Search results for

Sundays, 1 p.m.– 4 p.m. January 12–March 2 (8 weeks, 24 total hours of instruction) La Jolla Studio “Fauvism is not everything, but it is the foundation of everything.”—Henri Matisse Henri Matisse, Andre Derain, and Maurice Vlaminck were the creators of this powerful era in art of the early 1900s. The act of painting itself was at the heart of Fauvism. It was the first movement to insist in explicit terms that a painting is the canvas and the pigments—not the subject. This class will explore the Postimpressionist movement that led to the Fauve movement strongly influencing the art of the 20th century. Leaving behind classic color, perspective, and subject matter, moving into exciting, bold, vibrant colors, spontaneous compositions, and highly gestural application of paint techniques is what we will explore painting in session. A pink sky? Why not! Come join the fun, freedom, and excitement of expressive Fauve painting. This class is for all levels of painters, both beginning and experienced artists. You are also welcome to do your own work. This is a good place to be with other talented painters and enjoy the creative atmosphere here at the Athenaeum. Please let me know if you have any questions. I am happy to help. sharoncaroldemery@gmail.com Materials: Paints: Your preference of paints: oil, acrylic, watercolor, gouache … you name it! Please include Titanium White, Cadmium Yellow Light (cool yellow), Cadmium Yellow (warm yellow), Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Cerulean Blue, Viridian Green or Phthalo Green. Plus any colors of paint that you would like to use. Brushes: Bring a variety of brushes for your choice of paints that include #2, #4, #6, #8. Good quality brushes make a difference. Other materials: 12” x16” paper palette pad; odorless Turpenoid and linseed oil for oils; soft vine charcoal; 1.5- or 2-inch palette knife; paper towels; two small jars with lids; spray bottle for acrylic painters; sketchbook; color pencils; four canvas or canvas boards, 11” x 14” or your preference. Good quality watercolor paper for watercolor painters. Suggested items: Masterson Sta-Wet Palette Seal to keep paints moist; glass palette to go inside the box making paint easier to mix; Silicoil jar with spring in the bottom to clean brushes; two tall containers to hold clean and used brushes at your station in the studio. Max students: 13 Visit: https://www.ljathenaeum.org/classes/15 Athenaeum Music & Arts Library on Instagram and Facebook

Thursdays, 9:30 a.m. – 12:30 p.m. January 16–March 6 (8 weeks, 24 total hours of instruction) La Jolla Studio Still-life painting is the study of everyday objects that take on a new life, tell a story and can act as a portal to another place or time. Emphasis in this class will be on an impressionist technique of painting using an “alla prima” (wet into wet) style of painting, keeping loose brushwork, thick paint, and eliminating detail. We will cover composition, color, form, and lighting. There will be a setup for each class along with photo images to create from. I do a painting demonstration in each class. One of our exercises will be a personal still-life using objects that have meaning to us. The best part is that we will have fun as we share our discoveries together. Come join us! I cannot wait to see what you will create. This class is for all levels of painters, both beginning and experienced. You are also welcome to do your own work. This is a good place to be with other talented artists and enjoy the creative atmosphere here at the Athenaeum. Please let me know if you have any questions. I am happy to help. sharoncaroldemery@gmail.com Materials: Paints: Your preference of paints: oil, acrylic, watercolor, gouache … you name it! Please include Titanium White, Cadmium Yellow Light (cool yellow), Cadmium Yellow (warm yellow), Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Cerulean Blue, Viridian Green or Phthalo Green. Plus any colors of paint that you would like to use. Brushes: Bring a variety of brushes for your choice of paints that include #2, #4, #6, #8. Good quality brushes make a difference. Other materials: 12” x16” paper palette pad; odorless Turpenoid and linseed oil for oils; soft vine charcoal; 1.5- or 2-inch palette knife; paper towels; two small jars with lids; spray bottle for acrylic painters; sketchbook; color pencils; four canvas or canvas boards, 11” x 14” or your preference. Good quality watercolor paper for watercolor painters. Suggested items: Masterson Sta-Wet Palette Seal to keep paints moist; glass palette to go inside the box making paint easier to mix; Silicoil jar with spring in the bottom to clean brushes; two tall containers to hold clean and used brushes at your station in the studio. Max students: 12 Visit: https://www.ljathenaeum.org/classes/9 Athenaeum Music & Arts Library on Instagram and Facebook

