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  • UC San Diego Global Initiatives has partnered with San Diego Sister Cities to present the first Indigenous Sustainable Design Forum, happening November 21, 2024, at UC San Diego Park & Market. The Indigenous Sustainable Design Forum represents an extraordinary international gathering poised to transform San Diego’s sustainability paradigm. Co-hosted by the Kumeyaay and Maasai, the Forum will bring together global Indigenous leaders to engage in a dynamic panel discussion. Covering topics such as ecological health, welfare, art, culture, and resource sustainability, these panels offer diverse perspectives and practical insights to integrate Indigenous traditional knowledge and promote sustainable practices locally in San Diego. The event will also serve as the launch of a virtual reality program preserving cultural ceremonies and Indigenous heritage, aiming to foster cultural understanding, preserve traditions, and nurture empathy, amplifying Indigenous voices to celebrate cultural diversity. Participants will experience how the Maasai utilizes VR to document ancient Rites of Passage ceremonies recognized on UNESCO’s urgent safeguarding list, enrich intergenerational learning, champion Indigenous culture, and forge community connections to advance heritage preservation and appreciation. Attendees will also experience vibrant cultural entertainment, including traditional dances, music, and authentic heritage. These performances are not just captivating—they are crucial for education and fostering a deeper understanding and appreciation of Indigenous peoples and their sustainable practices. Captivating cultural exhibits and art displays that showcase the rich heritage and creative expressions of Indigenous communities. These exhibits serve as powerful mediums for storytelling, expressing cultural values, and highlighting the interconnectedness between Indigenous peoples and the environment. The Indigenous Bazaar provides an engaging space to explore traditional clothing, crafts, and sustainable products. Highlighting Indigenous films, the event will showcase compelling works, including “We Are Guardians,” produced by award-winning filmmaker Leonardo DiCaprio. This film sheds light on Indigenous Peoples’ crucial role in safeguarding the Amazon Rainforest. Attendees will have a chance to meet Puyr Tembe, the lead figure in the film, whose activism in environmental justice is deeply inspiring, particularly her efforts in forest conservation in the Amazon. This is an opportunity to explore the rich traditions, sustainability practices, and contributions of Indigenous cultures—all in celebration of Native American Heritage Month. Join us as we advance sustainable initiatives on campus and beyond, fostering a diverse and inclusive community. Visit: San Diego Sister Cities' Indigenous Sustainable Design Forum at UC San Diego's Park & Market
  • Friday, September 27, 2024 from 4–6 p.m. Jean Krumbein (life drawing) PEEC for TEENS (13–18 years old) PEEC is a free program for teens, who are interested in art-making as an enrichment activity that goes beyond making crafts. The aim of the program is to provide a space for youth to create art, share stories, collaborate, explore, and identify new ways to use art in their lives. The Athenaeum offers facilities, resources, guidance, instruction, and support. The open studio program includes a rotation of multidisciplinary art instructors offering workshops in their respective fields, as well as curricular activities that involve the use of the Athenaeum library resources as a starting point for projects. Activities include drawing, painting, research, and introduction to various media. The program is free and teens can register. For additional information, please call (858) 454-5872 or email us at peec@ljathenaeum.org. The main venue for the program is the Athenaeum’s art studio at 1008 Wall Street, entrance on Girard Avenue.
  • Friday, Oct. 18, 2024 from 4–6 p.m. Kelvin Lopez (printmaking—relief) PEEC for TEENS (13–18 years old) PEEC is a free program for teens, who are interested in art-making as an enrichment activity that goes beyond making crafts. The aim of the program is to provide a space for youth to create art, share stories, collaborate, explore, and identify new ways to use art in their lives. The Athenaeum offers facilities, resources, guidance, instruction, and support. The open studio program includes a rotation of multidisciplinary art instructors offering workshops in their respective fields, as well as curricular activities that involve the use of the Athenaeum library resources as a starting point for projects. Activities include drawing, painting, research, and introduction to various media. The program is free and teens can register. For additional information, please call (858) 454-5872 or email us at peec@ljathenaeum.org. The main venue for the program is the Athenaeum’s art studio at 1008 Wall Street, entrance on Girard Avenue.
