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  • With her personal touches on every aspect of this unique evening, award-winning New York City Ballet principal dancer Tiler Peck embraces the role of director for Turn It Out with Tiler Peck & Friends, turning up the heat with innovative, handpicked repertoire performed by some of today’s most exciting talent including fellow NYCB dancers and the reigning diva of tap dance, Michelle Dorrance. The virtuosic program includes Thousandth Orange, set to live music composed by Pulitzer Prize-winner Caroline Shaw; an electric pas de deux choreographed by Alonzo King; and a dynamic finale reflecting Peck’s creative partnership with choreographer William Forsythe, set to music by James Blake. While different in so many ways, all four pieces share a captivating joyfulness—joy for dance, for music, and for the inspiration that comes from surrounding oneself with creative and inspirational friends. Regarded as a “dance luminary” (Washington Post), “pure joy in toe shoes” (Los Angeles Times) and “the ballerina who can stop time (and re-start it too)” (New York Times), Tiler Peck is widely recognised as one of the top American ballerinas of our time. A Principal Dancer with New York City Ballet (NYCB), an actress, choreographer, author and designer, Peck continues to evolve as an artist and add to her extensive repertoire. She added the title of curator when she launched and starred in the Los Angeles Music Center’s presentation of BalletNOW. She was the subject of the Hulu feature documentary, Ballet Now, and also choreographed the box office smash action movie, John Wick: Chapter 3 – Parabellum. Tiler starred in CLI Studios’ A New Stage and the world premiere of William Forsythe’s The Barre Project (Blake Works II), and was Executive Producer on both. She appeared in Season 7 of Ray Donovan opposite Liev Shreiber and the Netflix series Tiny Pretty Things. The first ballerina ever to appear on the Ellen DeGeneres Show, she guested on Dancing with the Stars for three seasons and on Julie Andrews’ Netflix series, Julie’s Greenroom. She also starred in the film Ballet 422. Born in Bakersfield, California, Tiler began her dance training at the age of two at her mom’s dance studio. At 14, she entered the School of American Ballet. The same year, she became an apprentice with NYCB and within a few months was asked to join the corps de ballet. Tiler was promoted to Soloist in 2006 and to Principal Dancer in 2009 where she remains to this day. At 11, Tiler made her Broadway debut in The Music Man and later appeared on Broadway as Ivy Smith in the Tony-nominated On the Town. She played Louise in the Emmy-nominated production of Carousel (New York Philharmonic, Live From Lincoln Center) and more recently played the title role in Susan Stroman’s musical, Little Dancer (Kennedy Center). She is due to star in the production (now called Marie) on Broadway. Tiler had the honour of performing for President Barack Obama at the 2012 and 2014 Kennedy Center Honors. She was the 2004 Mae L. Wien Award winner, the Janice Levin Honoree for 2006–07, winner of the Leonide Massine’s Positano Premia La Danza for International Emerging Artists, and a 2004 recipient of a Princess Grace Foundation–USA Dance Fellowship. In 2013 she was named in Forbes’ “30 under 30 in Hollywood Entertainment” and won the Princess Grace Statue Award. She also received the 2016 Dance Magazine Award. Tiler developed and produces a daily ballet class, #TurnItOutWithTiler, initially aimed at helping people stay connected and moving during the pandemic. The show’s down-to-earth tone coupled with its very necessary purpose attracted the attention of enthusiasts like Jennifer Garner, Sarah Jessica Parker, Leslie Odom Jr, and Josh Groban, who all guested on the show. Tiler curated and directed the inaugural Artists at the Center for New York City Center. Marking her NYC choreographic debut, it also featured premieres from William Forsythe, Alonzo King, Jillian Meyers and Michelle Dorrance. With a passion and keen eye for fashion, Tiler designed the “Love, Tiler” collection for Só Dança and the capsule collection, Tiler Peck X STATESIDE, in collaboration with the popular Los Angeles-based sportswear company. Her second capsule collection was released in early 2023. Her first children’s book, Katarina Ballerina (Simon & Schuster) was published in 2020, and Katarina’s adventures continue in Katarina Ballerina & The Victory Dance (2022), in which she helps a fellow ballet dancer follow his dreams.