Please join us for this unique event presented in collaboration between the UC San Diego Stein Institute for Research on Aging and the Museum of Contemporary Art San Diego. This event will feature a thought-provoking panel discussion on the intersection of art, aging, and the museum experience, followed by a guided tour of the Museum and a reception. The panel will showcase the meaningful work being done by both organizations, supported by the Vitality Arts Program, to explore how art can engage, empower, and enrich the lives of older adults. Our Panelists: Kathryn Kanjo is The David C. Copley Director & CEO of the Museum of Contemporary Art San Diego. Concurrent with her appointment to Director in 2016, the Museum launched a major expansion that quadrupled the gallery space. Designed by Selldorf Architects, the expanded campus reopened to the public in April 2022. Kanjo served as Executive Director of Artpace San Antonio (2000-2006), and Director of the University Art Museum at the University of California, Santa Barbara (2006-2010). She returned to MCASD in 2010 as Chief Curator and Deputy Director Art and Programs, organizing exhibitions of Isaac Julien, Ed Ruscha, and Jack Whitten, among others. Kanjo serves as the President of the Board at the Linda Pace Foundation in San Antonio, Texas. She received her M.A. in Art History and Museum Studies at the University of Southern California and her B.A. in Art History and English Literature from the University of Redlands. Khai Nguyen, MD, is a board-certified internal medicine doctor and geriatrician who specializes in caring for older adults. He provides primary care to patients, with an emphasis on health maintenance, disease prevention, treatment of acute and chronic illnesses and preservation of function. As a geriatrician, Dr. Nguyen aims to keep seniors healthy and high functioning as they transition through the stages of aging. His expertise includes providing therapeutic and rehabilitative care for conditions or health concerns that are common among the elderly such as frailty, falls, incontinence, memory and cognitive problems, and medication-related side effects. He also has expertise in end of life care and advance care planning. Dr. Nguyen is clinical services chief of senior medicine at UC San Diego Health, where he oversees efforts to help ensure quality patient care and provides leadership management of clinical functions and staff. As a former instructor in the Division of Geriatrics, Dr. Nguyen has taught internal medicine residents and geriatric medicine fellows at UC San Diego School of Medicine. He has coauthored numerous abstracts and was a speaker at the 2015 annual meeting of the National Association of Managed Care Physicians. Prior to joining UC San Diego Health, Dr. Nguyen was the medical director of VITAS Healthcare and Hospice. He was also a geriatric home-based primary care physician at VA Healthcare System San Diego, and a physician in the Department of Continuing Care Services at Kaiser Permanente San Diego. Dr. Nguyen completed a fellowship in geriatric medicine at UC San Diego School of Medicine and a residency in internal medicine at Scripps Green Hospital in La Jolla. He earned his medical degree from University of Vermont College of Medicine in Burlington, Vermont. Dr. Nguyen also holds a master's degree in health policy and certification in health finance and management from Johns Hopkins Bloomberg School of Public Health. He holds the hospice medical director certification (HMDC) credential. Dr. Nguyen is a member of the American Academy of Hospice and Palliative Medicine. Our Moderator: Danielle K. Glorioso is a Licensed Clinical Social Worker with extensive experience in aging, community health, and clinical research. Since joining UC San Diego in 2001, she has taken on a leadership role as the Executive Director of the Center for Healthy Aging and the Stein Institute for Research on Aging. In this capacity, Ms. Glorioso oversees a wide range of operations including strategic planning, organizational development, community outreach, training, philanthropy, communications, and marketing. She is also a certified therapist in prolonged grief disorder, specializing in manualized interventions. One of her major accomplishments includes leading the research and development of a licensed, evidence-based six-week program designed to enhance resilience, compassion, and self-compassion among older adults. This intervention, which has undergone nearly a decade of research, has been tested and validated in various community settings, including among older adults in group and individual settings. Through her work, Danielle has made significant contributions to improving the mental health and well-being of older adults. Visit: https://lp.constantcontactpages.com/ev/reg/2b3wc5a/lp/10521547-ca62-42c7-8d70-dfffbb172f2c MCASD on Instagram and Facebook

San Diego's new theater company, The Queen's Men, brings "Julius Caesar" to a modern-day setting inspired by "Mean Girls," swapping Roman senators for teenage athletes.

