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From the museum: For Dear Life is the first historical survey of artistic responses to sickness, health, and medicine broadly. The show is informed in part by MCASD’s position in San Diego County, a hub for health science research as well as biotech and pharmaceutical industries. In the past decade, the art world has witnessed an explosion of artistic activity surrounding issues of illness, disability, caregiving, and the vulnerability of the human body. Set in motion by the emergence of movements for disability justice, this activity accelerated with the onset of the COVID-19 pandemic. Yet since the 1960s, artists have negotiated and deflected the medical gaze, creating works that assert agency in the face of medicalizing labels and that highlight the role of care in producing new forms of community and healing. Increasingly, artists have come to locate illness and disability not in individual bodies, but as part of a web of interconnected societal, environmental, and historical conditions. Funders For Dear Life: Art, Medicine, and Disability is organized by Senior Curator Jill Dawsey, PhD, and Associate Curator Isabel Casso. This exhibition is organized as part of Pacific Standard Time, an initiative of the Getty Foundation. Lead support and major funding for this exhibition and catalogue is provided by the Getty Foundation. All second Sundays and third Thursdays of the month offer free admission, with third Thursdays open for extended hours through 8 p.m. [Admission and hours details here.] Related links: Museum of Contemporary Art San Diego website | Instagram | Facebook

Academic workers on the 23 campuses of California State University are rallying for a new contract. In other news, the Auto Club of Southern California says they are seeing the third fastest week-over-week gas price increase they’ve ever recorded in Southern California. We tell you when gas prices should go down. Plus, the Oceanside Museum of Art is currently hosting an exhibit titled, “Art For The People: WPA-Era Paintings from the Dijkstra Collection.” It features art created during the Great Depression through World War 2.

San Diego New Music Concerts Jan. 5, 6 and 7, 2024 San Diego New Music and the Athenaeum Music & Arts Library present the 2024 soundON Festival, exploring cutting-edge contemporary music from around the world. This year we celebrate the music of San Diego composer and longtime friend of SDNM and NOISE Adam Greene, and we feature a new work by Mark Menzies commissioned by the Athenaeum Music & Arts Library and generously underwritten by Garna Muller. Adam Greene trained as a guitarist and then studied composition at the New England Conservatory and UCSD. His music investigates multiplicity, fragility, and instability through sophisticated and idiosyncratic approaches to instrumental technique. Greek myths, especially Homer's Odyssey and the story of Orpheus, inspire many of his works, including all of his five pieces presented at soundON this year, two of which will be world premieres. This year we return to an old soundON tradition of highlighting the solo virtuosity of the members of NOISE, with challenging and adventurous works from many eras played by each of the seven musicians. And the ensemble once again introduces young and innovative composers, Jean-Patrick Besingrand, Patricia Martinez, Jérôme Combier, and Judith Ring—to San Diego. NOISE (Ensemble-in-Residence): Christopher Adler, piano Lisa Cella, flute Franklin Cox, cello Colin McAllister, classical guitar, electric guitar, and conductor Mark Menzies, violin Morris Palter, percussion Robert Zelickman, clarinet SPECIAL GUEST ARTISTS Matt Kline, conductor Eric Starr, trombone Ariana Warren, clarinet Concert and ticket links: Series tickets Day 1 (Friday, Jan. 5) - Athenaeum Art Center (Logan Heights) Day 2 (Saturday, Jan. 6) - Athenaeum Music & Arts Library (La Jolla) Day 3 (Sunday, Jan. 7) - Athenaeum Music & Arts Library (La Jolla) Related links: Athenaeum Music and Arts Library: website | Instagram | Facebook

Note: This concert has been relocated to the San Diego Civic Theatre. About the performance: The transcendent cellist Yo-Yo Ma performs Elgar’s achingly beautiful concerto, one of the most well-known and revered of cello concertos, in this one-night-only performance. Written near the end of WWI, Elgar’s valedictory work is a searing response at once both tender and pained. Rafael Payare leads the Orchestra in Tchaikovsky’s passionate 5th Symphony, an emotion-filled journey rife with brilliant melody. Artists and Repertoire Rafael Payare, conductor Yo-Yo Ma, cello WAGNER: Prelude to Act III of Die Meistersinger von Nürnberg ELGAR: Cello Concerto in E minor, Op. 85 TCHAIKOVSKY: Symphony No. 5 in E minor, Op. 64 Related links: San Diego Symphony: website | Instagram | Facebook

Artists and Repertoire Rafael Payare, conductor Gil Shaham, violin RAVEL: La valse MASON BATES: Violin Concerto (SDS co-commission; West Coast Premiere) RESPIGHI: Pines of Rome RAVEL: Boléro GRAMMY®-winning violinist Gil Shaham returns to San Diego for the West Coast premiere of Mason Bates’ Violin Concerto, an explosive work showcasing Bates’ masterful modern style. Music Director Rafael Payare leads this sonic expedition, which includes Respighi’s monumental tone poem Pines of Rome and Ravel’s beloved Boléro. Related links: San Diego Symphony: website | Instagram | Facebook

The Birmingham-Southern College's baseball team is scheduled to play in the College World Series on May 31 — the same day their school is set to shut down permanently.

Hundreds of thousands of people across the region had no power early on Monday, and other states were preparing for severe weather as the storm system moved east.

Seventy percent of the money for general election ads has been spent in just seven states. Here's what the campaigns are focused on.

A local children’s librarian recommends books for Hispanic Heritage Month. Plus, the Oceanside Zine Fest celebrates the analog form of art. And, the world premiere of the new play “SUMO.”

