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From '5 Works Of Art To See In San Diego In September' (KPBS): Ivonne Garcia: 'La Bella Donna' On view at Thumbprint Gallery beginning Sept 11, 2021 Ivonne Garcia's papercut works are stark, fantastical, evocative and something between spooky and reverential — not unlike a Shirley Jackson novel. Her works often feature skulls, birds, serpents, botanicals, strange beasts and spiderwebs. And the contrast is lovely — almost all black and white, though there are sometimes splashes of color of shimmery metallics. The Italian "la bella donna" translates to "beautiful woman," but it is also a nod to the poisonous plant belladonna, or deadly nightshade. Historically used to dilate the pupils for beauty, eating the berries could also be fatal. In this work, Garcia surrounds an outstretched, sword-pierced wrist with intricate leaves, using textured ivory paper against a black background. Details: Exhibition information. Garcia's solo exhibition, "Encanto," opens Sept. 11, 2021 with a reception at 5 p.m., and runs through the end of the month. The gallery is open Saturdays from noon to 4 p.m. and by appointment. --Julia Dixon Evans, KPBSFrom the gallery: ***Masks are REQUIRED regardless of vaccination status*** We are proud to present 'Encanto,' featuring all new work by local artist Ivonne Garcia. Ivonne Garcia is an artist based out of San Diego, CA. Her penchant for knives has made its way into her repertoire of artistic medium with a focus on paper-cutting and silhouettes - designed to connect all things in the planar depths of simplicity and translating it into the emotional balance between the dark and the light. When not pouring away at her scalpels and inks, Ivonne spends her time living deliciously with her daughter and familiars, collecting oddities, keeping the art of snail mail alive, connecting with her Mexican roots, waiting for Halloween, and cultivating her ever growing Trucker’s Vocabulary. Gallery hours and contact: open: Saturdays, noon - 4 p.m. and by appointment p: +1-858-354-6294 info(at)thumbprintgallery.com Opening reception information: Saturday, Sept. 11, 2021 from 5-10 p.m. Live music by Poised in the Darkness. Poised In The Darkness is a post-punk band, formed in San Diego, California in 2018 by vocalists Jess Bergman and Blanca Lucia Bergman. Founded in 2009, Thumbprint Gallery curates monthly and pop-up exhibitions featuring emerging, mid-career, and established artists with a focus on contemporary pop culture, nostalgia, urban art and pop surrealism. The gallery seeks to provide an eclectic and engaging atmosphere to view art by bringing people together in appreciation and support of local, national, and international artists.

The eighth death this year happened Wednesday morning at the George Bailey Detention Center in Otay Mesa.

President Joe Biden is expected to sign the bill into law next week if it passes the Senate.

Food banks and nonprofits say inflation has hurt fundraising and made it hard to handle a surge in demand. One CEO says the need is close to the height of the pandemic.

Our weekend arts picks: City Ballet, Philipp Scholz Rittermann, Art of Elan in the sculpture garden, Alfredo Jaar, a dance film reflection on a year of closures and the acoustic rock of Grampadrew.

The British-born vocalist, songwriter and keyboard player whose cool, soulful contralto helped define such classics as "You Make Loving Fun," "Everywhere" and "Don't Stop," died Wednesday.

A championship San Diego County high school basketball game-turned tortilla hurling fracas continues to make national headlines. It’s what happened after the game that continues to dumbfound observers. Plus, the San Diego Unified School Board voted unanimously to fund an expansion of ethnic studies and anti-racism training, prompting some debate in the community over how much racism should be confronted in the classroom. And a joint effort by the city and county of San Diego to address homelessness is set to begin next week. Then, while early pandemic predictions of a tsunami of evictions seem unlikely, advocates are worried that there could still be a steady stream. Finally, Madrid-based contemporary artist Ana de Alvear’s colored-pencil drawings call reality into question at San Diego Museum of Art.