  • Opening reception: 4-7 p.m. Thursday, Oct. 5. Exhibition on view October 2 - 26. "Glimmers of Grace" is a brief survey of the artistic career of Grace Gray-Adams covering works produced from 1976 to the present. An art student at San Diego Mesa College from the first day it opened on Feburary 1964, we are honored to welcome Gray-Adams back with an exhibition that spans multiple themes. As many other older artists, Gray-Adams is grappling with her legacy and the final destination of her works, this is an opportunity for the San Diego audience to get familiar with her work. Centered on spirituality and the female body, Gray-Adams has created pieces such as an installation that exposes sexual abuse in the Catholic Church and a video celebrating the freedom and creativity of twelfth-century nun Hildegard of Bingen. Her artmaking process is guided by a fundamental desire to find ‘glimmers of grace’ in life. Parking is FREE during opening reception, 4-7 p.m. on Thursday Oct. 5. Park in Lot #1 on STAFF spots. Visit exhibit during regular gallery hours, M-TH 12 - 5 p.m. or by appointment. For more information visit: sdmesa.edu
  • From Texas to Maine, they're teaching people how to enjoy the spectacle safely. Some will hand out glasses or answer questions at events. Others plan to take their own advice — and get outta town.
  • For years, Republicans pushed "life at conception." IVF is complicating that message as GOP lawmakers struggle to agree on a path forward.
  • Henry Foster III, chief of staff for County Supervisor Monica Montgomery Steppe, will represent San Diego City Council's District 4, following the latest update of vote-counting from last week's election.
  • The delay in the hush money case would allow the former president's legal team to review new records that could be related to the case.
  • Premieres Monday, March 18, 2024 at 11 p.m. on KPBS TV / PBS App. As a blind, undocumented immigrant, Pedro faces uncertainty to obtain his college degree, become a social worker, and support his family. Through experimental cinematography and sound, unseen reimagines the accessibility of cinema, while exploring the intersections of immigration, disability, and mental health. A Co-Presentation with Latino Public Broadcasting.
  • The unrest has dealt a devastating blow to health care. Staff face the possibility of attack and abduction. Patients could lose their lives en route — or in a hospital where services are curtailed.
  • A rarely-shown 1926 silent film version of the famous legend of a man’s bargain with the devil, “Faust,” will be screened by the Theatre Organ Society of San Diego (TOSSD) on Saturday, Oct. 28 at 6 p.m. at Trinity Presbyterian Church, 3902 Kenwood Dr, Spring Valley 91977. Music to accompany this heralded example of early horror movies will be played by expert organist Rosemary Bailey on the TOSSD vintage 1927 Wurlitzer organ. General admission tickets of $20 per person may be purchased at the door or online at www.tossd1.org. The program begins at 6 p.m. preceded by a display of vintage autos at 5 p.m. by the San Diego chapter of the Antique Automobile Club of America. “Audiences should prepare for more than the usual fun-filled night of music and motion pictures,” says Bailey, who serves as the volunteer president of TOSSD. “This cinematic medieval folktale is still as thought-provoking and unsettling as it was nearly a hundred years ago.” The Faust Legend: The German literary giant Johann Wolfgang von Goethe published two volumes on Faust between 1808 and 1831; the first volume relating the tragedy of Faust’s bargain with the devil has inspired countless other stories, dramatizations, and musical works including two grand operas. Charles Gounod’s opera premiered in Paris in 1859, based on a French play titled "Faust et Marguerite." An earlier opera by German composer Louis Spohr premiered in Prague in 1816; he later reworked it for a London premiere in 1852. Among the classical composers who took up the Faust story were Beethoven, Berlioz, Liszt, Mahler, and – in 1995 – Randy Newman. Significance in Silent Film: The Halloween season offers an opportunity to review the evolution of horror films and their effect on audiences. This film, directed by Friedrich Wilhelm Murnau and produced in Berlin, is among the early landmarks of the horror genre, prior to the development of movie sound tracks in the late 1920s. “Faust” followed Murnau’s 1922 “Nosferatu,” which introduced the legend of Bram Stoker’s Dracula to movie audiences. In this film, Murnau used state-of-the-art special effects inspired by artists from Caravaggio to the German Expressionists. Dramatic lighting, scenes of flying, depth-of-field shots unique in their day, and billows of smoke and flame contribute to the film’s visual excitement. Not only the heavy theme of the Faust legend but also the exhilaration of youth and frantic celebrations in the face of death bring forth the highs and lows of the horror genre. Film critic Roger Ebert praised Murnau’s skills in creating “a landscape of nightmares.” Theatre Organ Society of San Diego on Facebook
  • The San Diego Wave of the National Women's Soccer League will have new owners by the season's end.
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