From The Old Globe: The 11th annual Powers New Voices Festival is a three-day event of readings of 10 new American plays by emerging and award-winning playwrights writing for the American theatre today, including new works by San Diegans. The free festival opens on January 12, 2024 and closes on January 14 in the Sheryl and Harvey White Theatre, part of the Globe’s Conrad Prebys Theatre Center. Celebrating Community Voices, an evening of short works created by San Diego playwrights through the Globe’s arts engagement programs Community Voices and coLAB, is scheduled on January 12, 2024. The evening will feature readings of six 10-minute plays by local artists MG Green, Marie Vasari Hislop, Eliza Hugee, Ms. JHawk, Brian T. Josten, and Ric Scales. The first of four full-length new American play readings continues on January 13 with Emerson Loses Her “Miand” by Laura Winters, followed by Globe-commissioned Pleasant by Inda Craig-Galván, The Hispanic/Latino/Latina/Latinx/Latine Vote by Bernardo Cubría, and Globe-commissioned Empty Ride by Keiko Green. Powers New Voices Festival Schedule: FESTIVAL SERIES OF NEW AMERICAN PLAY READINGS SATURDAY, JANUARY 13, 2024 - 4:00 p.m. Emerson Loses Her “Miand” By Laura Winters Emerson Greenblatt just got engaged! And you’re invited to join her and her five friends as they complete a sacred rite of bridal party passage: a beer trolley tour through Nashville. The memories are flowing. The rosé is flowing. The debate over every single aspect of this interfaith wedding is, unfortunately, also flowing. Emerson Loses Her “Miand” is a nonstop comedic send up of the absurdity of bridesmaid culture. Cheers! SATURDAY, JANUARY 13, 2024 - 7:30 p.m. Globe-commissioned "Pleasant" By Inda Craig-Galván Mary Ellen Pleasant was a 19th-century abolitionist, an entrepreneur, a real estate tycoon, and the first African American millionaire... and you’ve probably never heard of her. Pleasant uses contemporary music, humor, and unconventional storytelling to explore the life of this self-described “capitalist by profession” who used her role as a humble domestic worker to cloak her badassery. Scandals, rumors, and one angry Karen threatened to bury her legacy, but Pleasant seeks to unearth her invaluable and lasting accomplishments. SUNDAY, JANUARY 14, 2024 - 4:00 p.m. "The Hispanic/Latino/Latina/Latinx/Latine Vote" By Bernardo Cubría University professor Paola Aguilar desperately needs money for... well, she’ll tell you. So when the Political Party offers her a substantial paycheck to help them understand the Hispanic/Latino/Latina/Latinx/Latine vote, she reluctantly takes the job. Can she help these political strategists understand all of the nuances of her community to save the election? Or will her own journey ultimately be more important than who controls the White House? SUNDAY, JANUARY 14, 2024 - 7:30 p.m. Globe-commissioned "Empty Ride" By Keiko Green Kisa, a Japanese painter in Paris, returns to her small hometown of Ishinomaki, taking over her father’s taxi cab as he grows increasingly ill. Ishinomaki was left devastated after the 2011 tsunami, which took Kisa’s mom in addition to over 3,000 other locals in the sleepy, coastal town full of fascinating characters. In this funny, tragically warm, supernatural story of those left behind, Kisa navigates finding her place in the world by rediscovering where she comes from, and where she’s been. CELEBRATING COMMUNITY VOICES FRIDAY, JANUARY 12, 2024 - 7:30 p.m. An evening of six 10-minutes plays Love Song for Pru By Marie Vasari Hislop Pru, an eccentric aspiring social media influencer, tries to craft the perfect series of posts to impress her boyfriend’s rich family—before they realize she might be a complete fraud. True School By Ric Scales Two fundamentally different rappers—one young and trending, the other a legend on his way out—must find a way to collaborate on a once-in-a-lifetime project without destroying their careers… or each other. Take Care By Eliza Hugee Anna and her new husband try everything they can think of to get his ex-fiancée Gladys to finally move out of their house. But her drinking, unpredictability, stubbornness, and unexpected condition make her both the rock and the hard place. Spectrum By MG Green To survive the big road trip to meet their partner’s parents, Basil, a trans, gender non-conforming, queer person must learn to bring all that they are into a new relationship where they are not exactly upfront with their partner about all that is truly at stake. Proper Provider By Brian T. Josten Set right after World War II, culture, dark history, and generations clash when an American father demands that his young daughter spend less time at the German neighbor’s house, the only place that gives her solace after her brother’s tragic death. Mirror By Ms. JHawk A person fractured from the inside out must fight pieces of herself to find her way home and become whole again. Festival details: The 11th annual Powers New Voices Festival will begin January 12, 2024 and conclude on January 14, 2024. The Festival will take place in the Sheryl and Harvey White Theatre, part of the Globe’s Conrad Prebys Theatre Center. Tickets to all festival readings require reservations and are free. Reservations for Globe subscribers and donors are available beginning Friday, December 15, 2023 at 12:00 noon. Subject to availability, reservations for the general public will be available beginning Thursday, January 4, 2024 at 12:00 noon. Tickets can be reserved by calling the Ticket Services Department at (619) 234-5623. A line for standby seating will form 30 minutes before each performance of the Powers New Voices Festival. Based on ticket-holder attendance, those standing in the standby line may be seated. Seating is based on seat availability and is not guaranteed. Latecomers with tickets are also not guaranteed admittance. For more information visit www.TheOldGlobe.org.