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  • More than 285,000 San Diego County residents are unenrolled but eligible for CalFresh benefits.
  • The 2022 Masquerade on-stage costume competition (or Cosplay Competition for those who favor that term), a tradition at Comic-Con from almost its beginning, will be Saturday evening, July 23, starting at 8:30 p.m. The event celebrates not only the contribution of costuming to the popular arts, but also the amazing creations that our attendees make and bring to the convention. The costume presentations, intermission entertainment, and then awards presentation will run a bit over 2 hours and be set in the Convention Center’s 4,000-seat Ballroom 20. Not a dance or party as the name may imply, it is more akin to a talent show set on a large stage before an audience, showcasing amazing costumes crafted by our non-professional but still very creative and talented attendees. Most costumes will be impressive re-creations from movies, television, anime, comic books, fantasy, Broadway shows, video games, and history; others will be completely original designs from the imagination. Some will be solo entries; others will be groups with a shared theme. All genres are welcome, and no purchased costumes are allowed. The event is free to participate in, or to have a seat in the audience, for anyone with a convention badge valid for Saturday. Masquerade tickets assure a seat, but not required: Rather than see attendees line up for hours to be certain they get a seat, free tickets will be given out at 12 noon on Saturday to those lining up near Ballroom 20 and will be available again from 3-5 p.m. at the Masquerade Desk until all are given out. Once you have your ticket you are guaranteed a seat, and you can go enjoy other programming and line up later knowing there’s a chair for you. After the ticket-holders line has gone into the ballroom, it becomes open seating for anyone who shows up until the room is filled. Comic-Con International on Facebook + Instagram + @Comic_Con on Twitter
  • Volunteers for the trial put an arm over a box with hundreds of mosquitoes carrying a genetically modified malaria parasite. Here's why they did it that way — and why the trial holds promise.
  • Jazzgrass is an exciting band dedicated to toe-tappin’, accessible music, honoring the traditions of bluegrass, Appalachian music, Americana and the jazz composers who have their ears attuned to our rural homeland. Jazzgrass will be performing music written by Jerry Douglas, Bela Fleck, Pat Metheny, Dave Grusin, Barnaby Finch, Natalie McMaster, the Allman Brothers and many more.... Jazzgrass bio: Jazzgrass was put together in 1999 by Barnaby Finch to honor the newer and more progressive side of Bluegrass music. Jazzgrass originally had Sean and Sara Watkins, soon to be very famous with Nickel Creek, and Kevin Hennessy on bass. Nickel Creek burst onto the scene, and that was the end of that lineup. In 2011, Barnaby wanted to perform that music again and recruited some talented locals to play. There's Don Reed on mandolin, dobro and guitar, a famous Idyllwild virtuoso who has performed with J.J. Cale, Dick Dale, Ian Tyson, and Jackie de Shannon. Also Lily McCabe on fiddle, a talented young lady with a gorgeous tone, who plays for the Troubadours at the Ramona Festival, and with her partner, Wayne Cameron, as part of the popular duo, Swift Pony. On bass is Bill Saitta, one of the busiest musicians in the Coachella Valley, and Andy Fraga, Jr. on drums. Andy is the son of piano legend Andy Fraga, Sr., and is a very busy virtuoso himself. Rounding out the band is veteran ace Sean Longstreet, who has a long list of credits. Sean is an accomplished educator, and is involved with the Diamond Valley Arts Council in Hemet. Pianist Barnaby Finch is the musical director, with credits ranging from George Benson, Lee Ritenour, Tom Scott, Lionel Richie and many others. If you don't like the music, it's his fault. Follow on Jazzgrass on Facebook!
  • Salons were the cultural and intellectual hub of Paris; open forums for the city’s most creative minds to engage in thought-provoking and often subversive conversations. These events, along with the famed Masquerade balls, were rife with stirring and seductive new ideas, art, literature, and music. The pieces on A Weekend in Paris: The Salon and The Masquerade emerged from these glamorous salons and range from the charming piano duo by Debussy and Sarasate’s devilishly virtuosic Carmen Fantasy to Ravel and Caplet’s decadent and macabre evocations of Edgar Allan Poe’s story "The Masque of the Red Death." This event is part of La Jolla Music Society's SummerFest 2022, and features a prelude lecture by Jennifer Walker at 6:30 p.m. at the The JAI. Date | Friday, August 5 at 7:30 p.m. Location | The Baker-Baum Concert Hall at The Conrad Prebys Performing Arts Center Get tickets here! Ticket prices ranging from $48 to $98. For more information, please visit ljms.org/events/salon-and-masquerade or call (858) 459-3728.