  • This Rally 4 Culture unites civic and arts leaders, arts supporters, and multidisciplinary artists to support the region’s creative community and economy by learning about AB 812, California’s affordable artist housing bill. From 4 p.m. - 5 p.m., there will be brief words from local leaders and a live theatrical performance by the political comedy troupe Culture Clash. From 3 p.m. - 7 p.m. pm, guests will have ongoing opportunities to join a drum circle, hear live music, and create some DIY art. Bring a hat, T-shirt, tote, or similar item to upcycle. While the event is free, food and drink will be available for purchase. Check our website for full details and a performance schedule as the event nears. Visit: https://www.sdspace4art.org/upcoming/2024/10/5-save-the-date-s4a-event Space 4 Art on Instagram and Facebook
  • “to hold, as’ twere, the mirror up to nature, to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.” - William Shakespeare, Hamlet LOS/NR is thrilled to present the latest major work by the pioneering American video and installation artist Frank Gillette (b. 1941, Jersey City, NY). Gillette is the recipient of fellowships from the Rockefeller Foundation and the Guggenheim Foundation, as well as grants from the New York State Council on the Arts and the National Endowment for the Arts. Interested in the empirical observation of natural phenomena, his early work integrated the viewer's image with prerecorded information. He has been described as a pioneer in video research with an almost scientific attention for taxonomies and descriptions of ecological systems and environments. Gillette’s seminal work Wipe Cycle (co-produced with Ira Schneider in 1968) is considered as one of the first video installations in art history. The Symbiotic Blues is the world premier of Gillette's 9-channel video study of woodland and beach of eastern Long Island. It consists of three video triptychs (Riverrun, Spearlight, and Blackseer) exploring the ways in which we experience the natural world. In nine endless loops, Gillette returns to a subject he has been drawn to for over fifty years; the relationship between the natural world and the ways in which we experience it over time. He achieves this through a complex engagement with classic genres: still-life, landscape, and symbolic abstraction combined with soundtracks mixing natural and electronic sounds. Though the artist was among the first to use television as an artistic medium, his video work has remained rooted in an approach stemming from his early training as an abstract painter. In the artist’s words, “...each triptych combines aesthetic judgment with the forces which shape nature’s boundaries.” This exhibition is organized by David A. Ross, the former Director of the Whitney Museum of American Art, and the San Francisco Museum of Modern Art. In 1972, Ross was appointed as the world’s first curator of Video Art at the Everson Museum in Syracuse, NY. His first exhibition of Frank Gillette’s work occurred in 1973. An illustrated brochure with an essay by the noted philosopher, naturalist and musician Dr. David Rothenberg will be available for the show. There will be an opening reception with free flowers and ice creams (while supplies last) on Thursday, October 24, from 6-8 p.m. Be advised, timed entry might be required during the event. The exhibition will run from October 24 until December 5, 2024. The gallery is open Tuesday to Saturday 12 p.m. to 4 p.m. Visit: https://www.losnotrequired.com/gillette
  • Join us on Free Third Thursday, September 19 from 11 a.m. – 8 p.m. for the free public opening of "For Dear Life: Art, Medicine, and Disability," the first exhibition to survey themes of illness and impairment in American art from the 1960s up to the COVID-19 era. Enjoy free admission, a double feature screening, and more! No reservations are required for Free Third Thursday admission. Free Public Tour: Highlights of the Exhibition 5PM: A general tour guiding visitors through "For Dear Life," focusing on key themes and highlights of the exhibition. Limited capacity. No RSVPs required. Meet in Browar Lobby. Blue/ Blue Screening: Liza Sylvestre’s Blue Description Project (2024) & Moyra Davey’s Notes on Blue (2015) 5PM: Blue/ Blue Screening in Jacobs Hall About The Blue Description Project (BDP) The Blue Description Project (BDP) (2024) is an audio description and captioning project—produced by Crip*—Cripistemology and the Arts in collaboration with Voices in the Gallery— that engages Derek Jarman's Blue (1993) via expanded and critical accessibility. As Jarman wrote in Chroma (1994): “If I have overlooked something you hold precious—write it in the margin.” BDP takes up this invitation by creating a new, experimental iteration of Blue on the 30th anniversary of its release and Jarman’s death. The BDP iteration features creative captions and audio description that have been sourced from numerous contributors. It attempts to convey, express, engage, respond, evoke, articulate, replicate, translate, transmogrify, channel, and