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  • The database, known as ARJIS, is a clearinghouse for records collected by San Diego area police departments. Federal immigration enforcement agencies pay SANDAG for access to ARJIS, which advocates said could be a violation of immigrant sanctuary laws.
  • Against the backdrop of an energy crisis and a warming planet, more than 50 countries have come to Santa Marta, Colombia, to discuss concrete ways to phase out oil, gas and coal.
  • Odysseus did not face the parasite Cyclospora in his 10-year journey home. But the word "parasite" originated as a popular character trope in Greek literature.
  • Arbitrator finds company liable for driver’s negligence, rejecting Uber’s arguments that it’s not responsible for a contractor’s actions.
  • The massive spending and heated rhetoric in midterm races reflect the AI industry's political fault lines and competing visions of what the future should look like.
  • Tedeschi Trucks Band is coming to The Rady Shell at Jacobs Park, August 16 at 6 p.m. "Future Soul," the album out now Tickets Tedeschi Trucks Band on Instagram and Facebook
  • What happens when an Irish couple with a big dream ships a pub, piece by piece, to the heart of America’s finest city? The Field Irish Pub — it's a genuine bit of Ireland in San Diego’s downtown Gaslamp Quarter. Visit: https://thefield.com/ The Field Irish Pub on Instagram and Facebook
  • The visual album and documentary Songs from the Hole tells the story of James Jacobs, the hip-hop artist JJ'88, as he reflects on his coming-of-age within California's state prison system.
  • Boris Eifman’s "Pygmalion Effect" reveals the celebrated choreographer at his most psychologically sharp, fusing virtuosic classical technique with visceral emotional power. Inspired by George Bernard Shaw’s "Pygmalion," this production reimagines the story as a dark, modern ballet about artistic control and human transformation. Eifman’s distinctive movement language captures the volatile bond between a brilliant, domineering creator and the young woman he reshapes, exposing desire, manipulation, and vulnerability beneath the polish. Dramatically charged and emotionally rich, the ballet exemplifies Eifman’s gift for turning narrative dance into gripping psychological theater. "Boris Eifman is a theatrical magician!" – NY Post Running time: 1hr 25m Trailer: https://www.youtube.com/watch?v=EV5J3JpwJbY Boris Eifman is considered to be one of the leading choreographers in the world. After working for 10 years at the Vaganova Academy of Russian Ballet, in 1977, he formed his own ballet ensemble, interweaving classical ballet, modern dance and ecstatic impulses to create a completely different form of choreography where self-expression becomes the subject and in which there is drama, philosophy, characters and a central idea. A distinct feature of Eifman’s theater, its trademark, is that almost all of his performances have a plot and, often, a literary source. In this way he can plunge into a realm that is familiar, all the while discovering and revealing the unexplored. His unique lexicon and conceptual, authorial interpretations are a breakthrough into that fantastic dimension where the boundlessness of inner worlds comes to life.
  • Create a one-of-a-kind collage that celebrates your loved one and gently helps you envision the year ahead within a caring community. Guided by Lolly Beck-Pancer, Grief Counselor with The Elizabeth Hospice, this workshop will take place on Saturday, January 3, from 1–2:30 PM at Expressive Arts @ 32nd & Thorn in North Park. During this compassionate gathering, we will honor our grief and loss while also looking toward the future, discovering how creativity can nurture healing and hope. This workshop is free of charge, open to everyone, and can be taken on its own or as part of the full Without Words series on the first Saturday of every month. Together we’ll craft meaningful intentions that honor our past while opening space for what’s to come. RSVP: community@ehospice.org
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