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  • Premieres Tuesday, July 4, 2023 at 8 p.m. + Encore at 9:30 p.m. on KPBS TV / PBS App + Steam live on YouTube. This time-honored 43 year-tradition puts viewers front and center for America’s biggest birthday party with the greatest display of fireworks anywhere in the nation lighting up the iconic D.C. skyline. Celebrate our country’s 247th birthday with musical performances by top stars from pop, country, R&B, classical, and Broadway, featuring the National Symphony Orchestra under the direction of premier pops conductor Jack Everly.
  • Join SD Master Chorale members under the direction of Music Director John Russell, as we sing selections of Handel’s Messiah, accompanied by organist Martin Green. Bring or rent a score, and come an hour early for festive refreshments. This year, the Messiah Sing features soloists from the SD Master Chorale including soprano Carron Martin, mezzo-soprano Kaitlin Barron, tenor Daniel Moyer, and bass Matthew Fallesen. Follow on social media! Facebook + Instagram
  • The 4th annual vegan Food, Toy & Supply Drive is returning to First Friday Night Market! We are accepting food, toys and supplies for a bunch of community partners to benefit humans and animals alike. Please review the Vegan in San Diego website for each organization's needs. The dive will be hosted alongside a night market where some of southern California's best vegan-friendly businesses come together for your enjoyment. Follow on social media! Instagram + Twitter
  • The Green Piano: How Little Me Found Music recounts the story of Flack's father finding her a beat-up, old, upright in a junkyard — a treasure that led to a life in music.
  • The question in the case was whether Andy Warhol's renditions of Prince were transformative under the copyright law, and thus do not infringe on photographer Lynn Goldsmith's copyright.
  • The National Park Service and the city are teaming up to restore the AG Gaston Motel built by Black entrepreneur AG Gaston. It served as a secure space for civil rights leaders to strategize in 1963.
  • San Diego New Music and the Athenaeum Music & Arts Library present the return of the soundON Festival (formerly known as the soundON Festival of Modern Music), featuring our ensemble-in-residence, NOISE, coming together once again after the long hiatus of the pandemic. The members of NOISE have curated a festival exploring the surreality of the gradual return to 'normalcy' and the irreversible perspective of a world transformed and that will never be 'normal' again. The eclectic and international collection of works embrace imperfection, liminality, chimeric adaptations, tension, and the cautious return to the illuminated beauty of the world welcoming us back. Dates: Jan 6-8 Times: 7:30 p.m. - 9:00 p.m. Location: Athenaeum Music and Arts Library Cost: Festival passes: $75 General Admission / $60 Athenaeum Members / $25 Students Single night tickets: $27 General Admission / $22 Athenaeum Members / $10 Students For more information on this event and ticket purchases please visit HERE.
  • Florida state Sen. Shevrin Jones, a Democrat, says the proposed course "wasn't indoctrination, it wasn't ideology, it was facts." He fears blocking it will harm students in Florida and beyond.
  • Secretary of State Antony Blinken's recent visit to China was considered a success by government officials. In such a complicated relationship, what does that even look like?
  • Let’s ease back to in-person performances with our first in a series of shows at Bread & Salt Gallery, starting with a night of electroacoustic music! Admission is $5 at the door (cash/Venmo/PayPal), and masks will be required indoors. RELATED: San Diego Weekend Arts Events: Photography, art, electroacoustic music, Palestininan poetry and two local-style Christmas plays (KPBS arts segment) About the performers: Francisco Eme is originally from Mexico City currently living and working in San Diego, CA. Francisco is a composer and multimedia artist. He creates music, sound and multimedia installations, interventions and performances. His work is driven by a deep observation of the culture he lives in, the social interactions and everyday situations. He strives to start a conversation with the audience concerning relevant issues of our time: art, society, technology and science blend together in his practice. Joe Cantrell is a digital artist specializing in sound art, installations, and performances inspired by the implications of technological objects and practices. By using the physical remnants of these processes as raw materials, his work investigates the incessant acceleration of technological production, ownership, and obsolescence. He has performed and installed at numerous venues in the US and abroad, and has been honored with grants by New Music USA and the Creative Capital foundation, among others. Joe holds a BFA in music technology from Cal Arts, an MFA in digital arts and new media from UC Santa Cruz and a PhD in music from UC San Diego. John Jolley is a born and raised San Diegan musician and DJ who's been performing locally for 15 years. A gigging musician since high school, John left the UC Riverside music program to join and tour with local rock group Hargo, and went on to host, organize, and perform at several weekly and monthly local electronic music events, including Radiation at The Stage (now Atomic) and Acid Varsity at Kava Lounge. A lifelong synthesizer enthusiast, John performs live synth music solo and with the trio Warranty Void. A frequent performer at local festivals and undergrounds, John's DJing tends towards the experimental and rarely is confined to specific genres or tempos. Having just joined local industrial group Shaolin Signal on bass guitar, and with Acid Varsity having moved to Ken Club following the closing of Kava Lounge, fans and curious parties should have many opportunities to experience his playing in 2022 and beyond. Nathan Hubbard’s solo music is an amalgam of his work as an improviser, composer and instrument builder. Using acoustic and amplified instruments and a wide range of electronics, Hubbard creates a soundworld of multiple layers, where the music changes definitions of form, shape and outcome. This music has been presented in a wide variety of contexts, from concert halls and festivals to freeway underpasses and desolate mountain roads, and is documented on the recordings Born On Tuesday (2004, Circumvention Music), Blind Orchid (2007, Accretions Records), as well as a two volume compendium of live performances entitled Cascadia Calling (live solo works 2000-2014) Volumes One and Two. Pablo Dodero is an experimental musician from Tijuana, Mexico. He is currently pursuing a Ph.D at UCSD in Integrative Studies. He performs and releases music under the monikers Les Temps Barbares (ambient / noise) and Adiós Mundo Cruel (techno) using mainly hardware synthesizers and drum machines. Related links: Project [BLANK] on Instagram Project [BLANK] on Facebook Project [BLANK] website
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