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As of Thursday morning, the right lane on eastbound state Route 76 at Canyon Drive was closed due to the small plane landing, according to Caltrans and Oceanside Police on X.

Deconstruction is a growing approach to taking down homes that diverts waste from landfills, cuts carbon emissions and creates a circular economy for construction materials.

Thousands of newly discovered fragments, which once adorned a high-status Roman building, offer an unprecedented glimpse into the artistic sophistication and daily life of ancient Londinium.

Ocean Vuong's sweeping new novel centers on a depressed 19-year-old college dropout who becomes the caregiver to a widow with dementia.

Hundreds of public safety grants cut, worth $500 million, funded initiatives like drug treatment and gun violence prevention programs.

Join us at Artreach HQ for mini ceramics on miniature pottery wheels! Learn to “throw” on the wheel to create small vessels using specialized tools! Participants will also get to underglaze their pieces to give them colorful designs! Visit: Mini Ceramics ArtReach San Diego on Instagram and Facebook

Join us at Southwestern College Art Gallery for the opening of Movidas Razquaches and Other Cheap Thrills, a collection of new work by artist Perry Vásquez. The exhibition is open from February 4 - March 4, 2025. Regular Gallery hours are Monday through Thursday, 10:30 AM -2:30 PM or by appointment. ARTIST STATEMENT“As an artist I try to pay attention to things being created and consumed within my milieu along the San Diego/Tijuana boundary. I find inspiration by reframing and recontextualizing overlooked things I find here and there and on the margins. I chose Movidas Razquaches as the title for my show because I think it captures the spirit and methodology of what I want to accomplish as an artist.” – Perry Vásquez. ABOUT THE LANGUAGEAccording to Tomás Ybarra-Frausto, rasquachismo is a sensibility that gets expressed in Chicano cultural forms and practices. Ybarra-Frausto writes, “It is a sensibility that is not elevated and serious, but playful and elemental. It finds delight and refinement in what many consider banal and projects an alternative aesthetic, a sort of good taste of bad taste.” Like African-American funk, or the improvised inventions of Rube Goldberg, the emphasis is on wit, resourcefulness and working with what is at hand. The add-on word, movida, can be translated as a maneuver, or a play (as in a game). Poet Juan Felipe Herrera interprets movidas rasquaches as “cheap thrills”, linking it to a pleasurable activity open to anyone who cares to partake. While legal scholar Alfredo Mirandé offers the word “hustle,” suggesting an illicit or unethical way to make a living. Sociologist David Spener uses movidas rasquaches to describe the network of the ad hoc work-arounds and tricks employed by migrants to navigate the US/Mexico border. While no single one of these terms perfectly captures the full meaning, taken together they give a reliable framework for interpretation. ABOUT THE WORKOver the last year and a half, Vásquez has created new work that divides into four projects using different media and including collaborative and solo work. Some of the projects are well established while others are being presented to the public for the first time in this exhibition. Blankets Vásquez collects flyers advertising gardening services left on his driveway by workers seeking employment. The no-thrills graphic style and the not-so-subtle way in which they seem to copy each other caught the artist’s eye. The act of weaving the flyers into blanket designs celebrates the DIY approach while reminding us of the workers’ aspirations to provide warmth and shelter for their families. Le Voyage/El Viaje This is an AI imaging project whose goal was to rethink and replace the transactional language used to prompt and generate AI images. “The AI image making process is hyper-focused on the outcome as the only part of the process with artistic merit. The prompt itself is written to be transactional and limiting.” Vásquez turned the process of generating imagery into a Surrealist game by inserting lines from French poet Charles Baudellaire’s poem Le Voyage into the software. The resulting images were used as the basis for a series of oil paintings. Monopalms The presence of cell towers disguised as palm trees (monopalms) has become a common sight in Southern California. This series of paintings implies the link between palm trees and the myth of paradise. The paintings also offer commentary on the telecommunications industry and how it alters our perception of nature and our sense of public and private space. Mexus Nexus Fluxus Inspired by Mexican recording artist Esquivel and the German techno artist Señor Coconut, Vásquez arranged four traditional Mexican songs for the synthesizer. He then worked with visual artists Lianne Mueller-Thompson and Carlos Solorio to create video and animations for the music. The music will be presented as a video installation. RECEPTIONSSaturday February 8, 11 AM -1 PM. (free parking in Lot O for this event) Tuesday, February 11, 11 AM -1 PM.

