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  • An unintended consequence of the state's multibillion-dollar early education program is the damage being done to the business model of traditional child care providers.
  • President Biden's $7.3 trillion budget wish-list puts dollar figures to his pledges in the State of the Union address. But actual spending plans are up to Congress.
  • A group of UC San Diego faculty said the actions of Chancellor Pradeep Khosla put students in danger.
  • From the organizers: Join us at "Poetry Without Borders," a reading of joy, defiance, and the American experience. Featured readers are: KAZIM ALI was born in the United Kingdom and has lived transnationally in the United States, Canada, India, France, and the Middle East. His books encompass multiple genres, including the volumes of poetry Inquisition, Sky Ward, winner of the Ohioana Book Award in Poetry; The Far Mosque, winner of Alice James Books’ New England/New York Award; The Fortieth Day; All One’s Blue; and the cross-genre texts Bright Felon and Wind Instrument. His novels include the recently published The Secret Room: A String Quartet and among his books of essays are the hybrid memoir Silver Road: Essays, Maps & Calligraphies and Fasting for Ramadan: Notes from a Spiritual Practice. He is also an accomplished translator (of Marguerite Duras, Sohrab Sepehri, Ananda Devi, Mahmoud Chokrollahi and others) and an editor of several anthologies and books of criticism. After a career in public policy and organizing, Ali taught at various colleges and universities, including Oberlin College, Davidson College, St. Mary's College of California, and Naropa University. He is currently a Professor of Literature at the University of California, San Diego. His newest books are a volume of three long poems entitled The Voice of Sheila Chandra and a memoir of his Canadian childhood, Northern Light. KARLA CORDERO is a descendant of the Chichimeca people from Northern Mexico, a Chicana poet, educator, and ARTtivist, raised along the borderlands of Calexico, CA. She is a three-time Pushcart nominee and offered fellowships from California Arts, VONA, Macondo, CantoMundo, The Loft Literary Center, Community of Writers and Pink Door Writing Retreat. Karla teaches creative writing and composition at MiraCosta College and San Diego City College, receiving recognitions such as the San Diego State University Global Diversity Award and Associate Faculty of the Year for education and social justice. Her commitment to bridging education and community is further practiced as founder of Voice 4 Change: a spoken word showcase, inviting nationally award winning writers to share their narratives of survival and celebration for diversity through performance and workshop facilitation. Karla is the editor of SpitJournal an online literary review for poetry and social justice and the CFO and Social Justice Equity Coordinator for the non-profit Glassless Minds, an open mic venue in Oceanside, CA, serving historically underserved youth. In addition, as a performing artist, Karla is the 2013 Grand Slam Champion, aiding the Elevated San Diego Slam Team to rank 4th in the nation at the National Poetry Slam Competition. She has been invited to perform for television networks such as NBC 7 San Diego Art Pulse, TBN Juice Live, and the Old Globe Theater. Her poems have appeared in NPR, Academy of American Poets: Poem-a-day, O-Oprah Magazine, PANK, Bettering American Poetry, Latino Book Review, the Bernie Sanders 2020 Campaign Rally, The BreakBeat Poets Vol. 4. LatiNEXT Anthology, among other publications. Karla is the author of the chapbook, Grasshoppers Before Gods (Dancing Girl Press 2016) and her first full length collection titled, How To Pull Apart The Earth (NOT A CULT.) is a 2019 San Diego Book Award winner and awarding-winning finalist for the 2019 International Latino Book Award and the International Book Award. You can follow her work @karlaflaka13 BLAS FALCONER is the author of Forgive the Body This Failure (Four Way Books, 2018); The Foundling Wheel(Four Way Books, 2012); A Question of Gravity and Light (University of Arizona Press, 2007); and The Perfect Hour (Pleasure Boat Studio: A Literary Press, 2006). He is also a co-editor for The Other Latin@: Writing Against a Singular Identity (University of Arizona Press, 2011) and Mentor & Muse: Essays from Poets to Poets (Southern Illinois University Press, 2010). He teaches in the MFA program at San Diego State University. Falconer’s awards include a 2011 National Endowment for the Arts Fellowship, the Maureen Egen Writers Exchange Award from Poets & Writers, a Tennessee Individual Artist Grant, the New Delta Review Eyster Prize for Poetry, and the Barthelme Fellowship. Born and raised in Virginia, Falconer earned an M.F.A. from the University of Maryland (1997) and a Ph.D. in Creative Writing and Literature from the University of Houston (2002). He currently lives in Los Angeles, California with his family. ARTHUR KAYZAKIAN is the winner of the 2021 Black Lawrence Immigrant Writing Series award for his collection, The Book of Redacted Paintings, which was also selected as a finalist for the 2021 Philip Levine Prize for Poetry. He is the recipient of a creative writing fellowship from the National Endowment for the Arts. He is also the winner of the Finishing Line Press Open Chapbook Competition for his chapbook, My Burning City. He has been a finalist for the Locked Horn Press Chapbook Prize, Two Sylvias Press Chapbook Prize, the C.D. Wright Prize, the Sunken Garden Poetry Prize, and the Black River Chapbook Competition. He is a contributing editor at Poetry International and a recipient of the Minas Savvas Fellowship. He serves as the Poetry Chair for the International Armenian Literary Alliance (IALA). His work has appeared in or is forthcoming from several publications including Taos Journal of International Poetry & Art, Portland Review, Chicago Review, Nat. Brut, Michigan Quarterly Review, Witness Magazine, and Prairie Schooner. Hosted by WILLIAM NERICIO. The Director of San Diego State University's longest-running Interdisciplinary and Cultural Studies graduate program, MALAS (the Master of Arts in Liberal Arts and Sciences program), William Nericcio is Professor of English and Comparative Literature at SDSU, where he also serves on the faculties of Chicana/o Studies and the Center for Latin American Studies. Nericcio's first book, Tex[t]-Mex: Seductive Hallucinations of "Mexicans" in America, appeared with the University of Texas Press in February 2007. His next book, an edited anthology of playwright Oliver Mayer's early works entitled The Hurt Business appeared in April of 2008 and his follow-up to that, Homer from Salinas: John Steinbeck's Enduring Voice for California, on the work of John Steinbeck (with a strong California focus), appeared in March, 2009. Publishing in various fields across the humanities and social sciences, Nericcio is the author of noteworthy essays including his lurid meditations on the life of Pee-wee Herman (aka Paul Reubens) in the Iowa Journal of Cultural Studies and an illustrated survey of the cool comic Mestizo stylings of Gilbert Hernandez and his spiritual godmother, Frida Kahlo, for NYU Press's Latino Popular Culture. Links to these works and more are available on his World Wide Web Mothership while his latest blog entries on stereotypes and American mass culture can be found on The Tex[t]-Mex Galleryblog and at mextasy.blogspot.com. Lastly, Nericcio's latest books, Talking #browntv: Latinas and Latinos on the Screen, co-authored with Frederick Luis Aldama (December 2019), for the Ohio State University Press and Cultural Studies in the Digital Age: An Anthology of 21st Century Interdisciplinary Inquiries, Postulations, and Findings for Hyperbole Books, co-edited with Dr. Aldama and Italian semiotician Antonio Rafele (January 2021), are now in print. Learn more about Dr. Nericcio published work on Amazon.com and Academia.edu. Related links: Verbatim Books: website | Instagram | Facebook
  • McAlister Institute will hold its 11th Annual 5K Walk for Sobriety on Saturday, September 30, 2023, at NTC Park at Liberty Station. The Walk is an opportunity to bring help and hope to thousands of individuals and families braving the unforgiving cycle of addiction. The Walk for Sobriety is not only an opportunity to raise funds for life-saving services, but also a positive way to increase awareness, support the power of recovery, and fight the stigma many people with substance use disorders experience. Jeanne McAlister, founder of the McAlister Institute, is celebrating her 91st birthday and 67th year of sobriety. All proceeds from the Walk for Sobriety benefit McAlister Institute, one of San Diego's leading resources for individuals and families impacted by addiction. McAlister Institute helps bring life-saving services in substance abuse treatment, mental health counseling, life skills education and vocational training to individuals. McAlister Institute’s mission is to save lives by ensuring affordable, quality treatment for every individual and family who seeks help, striving not to turn anyone away regardless of financial issues. Check-in and registration will begin on-site at 8 