and a new lineup with the addition of friend and drummer Ezra Lipp (Phil Lesh & Friends, Stu Allen & Mars Hotel, Magic In The Other), who stepped in for longtime bandmate Dave Brogan. The decision to make a series of EPs worked well for the band, whose members live in different places, and whose schedules required quicker recording sessions. “We love the full-length album process, but these days there are so many different ways to get your music out there,” Adams explains. “For us, the decision to make EPs was like, ‘Why not try it? We like new things.’ Just four songs to focus on each round in the studio. As it went, it was manageable and fun.” It’s that innovative spirit that keeps ALO’s fires of inspiration burning, along with their individual side projects and collaborations. Multi-instrumentalist Gill nurtures a solo career and records and tours with Jack Johnson, who the band befriended in college and who signed ALO to his label, Brushfire Records, in 2005. Bassist Adams has toured with many groups over the years including Nicki Bluhm & The Gramblers and Brett Dennen, and stays active in the Bay Area music scene. And along with solo and band-led work, guitarist Lebo performs with the Grateful Dead’s Phil Lesh, Rock Collection, Doobie Decibel System, and more. When these lifelong friends come together to create, however, is when the magic happens, born from familiarity and experience, of all-night drives to gigs in vans, of shared destinies and inside jokes. And the evidence is in the lyrical, head-bobbing introspection of Spark, and in the smoldering, dance-worthy grooves of Weave. Both efforts encompass the band’s multiple facets. Both translate beautifully for the band’s legendary live performances. And both are primed for those mystical, mysterious jams. “The idea is to inspire people,” Lebo explains. “As a music listener, that’s the music I tend to be drawn to, when I hear something that inspires me and gets me excited about life. That’s what we’re trying to do. As well as inspire ourselves as a band. If we can get ourselves there, then we can translate that to our audience.” That idea has been more like a mission for ALO, to approach the music with a sense of freedom, and create a liberating space for their listeners. “We want people to feel free at our shows - to participate and join along, or just step into our world for a night and enjoy the ride,” says Adams. In February, the band will continue to set eager audiences free on their highly-anticipated 14th Annual Tour "D’Amour", which traditionally benefits music programs in public schools, a cause close to each of their hearts. “In our school, in our town, we were able to be in choir, and play in a jazz band, and play in the jazz choir. There were bands and orchestras, by senior year I think I was in three music classes a day,” recalls Lebo. “A lot of schools have had to cut their music programs because they don’t have funding. Those music programs were so beneficial to us. That’s the age when you get turned on to so much. We feel like supporting music programs is a way we can give back.” “We often reflect on how important music education was in high school and how inspiring it was for us,” adds Adams. “It gave us something to build on, and helped make that connection between education and career. It gave us something to invest in and believe in. It still amazes me to see that childhood dream still playing itself out.” “When the four of us are all in a zone together, it’s really special,” Lebo says of the ALO live experience. “I feel like that’s what we’re always shooting for at a show or in the studio, or even if we’re all just hanging out in the van on the way to gigs.” And that’s what this band is, a collective whose sum is more powerful than its parts, and one that has proven that it can stand the test of time. “It feels old and new, classic and fresh,” Gill concludes. “It holds tension and dreams and possibility in its folds. It’s love and freedom collected, catalogued, then released back into the wilds from whence it came. It hopes to unveil something magical, something unheard of, something the world needs.” Social Media Facebook & Instagram
  • Across the street from the jazz icon's home in Queens, a site of pilgrimage for fans from around the world, sits the new Louis Armstrong Center, which brings his 60,000-item archive back to the block.
  • After months of vitriol, the San Diego County Board of Supervisors approved rule changes that they say will make meetings more civil. Critics of the rules change say it limits the public’s right to free speech. Plus, on Veterans Day we bring you the story of the first Black female prisoner of war in the country’s history. Meanwhile, the USS Midway celebrates Veterans Day with special in-person activities after being sidelined last year because of the pandemic. Also, San Diego and Tijuana were recently announced as the 2024 World Design Capital, beating out Moscow. It’s the first time a binational region has won. And, the pandemic hit many small arts organizations especially hard, but one organization figured out how to survive and thrive. Finally, meet Tijuanauta, a Mexican artist who took the plunge and made art his full-time job after years of hiding in an office cubicle, in this excerpt of the latest episode of the Port of Entry podcast.
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