transcend what Blue is/was/could be. Courtesy of Artist & Sarah Hayden. About Notes on Blue Moyra Davey's new 28-minute video is a lyrical film essay that interweaves various biographies-including those of Derek Jarman, poet Anne Sexton, writer Jorge Luis Borges, and the artist herself-to explore blindness, color, and identity. We encourage to come early to grab refreshments from The Kitchen before entering the museum. No RSVP needed. Entry will be first come first serve. About the exhibition In recent years, the art world has seen an explosion of activity confronting issues of illness and disability. Set in motion by disability justice movements of the twenty-first century, this development accelerated with the onset of the 2020 COVID-19 pandemic. Contemporary artists with disabilities and chronic illnesses have produced influential bodies of art, often working collaboratively with peers and institutions to highlight relations of mutual dependence and negotiate practices of care. Such artists have dramatically expanded discourse about access, while reframing disability as a refusal to conform to the pace, architecture, and economic conditions of contemporary life. "For Dear Life" explores how this turn was preceded by the work of artists and activists beginning in the 1960s and 1970s. Informed by intersecting movements that included civil rights, antiwar, women’s and gay liberation, and disability rights, artists of that era approached the body—in all its variance—as a field of inquiry. This exhibition explores artistic responses to disease, disability, and forms of unruly embodiment more broadly, tracing genealogies of art that have shaped contemporary currents. Inhabiting seven galleries at MCASD, "For Dear Life" is accompanied by a rotating program of film and video. A lavishly illustrated publication published by Marquand Books and distributed by the University of Texas Press will be available for purchase. About PST Art Southern California’s landmark arts event, PST ART, returns in September 2024 with more than 60 exhibitions from museums and other institutions across the region, all exploring the intersections of art and science, both past and present. Dozens of cultural, scientific, and community organizations will join the latest edition, PST ART: Art & Science Collide, with exhibitions on subjects ranging from ancient cosmologies to Indigenous sci-fi, and from environmental justice to artificial intelligence. Art & Science Collide will share groundbreaking research, create indelible experiences for the public, and generate new ways of understanding our complex world. PST ART is presented by Getty. For more information about PST ART: Art & Science Collide, please visit pst.art "For Dear Life: Art, Medicine, and Disability" is organized by MCASD Senior Curator Jill Dawsey, PhD, and former Associate Curator Isabel Casso. "For Dear Life" is among more than 60 exhibitions and programs presented as part of PST ART: Art & Science Collide, presented by Getty. Major funding for this exhibition is provided by the Getty Foundation and The Henry Luce Foundation. Individual support for the exhibition is provided by Brook Hartzell and Tad Freese. Financial support is also provided by the City of San Diego through the Commission for Arts and Culture. VISIT: https://mcasd.org/events/for-dear-life-opening
  • From the theater: Four (very) well-intentioned theatre people walk into an elementary school. The work at hand: a Thanksgiving pageant that won’t ruffle any feathers. What could possibly go wrong? In MacArthur Genius Larissa FastHorse’s skewering and satirical comedy, well, just about everything. Rambunctious, thorny and not altogether politically correct, THE THANKSGIVING PLAY serves up the hypocrisies of woke America on a big, family-style platter. Featuring some of San Diego’s finest theatrical comedians: Kenny Bordieri, Samantha Ginn, AJ Knox, and Erica Marie Weisz. In producing this show, we are honored to welcome our first Native American playwright to the Ray Charles Stage in the Conrad Prebys Theatre at the Dea Hurston New Village Arts Center. THE THANKSGIVING PLAY will run October 12th through November 3rd. Previews will happen on October 4-11th, with an Opening Night Reception on October 12th, 2024. Visit: https://newvillagearts.org/thanksgiving-play/ for times New Village Arts on Instagram and Facebook
  • Celebrate the holiday and winter season around the world with the Palomar Concert Band. We will take you on a journey through a winter wonderland of dreamscapes. Visit: palomar.edu/palomarperforms/event/dreamscapes-directed-by-heather-barclay/
  • Cody Balmer, 38, jumped the fence outside the Governor's Residence in Harrisburg early Sunday morning and set a fire, Pennsylvania State Police say. Fortunately, Shapiro and his family escaped injury.
  • The weight-loss drugs are linked with reduced rates of excess drinking and opioid overdoses, suggesting they may tamp down substance use cravings too.
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