A.M. Registration costs $35 per adult and $5 per child (ages 12 and under). “Since 1977, hundreds of thousands of individuals suffering from addiction have passed through the doors of McAlister Institute, and not one of them – not one – has chosen to become an addict,” said Jeanne McAlister, Founder and CEO of McAlister Institute. “Treatment solutions shouldn’t discriminate who gets help. That’s why we keep our doors open to everyone.” The pet-friendly event welcomes walkers, runners, and online supporters to help spread a powerful message on the day of the Walk by wearing the number of days they—or their loved ones—have been clean and sober, and what it means to them. Connect with McAlister Institute on Social Media! Facebook & X - Twitter
  • Ballet Collective San Diego presents “Heartbeats,” Sept. 16 at 5:30 p.m. and 8:00 p.m. at The Conrad Prebys Performing Arts Center in La Jolla. “Heartbeats” is our third live performance at The Conrad Prebys Performing Arts Center in La Jolla. This evening will feature contemporary ballet works by local choreographers Tylor Bradshaw, Reka Gyulai, Silken Kelly, and Emily Miller. “Heartbeats” touches the pulse of what is important to each choreographer and dancer - the rapture in hearing beautiful music, what is real and honest between two people sharing space, and the power of many bodies breathing together as one. Related links: Ballet Collective San Diego website | Instagram | Facebook
  • After weeks of preparation, crews are scheduled to conduct a controlled demolition to break down the largest remaining span of the collapsed Francis Scott Key Bridge in Maryland.
  • A new NPR/PBS NewsHour/Marist poll tested policy positions on some of the most hot-button political issues facing the country — from abortion rights and gender identity, to immigration and spending.
  • Cardenas and her brother Jesus were indicted last year in connection with alleged COVID-19 relief loan fraud.
  • A rarely-shown 1926 silent film version of the famous legend of a man’s bargain with the devil, “Faust,” will be screened by the Theatre Organ Society of San Diego (TOSSD) on Saturday, Oct. 28 at 6 p.m. at Trinity Presbyterian Church, 3902 Kenwood Dr, Spring Valley 91977. Music to accompany this heralded example of early horror movies will be played by expert organist Rosemary Bailey on the TOSSD vintage 1927 Wurlitzer organ. General admission tickets of $20 per person may be purchased at the door or online at www.tossd1.org. The program begins at 6 p.m. preceded by a display of vintage autos at 5 p.m. by the San Diego chapter of the Antique Automobile Club of America. “Audiences should prepare for more than the usual fun-filled night of music and motion pictures,” says Bailey, who serves as the volunteer president of TOSSD. “This cinematic medieval folktale is still as thought-provoking and unsettling as it was nearly a hundred years ago.” The Faust Legend: The German literary giant Johann Wolfgang von Goethe published two volumes on Faust between 1808 and 1831; the first volume relating the tragedy of Faust’s bargain with the devil has inspired countless other stories, dramatizations, and musical works including two grand operas. Charles Gounod’s opera premiered in Paris in 1859, based on a French play titled "Faust et Marguerite." An earlier opera by German composer Louis Spohr premiered in Prague in 1816; he later reworked it for a London premiere in 1852. Among the classical composers who took up the Faust story were Beethoven, Berlioz, Liszt, Mahler, and – in 1995 – Randy Newman. Significance in Silent Film: The Halloween season offers an opportunity to review the evolution of horror films and their effect on audiences. This film, directed by Friedrich Wilhelm Murnau and produced in Berlin, is among the early landmarks of the horror genre, prior to the development of movie sound tracks in the late 1920s. “Faust” followed Murnau’s 1922 “Nosferatu,” which introduced the legend of Bram Stoker’s Dracula to movie audiences. In this film, Murnau used state-of-the-art special effects inspired by artists from Caravaggio to the German Expressionists. Dramatic lighting, scenes of flying, depth-of-field shots unique in their day, and billows of smoke and flame contribute to the film’s visual excitement. Not only the heavy theme of the Faust legend but also the exhilaration of youth and frantic celebrations in the face of death bring forth the highs and lows of the horror genre. Film critic Roger Ebert praised Murnau’s skills in creating “a landscape of nightmares.” Theatre Organ Society of San Diego on Facebook
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