Eisner award-winning letterer Stan Sakai talks about his art.

As part of Trump's "Big, Beautiful Bill," the House voted to end a retirement supplement aimed at helping federal employees who retire before they're 62.

An array of K-12 student performance groups from across the Vista Unified School District (VUSD) will illuminate the Vista Village Winterfest and tree lighting celebration this Sunday, December 8 from 2 p.m. to 6 p.m. in front of the Vista Cinépolis Cinemas (25 Main St, 92083). The nine VUSD performance groups will perform choir, a string ensemble, Ballet Folklorico, ukuleles, steel drums, and more. “I am thrilled we have such a wide variety of ages from elementary through high school who want to perform at the Vista Village Winterfest. It is important that our students have opportunities to showcase their art in the community,” said Susan Stuber, VUSD Visual and Performing Arts Department Resource Teacher, who worked with the district’s performing arts directors to organize the Vista Village Winterfest music and dance showcase. Stuber added, “For those who attend the event, their heart will be filled with joy as they hear the sweet sounds of steel drums, choirs, instrumental ensembles, and ukuleles; as well as watch a variety of dance performances. There will even be an opportunity for everyone to sing a few carols during the actual tree lighting ceremony.” Alongside the diversity of performances, families are invited to enjoy a Christmas film at the Cinépolis Cinemas and play movie trivia to win Santa-themed prizes or shop at the makers market and craft fair organized by the VUSD Parent-Teacher Association (PTA) featuring arts and crafts, games, and gifts to purchase. The tree lighting celebration will take place at 6 p.m.

Cada año, durante el Mes de la Herencia Hispana, se pueden esperar grandes celebraciones en todo Estados Unidos para mostrar la diversidad y cultura de los pueblos hispanos.

Extracting truths from family archives to inform present day stories is the subject of “Threads of Time,” an exhibit by Robin North that will open at on February 8 and run through Black History Month, ending on March 1. North, whose forebears worked as slaves in the cotton fields of Texas, has used photographs and old documents to show how his family’s personal history is interwoven with the larger history of cotton, a commodity that spelled wealth for some and bondage for others. “Two bodies of work within ‘Threads of Time’ explore the family histories of Americans of African descent, addressing forced migration, labor, land ownership, and modernity in rural, deep southern Texas,” says North, who had been working as a corporate information specialist when he decided to pursue fine art photography. Through conversations with family members and by studying old photographs and documents, he began to decode messages from the past and realized that there was more to those photos than met the eye. “Decolonized Aesthetics” presents portraits of black subjects using historical photographic processes and stresses the intercultural connections resulting from cotton commerce. Some subjects pose with a bale of cotton. “Part of what I want to do is take this fusion of culture and this cotton bale and bring them together, because the reason this even happened is because of cotton,” North says. “That’s how this body of work came to fruition.” In "A Way of Looking," North visits places in the rural South that are connected with his family’s past and links them to the present. “A lot of my work focuses on looking backwards,” North says, and consequently we see his back as he faces away from the camera and looks toward an old church, toward cemetery headstones, and toward an old school building that appears to be losing a battle with a devouring landscape. The church, the school, the cemetery are all part of North’s family history, which is part of the larger history of cotton’s role in a nation’s history. The Photographer’s Eye Gallery will exhibit “Threads of Time” from February 8 through March 1. North will conduct a walk-through of his art on opening day at 4 p.m., and the gallery will host a reception for the artist at 5 p.m. The gallery will also host an artist’s talk on February 9 at 10 a.m. The talk is free, but a reservation is required and can be made by going online to the website to reserve a space. The nonprofit gallery is open from 11 a.m. to 5 p.m. on Fridays and Saturdays, and by appointment by calling 760-522-2170. Free parking is available behind the gallery, and on the street. The Photographer’s Eye Collective on Facebook / Instagram

Dozens of Wisconsin dairy farmers are breathing a sigh of relief after federal funds they had been awarded were released and payments are now being promised. But anxiety persists for some.