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  • Trump senior adviser Kari Lake is regrouping after U.S. judges blocked her from taking further actions against the Voice of America and Radio Free Europe/Radio Liberty.
  • The sequel to the best-selling fantasy novel, “The House in the Cerulean Sea" is almost here.
  • Charlene is a German-American artist based in San Diego. She received her BA in Studio Arts from San Diego State University. Mosley’s current work discusses the importance of looking into one's self and allowing it to emerge in daily life. So often in a society that has certain standards and expectations, a lot of our true self is hidden or tamed to fit in, to appear a certain way or to belong. Her body of work is meant to inspire the viewer to live as courageously as a tiger, as resilient and freeing as a butterfly and to shed in renewal, like a snake. The wild animals reveal a unique connection to each person they are portrayed with. They embody attributes such as courage, strength, transformation, and reinvention, offering a sense of empowerment by their sheer presence. Mosley's work often depicts people of color surrounded by plants and beautiful stoic animals that harmoniously charge each other in vibrant color. With an interplay of expressive brushwork and texture Mosley evokes movement and excitement, capturing the viewer’s eye in a journey of discovery. Mosley has exhibited in both national and international exhibitions and won several awards. She also works as a freelance artist on a multitude of projects, including: murals, commissions and book illustrations; with a specialty in children’s books. In 2016, Mosley was one of the contributing artists of “Loving Vincent“, the 1st fully painted, Oscar-nominated feature film. This opportunity was the artist’s first time working in animation. Creating 250+ frames for the film, “was life-changing and a motivation to keep pursuing my passion as an independent artist”, notes Mosley. Mosley has travelled extensively to work on projects with national as well as international clientele. She is currently represented by Sparks Gallery in southern California. Her solo exhibition, “Embrace The Inner Wild” will open this September 1st, 2024 and will last one month. Visit: https://www.artweek.com/events/united-states/art-exhibition/san-diego/embrace-your-inner-wild#
  • You’re never too old! Create your own fuzzy Monster! September 7, 2-6 p.m. Ages 12+ years or children 6-11 years if accompanied by an adult welcome! Create a professional arm-rod-and-mouth puppet of your very own from Rene Rubalcava, owner and puppeteer of LV Puppet Studio of Las Vegas who learned the art of puppet making from a Jim Henson Muppeteer. There’s no better time to create your own one-of-a-kind fuzzy monster! In this workshop, we guide you from start to finish as you select, cut, hot glue and assemble the pieces and personality of your own customized puppet. No sewing is required in this workshop. Students bring their puppets to life with their own unique interests and imaginations, and by choice and placement of different face details. Each one is unique! Find your puppet’s voice and learn some puppetry basics. All materials included. No experience necessary! • Military and sibling discounts. • Scholarships available. • Homeschool funds accepted. • If this class is full, join the Interest List. • If you would like to be notified of future offerings, join the Interest List to be notified when new dates or spaces are available. Visit: Puppet Making Workshop
  • In recognition of Indigenous Peoples Day, the first annual Indigenous Heritage Week & Sustainable Design Forum held November 21st at UCSD Park & Market in San Diego will include an advance, red-carpet screening of the film “We Are Guardians.” Produced by Leonardo DiCaprio, the film highlights Indigenous Peoples' role in safeguarding the Amazon rainforest. Pury Tembe, the lead figure in the film, will make a special in-person appearance. The screening is a US exclusive. This forum, part of the inaugural binational World Design Capital legacy program, will bring together Indigenous leaders from Sister Cities across the United States, Mexico, Australia, Japan, Kenya, Brazil, and other Indigenous nations. They will share Traditional Ecological Knowledge and explore its integration into sustainable development initiatives. The Indigenous Forum and screening are co-hosted by the Kumeyaay, San Diego Sister Cities [www.sandisca.org], and Co-sponsored by UC San Diego Global Initiatives [www.global.ucsd.edu], The Behner Stiefel Center for Brazilian Studies, San Diego State University [www.brazil.sdsu.edu], the World Design Capital San Diego Tijuana 2024[www.wdc2024.org/], and My Chosen Vessels [www.mychosenvessels.org/]. The goal is to inspire sustainable solutions by integrating Indigenous traditional ecological knowledge into San Diego’s sustainable development plans. Indigenous leaders will attend the Forum, from San Diego Sister Cities partnerships from the US, Mexico, Australia, Japan, Kenya, Brazil, and beyond. The Forum is the first event of its kind, seeking to advance San Diego’s sustainable future and helping design new, Indigenous-informed models through sharing Indigenous knowledge. The film screening and the Forum kick off Indigenous Heritage Week, a series of Indigenous-led workshops, lectures, and cultural activities across university campuses in San Diego County, held in collaboration with cultural institutions and businesses. These events will include panel discussions, cultural exhibits, art displays, an Indigenous bazaar, a showcase of other Indigenous films, virtual reality experiences, and more. “Attendees will have the unique opportunity to hear directly from Indigenous leaders around the world about their efforts in protecting the planet, wildlife, forests, and oceans,” said Jessica Censotti, Executive Director of San Diego Sister Cities. “These discussions are essential for learning how we can integrate Indigenous traditional practices into our region’s efforts to develop sustainable solutions for our community and create a sustainable future for all humanity.” “We are especially excited to host an advance screening of the film ‘We Are Guardians,’ produced by Leonardo DiCaprio, featuring a special appearance by Puyr Tembé, the film's central figure. Additionally, Koji Kinjo will join us, whose groundbreaking work in coral transplantation and ocean protection is shaping the future of marine conservation, offering San Diego insights for safeguarding its own precious coastline. This is a remarkable opportunity to deepen cross-cultural connections and explore how Indigenous perspectives can shape San Diego’s sustainable future. “ "When you have a whole bundle of arrows together, it's impossible to break," said Dr. Stanley Rodriguez, referring to the unity of Indigenous leaders around the world who will gather in San Diego. Dr. Rodriguez is Kumeyaay Council Member of the Santa Ysabel Band of the Iipay Nation in San Diego & Commissioner of the California Native American Heritage Commission (appointed by Governor Newsom).
  • The San Diego Watercolor Society proudly presents “Scintillation”, juried by award-winning artist, Robin Erickson. The water-based media exhibition runs July 28 to August 31, 2024, at our Gallery in The ARTS DISTRICT Liberty Station. The Opening Reception is Friday, August 2, 5 - 8 p.m. with over 95 ready-to-hang original paintings plus refreshments and the fellowship of other art enthusiasts. The Gallery is open Weds-Sun, 11 a.m. – 3 p.m. The paintings can also be viewed and purchased online. Please visit www.sdws.org for more information. Stay Connected on Facebook and Instagram
  • An 18-year-old from Russian-occupied Luhansk tells NPR how and why he escaped to Kyiv.
  • The Middle East is bracing for a wider war as Israel fights in Gaza and Lebanon, and as Israel promises a strong response to Iran's missile strikes.
  • Embodied Pacific is described as "blending art and science into one unique experience," allowing visitors to explore Scripps and Indigenous science through the eyes of artists.
  • A recent analysis shows the waterpark needs around $3.5 million in repairs to bring it up to code, and another $15 million over the next 10 years to keep it safe and operational.
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