  • From the museum: In his new site-specific commissioned installation, Primordial Refuge, local artist Aaron Glasson explores the concept of home in another climate reality. With climate change being a pressing issue that impacts people all over the world, Glasson’s thought-provoking show provides innovative solutions for how homes could adapt to fluctuating weather conditions. Featuring sculpture, installation, and painting, the exhibition offers visitors a unique way to engage and contribute to the continuing discourse about climate change while considering the role of art in today’s world. Related Events: Opening Reception and Artist Talk: June 3, 2022, 5:30-8:30 p.m. ICA / North Campus in Encinitas Intersectional ecological library: As part of this exhibition, Glasson will build an intersectional ecological library for our community! Want to be part of this project? Contribute to the site-specific installation! We are currently accepting books, zines, and children’s books for this next regional artist display. Lend or donate your books to share with our community, the following themes are welcome: Subjects of ecology, environmental science, climate change, conservation, environmental science, sustainability, nature, natural history, Southern California and Northern Baja eco-systems, human migration, shelter, survival skills, plant and animal identification, spiritual beliefs, or storytelling related to the natural world. Please contact Roxana Lopez at roxana@icasandiego.org to arrange drop off and pick up after the exhibition. About the artist: Aaron Glasson is a multi-disciplinary artist whose installations, vibrant murals, paintings, illustrations, and films explore our relationship to the natural environment, community engagement, and education. His recent body of work takes into consideration his legacy and impact on the world as an artist. Using only natural and biodegradable materials his abstractions question the role of art as it relates to sustainability. Related links: Aaron Glasson on Instagram ICA San Diego on Instagram Visiting information
  • Tom Cruise dazzles with stunts in latest "Mission Impossible" outing but does it really need to be two parts?
  • "ROOTS: ROMANTIC WORKS FOR CELLO & PIANO" (Album Release Concert) Following acclaimed performances in Portland and Chicago, local artists British Cellist Sophie Webber and Indonesian-born pianist, Ines Irawati, join forces for this celebratory San Diego album release concert of romantic music for cello and piano, in the beautiful setting and acoustic of Point Loma Community Presbyterian Church. "The energy they bring to their playing seems to jump right out from your loudspeakers and leave traces of happiness in the air." ~Preview of "Roots" from Classical Candor In the words of Ines and Sophie... "Our vision for our new album, "Roots," was to bring together a collection of favourite romantic works from the Cello and Piano literature which are all transcriptions from another instrumentation. Originally composed for voice (Fauré, Liszt and Falla), violin (Brahms and Massenet), and clarinet (Schumann), we felt the reinstrumentation of these works exemplifies the versatility of the Cello and Piano. Furthermore, we felt it allows for a certain freshness of interpretation, while still being cognizant of the composers original writing and the expressive qualities of the instrument/voice for which each work was initially conceived." PROGRAM: Johannes BRAHMS ~Sonata for Cello and Piano in D Major, Op. 78 (arr. by Paul Klengel from Sonata no. 1 for Violin and Piano in G Major, Op. 78) I Vivace ma non troppo II Adagio III Allegro molto moderato Robert SCHUMANN ~Fantasiestücke, Op.73 I Zart und mit Ausdruck II Lebhaft, leicht III Rasch und mit Feuer ~INTERMISSION~ Sergei RACHMANINOV/KREISLER ~Liebeslied (Solo Piano) Gabriel FAURÉ ~Après un Rêve (from Trois Mélodies, Op.7, No.1) Jules MASSENET ~Méditation from Thaïs Manuel DE FALLA ~Suite Populaire Espagnole El Paño Moruno Asturiana Jota Nana (Berceuse) Canción Polo ARTIST BIOS: SOPHIE WEBBER "every note has meaning rather as a look or a touch does; the resulting conversations she has with the music are endlessly absorbing... Her subjective narrative suggests the freedom with which Pablo Casals brought the music back to life a century ago." ~GRAMOPHONE Dr. Sophie Webber is an internationally accomplished soloist, chamber musician, and educator. A former DM student of Janos Starker and Tsuyoshi Tsutsumi at Indiana University Jacobs School of Music, she previously studied with Richard Markson at Trinity College of Music, London, from where she graduated with a First Class Honors degree, as well as the Sir John Barbirolli memorial prize for cello. Sophie has released two critically acclaimed albums, Escape: Bach's Six Suites for Solo Cello (2018), and, in 2020, B2C: Bach to Choir (chosen by Music Director, Rik Malone, of Los Angeles KUSC 91.5FM, as one of his favorite albums of the year). This segue album was recorded with members of Chicagos Choir of Ascension and features Bach's Cello Suites Nos.1 and 3 alongside Sophies original choral arrangement. INES IRAWATI "One of the most vital, imaginative, artistic people on the scene Her way with lyricism was as vivid as her crisp definition of the scampering material without fear, negotiating the digital demands smoothly while remaining mindful of the score's rhythmic accents and nuances." ~THE PLAIN DEALER Known for her expressivity, virtuosity, and versatility, Ines Irawati is in demand both as a solo recitalist and a collaborative pianist. Born in Jakarta, Indonesia, she began piano and composition instruction at age six at the Yamaha Music School in Indonesia. At age 12, she made her official debut playing the third Beethoven Piano Concerto and Chopin's first concerto with the Indonesian Youth Symphony. Ines is currently enjoying a richly varied performance career, excelling in solo performance, chamber music, collaborative piano, and operatic vocal coaching. Her recent engagements include performances for TEDxSan Diego at Copley Symphony Hall, the Art of Élan, Musikamar chamber concerts, concerts in Centro Cultural Tijuana, and performances all over Southern California.
  • Turns out wireless networks aren't wireless at all. And light pulses in fiber optic cables carry your voice around the world. A new exhibition explains the science you hold in your hand every day.
  • Thomas' new book, Congratulations, the Best Is Over!, is about middle age, and what it was like to return to his hometown of Baltimore as an adult — when both he and the city had changed.
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