Nov. 9 – Dec. 15, 2021 Reception: Friday, Nov. 12, 3 – 7 p.m. Art Gallery FA 103 at San Diego Mesa College Free Parking in Lot # 1. Park in STUDENT spaces ONLY. Participating Artists: Jenny Armer - Aurora Bewicke - Claudia Cano - Evan Chau - Cloud Club Collective - David Contreras - Ty and Sam Creighton - Bronle Crosby - Alex DeCosta - Dana Edwards - Francisco Eme - Gabrielle Espina - Scott Gengelbach - Rosario Glezmir - Sofia Gonzalez - Chitra Gopalakrishnan - Julia C R Gray - Steve Harlow - Doug Harvey - Vijay Hingorani - Terri Hughes-Oelrich - Amanda Kachadoorian - Sophie Kamdar - Desiree Lawrence - Elena Lomakin - Santiago Lopez - Isa Medina - Teresa Mill - Michelle Montjoy - Kathy Nida - Elizabeth Parr - Omar Pimienta - Wendy Ponomarenko - Kim Reasor - Josie Rodriguez - Taylour Rudzinski - Elizabeth Salaam - Julia San Román - Sage Serrano - Jennifer Spencer - Elizabeth Tobias - Litzy Torres - Thuyduyen Jenny - Jennifer Vargas. From the gallery: In times of isolation, division and hopelessness, art has played a significant role in reminding us of the power of What Can Be. This exhibit brings together 44 remarkable visual, sound and performance artists to address issues of disharmony in our present lives—in our relationship with the land, with each other and with ourselves—to seek solutions for a more sustainable and hopeful future. The collection incorporates a diverse variety of media, from oil on canvas and assemblages to encaustic works and installations with living fungi. It represents artists of all ages and from all backgrounds. Together, they invoke the power of art as a universal language and as a catalyst for change and healing. Artist highlights: Omar Pimienta, Jenny Armer and Julia C R Gray examine the ecology of our region and the decisions we make as a society to protect or plunder the natural resources of our land and sea. Omar Pimienta is an interdisciplinary artist whose Sediment/o series delves into transborder waterways and questions the “decisions we make as societies to modify or preserve our environments.” Thick concrete text is overlayed on landscape photographs, poetically defacing them just as our modern urbanscapes alter our natural environs. Jenny Armer’s delicately crafted miniature watercolor prints resemble wildlife fieldnotes and bring attention to water conservation as we face record-breaking droughts and extreme heat in Southern California. The series of prints illustrate the hydration needs of select native plants and encourage a reduction of our lawn-driven dependency on water. The female torsos of Julia C R Gray’s sculptural series, SHE-Shell Sea Wisdom, merge gold luster and pearlescent aqua glazes with colorful texturized bases resembling coral. Like a porcelain figure lost at sea and decorated with aquatic growth, her pieces seem fragile yet tempered by time. When given proper protection, our delicate coastal seas can rebound into healthy and vibrant ecosystems. Bronle Crosby and Sofia Gonzalez reveal the vital interconnectedness of our relationship with the natural world. Bronle Crosby is a realist painter whose self-described “focused natural histories” seem sharp and photographic from afar, but soften upon closer inspection. They awaken a deep, Zen-like awareness of the profound and fundamental relationships that exist in the space between breaths. “We need to nurture, not interfere with the magical interconnectivity of life,” Crosby states. Sofia Gonzalez employs regional plants to dye pieces of raw silk and cotton. She then layers the fabric into a soft-sculpture series, documenting and reflecting on the chronological history of the land and the possibilities of a synergistic and reciprocal relationship with it. Through cataloging the migration and interaction of native and non-native plants in the region, she also excavates and acknowledges the history of the Kumeyaay. Julia San Román and Vijay Hingorani ponder concepts of nurturing and renewal in our society. Julia San Román’s 250 Hours/The Seeds pays homage to foreign-born agricultural workers with a powerful reminder that the seeds we plant speak of more than the fruit we bear, but of the social and legal systems that can serve as fertile grounds or unyielding wastelands to those looking for a better future. Her canvas explodes with bright colors and a woman’s floral headpiece blooms into beautiful abstraction. She is focusing not on the dark plight of these workers, but on their steadfast contributions as “the seeds, the fasteners, the wheels, the gears of our society.” Vijay Hingorani’s Renewal, a woodcut handprinted on Unryu paper, captures an intimate moment full of hope—of a child making a wish and blowing on a dandelion, scattering the seeds to root into new beginnings. Join us at the reception on Nov.12, where visitors can create and take home “Seed Pops,” small seed bundles designed to stick in the ground and grow, as part of a participatory installation performance by artist Elizabeth Tobias. Together, let’s sow the seeds for a brighter tomorrow. Image design credit: Juan Carlos Araiza

Brazilians began voting on Sunday in a polarizing presidential runoff election that pits conservative President Jair Bolsonaro against former President Luiz Inácio Lula da Silva.

Since the return of the Taliban, Afghanistan's coal exports have increased — and so has child labor. At a coal mine in Baghlan province, boys earn between $3 and $8 for a day's work.