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What the judge rules, and the likely appeals that follow, may alter decades of understanding about the roles of governors and the White House in quelling domestic unrest.

University leaders are under pressure to comply with federal executive orders and policy changes or risk losing federal funding. Some college presidents say that makes their jobs more challenging.

Many people have been anxiously waiting for news of their loved ones, growing frustrated with the drip-drip of information provided by hospitals and the country's forensic institute.

President Donald Trump on Monday signed the Take It Down Act, bipartisan legislation that enacts stricter penalties for the distribution of non-consensual intimate imagery, sometimes called “revenge porn,” as well as deepfakes created by artificial intelligence.

Ana Maria Herrera: Layered Memories January 11–March 14, 2025 Opening Reception: Saturday, January 11, 5 p.m. – 8 p.m., during the Barrio Art Crawl Ana María Herrera’s work explores identity, displacement, and cultural coexistence through an intricate blend of found objects and diverse materials, such as wood, glass, metal, and fabric. Her compositions reflect the ephemeral nature of existence, particularly in the border region, where the complexities of migration and cultural negotiation are ever-present. By incorporating photographs, textiles, and three-dimensional elements, Herrera examines the emotional and physical boundaries that shape personal and collective identities, addressing themes of vulnerability, resistance, and resilience within the contemporary sociopolitical landscape. Herrera engages with layered complexities of human existence, crafting assemblages that challenge traditional notions of representation and foster dialogue about the realities of border life. Using windows and frames as both physical and symbolic elements, Herrera invites viewers to contemplate the tension between visibility and obscurity. These pieces serve as portals into narratives of migration and belonging while subtly addressing issues of surveillance and power dynamics. This exhibition encourages a critical examination of the intersection of culture, history, and memory in the shaping of individual and collective identities in an increasingly interconnected world. Ana María Herrera—Artist Statement In my assemblage art, I draw from the aged and textured materials of the past—pieces like rusted metal chains, weathered wood from light poles, bicycle wheels, pressure gauges, and electrical meters. These objects, marked by time and mystery, serve as silent witnesses to countless stories, histories, and transformations, much like the wisdom of an elder etched by years of experience. I am drawn to their deep tones and weathered surfaces, each item resonating with lives lived and “time stories” I may never fully understand. This uncertainty around their origins only enhances my appreciation, allowing me to create without the constraints of their original purpose and instead invite viewers to interpret their own narratives within these materials. In each assemblage, I work to honor the age, history, and hidden memories within these objects. Through layering and reimagining, I hope to give them new life, encouraging viewers to look closely, question, and connect with the unseen past that each object holds. Ultimately, my art celebrates the beauty in things long overlooked, encouraging a reverence for the history that surrounds us and inviting curiosity about what once was. Visit: https://www.ljathenaeum.org/upcoming-exhibitions Ana Maria Herrera on Instagram and Facebook

Robert De Niro plays rival mob bosses in a new biographical crime drama. But while it's fun to watch De Niro argue with himself, The Alto Knights ultimately feels dubious and derivative.

Urban highways are preventing us from meeting our neighbors and building community, according to a landmark new study.

The list was published a month after President Donald Trump’s executive order ordering DHS and the Attorney General to publish a list of states and local jurisdictions they believe are obstructing federal immigration laws.

New data show preventable hospitalizations disproportionately affect Black Californians and Medi-Cal patients.

Fredric Hope "Silent Storytellers" on view February 7 through June 28 Growing up by the sea and observing Southern California’s shores and seasonal cycles for decades, regional artist Fredric Hope’s work brilliantly celebrates the beauty of nature’s artistry, refracted through memory, in a unique form of visual and emotional archaeology. Hope’s distinct approach expands Southern California painting traditions that invite us to interpret silent stories, and contemplate the visual whispers of time, place, and the increasing vulnerability of coastal regions. Visit: https://www.carlsbadca.gov/departments/cultural-arts/gallery-exhibitions