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San Diego New Music Concerts Jan. 5, 6 and 7, 2024 San Diego New Music and the Athenaeum Music & Arts Library present the 2024 soundON Festival, exploring cutting-edge contemporary music from around the world. This year we celebrate the music of San Diego composer and longtime friend of SDNM and NOISE Adam Greene, and we feature a new work by Mark Menzies commissioned by the Athenaeum Music & Arts Library and generously underwritten by Garna Muller. Adam Greene trained as a guitarist and then studied composition at the New England Conservatory and UCSD. His music investigates multiplicity, fragility, and instability through sophisticated and idiosyncratic approaches to instrumental technique. Greek myths, especially Homer's Odyssey and the story of Orpheus, inspire many of his works, including all of his five pieces presented at soundON this year, two of which will be world premieres. This year we return to an old soundON tradition of highlighting the solo virtuosity of the members of NOISE, with challenging and adventurous works from many eras played by each of the seven musicians. And the ensemble once again introduces young and innovative composers, Jean-Patrick Besingrand, Patricia Martinez, Jérôme Combier, and Judith Ring—to San Diego. NOISE (Ensemble-in-Residence): Christopher Adler, piano Lisa Cella, flute Franklin Cox, cello Colin McAllister, classical guitar, electric guitar, and conductor Mark Menzies, violin Morris Palter, percussion Robert Zelickman, clarinet SPECIAL GUEST ARTISTS Matt Kline, conductor Eric Starr, trombone Ariana Warren, clarinet Concert and ticket links: Series tickets Day 1 (Friday, Jan. 5) - Athenaeum Art Center (Logan Heights) Day 2 (Saturday, Jan. 6) - Athenaeum Music & Arts Library (La Jolla) Day 3 (Sunday, Jan. 7) - Athenaeum Music & Arts Library (La Jolla) Related links: Athenaeum Music and Arts Library: website | Instagram | Facebook

Experience an unforgettable evening with Qais Essar, a pioneering Afghan composer and rabab virtuoso who weaves the traditional sounds of the mountainous Hindu Kush region with contemporary global music. The rabab, an instrument first mentioned in Arabic texts of the tenth century, is a plucked lute considered by many to be Afghanistan’s national instrument and a precursor of the sarod, prominent in North Indian classical music . Qais’s music blends Afghan folk, Americana, and other sources, creating a unique soundscape that feels both timeless and boundary-pushing. Following the performance, join us for a Q&A with Qais, where he will share insights into his creative process, collaborations, and the inspirations behind his music. This close-up experience will offer a rare chance to delve into the mind of an artist dedicated to reimagining Afghan music for the modern world. About the artist: Qais Essar is an acclaimed Afghan composer, rabab player, and producer who bridges the ancient and modern through his music. Known for his innovative blending of Afghan folk with rich, genre-defying sounds from Western roots music, Qais has performed globally, including with the Oxford Philharmonic, and his music has been featured in major motion pictures and festivals. His compositions include original pieces for Oscar-nominated films Three Songs for Benazir and The Breadwinner. The latter earned him a Canadian Screen Award for Best Original Song. Qais brings traditional Afghan music to new, global audiences. Visit: Soundscapes of Afghanistan: Tradition Reimagined with Qais Essar Quais Essar on Instagram and Facebook

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Monday, Oct. 21, 2024 at 10 p.m. on KPBS TV Stream now with the PBS app. In the 1950s and '60s, the U.S. government conducted a series of nuclear tests in the Nevada desert. The resulting fallout would kick off a decades-long debate over cancer rates, the costs of patriotism, and the responsibility of a nation to protect its citizens. The film chronicles the history of the testing program, and shares the stories of Utahans who lived downwind from the Nevada site.

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