Join us for a captivating evening with the Pacific Trio, featuring three distinguished masters of traditional Chinese instruments and repertoire—David Liu on zheng (a plucked zither), Celia Liu on pipa (a plucked lute), and Qi-Chao Liu on dizi (a bamboo transverse flute). Together, they bring the rich soundscape of traditional Chinese music to life, blending classical techniques and repertoire with their own unique artistry. From the delicate tones of the zheng to the vibrant melodies of the pipa and the expressive voice of the dizi, the Trio’s performance will provide a glimpse of the beauty and depth of the Chinese musical heritage. Stay after the concert for a Q&A with the artists and explore their musical journeys, instruments, and inspirations up close. About the artists: The Pacific Trio is composed of three Los Angeles-based artists, all among the finest Chinese musicians of their generation living in the United States. David Chu-Yao Liu (zheng) studied under famous zheng masters and graduated from the Taiwan National Academy of the Arts. He has performed all over the world and in 1989 founded the Zheng Hsin Chinese Zither Orchestra of Los Angeles. Celia Liu graduated from the Central Conservatory of Music in China and worked at the National Orchestra in Beijing. She won the award for “Most Excellent Performance” at the Art Cup international competition. She was invited to perform with the LA Philharmonic Orchestra and recorded over a hundred soundtracks for movies and TV series with Warner Brothers Nickelodeon “Kung Fu Panda”. Qi-Chao Liu (dizi), musicologist, educator, and bandleader, is an accomplished performer on a wide variety of Chinese instruments. He graduated from the Shanghai Conservatory of Traditional and Western Music and, in 1997, was invited to attend the Asian Pacific Performance Exchange Fellowship Program through UCLA. Visit: Sounds of Dynasties: Living Traditions of China

About the exhibition: A colorful mix of symbolic forms, representations of abstract thought, and expressions of shared universal mysteries are at the heart of the work Ving Simpson created for more than twenty years at his home studio in Oceanside. The installation is a nonlinear representation of years of creative artistic endeavors, processes, and materials crafted with primal and soulful qualities. A central focus of the gallery is a recreation of the shelves that lined the artist’s studio, displaying an array of small, emblematic sculptures. The objects and compositions are minimal in form, often consisting of repeating patterns in rows and columns. They are constructed from a variety of traditional and non-traditional materials including silver, bronze, wood, metal, tar paper, found objects, and glazed and unglazed clay bodies. Select paintings will also illustrate the artist’s explorations into his perceptions of reality, primarily a series of large banners in the museum’s Grand Stairwell exploring artistic interpretations of water as liquid, gas, and solid. His first painting on canvas, Dancing Nuns painted in 1994, will also feature prominently as an homage to the complexities of interpersonal relationships and how they may inspire an impulse to expand creative horizons. This is the work of a dedicated artist–a maker of well-crafted art objects inspired by a mix of art history, science, and a personal mythology, woven together in an attempt to understand the subtle and sublime mysteries of reality. Simpson says about his practice, “The human path is one of symbols and abstractions. Lacking the facility to fathom the intricacies and mathematics of modern cosmology, I choose to explore the order of the universe using a few simple tools and my intuition.” Curated by Vallo Riberto. Exhibition celebration: 5-7 p.m. Mar. 30. Related links: Oceanside Museum of Art: website | Instagram | Facebook

Since taking the helm more than 100 days ago, Patel has yet to shutter the FBI headquarters and reopen it as a museum as he once said he would, but he has begun trying to remake the bureau.