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Several bills in the California Legislature would regulate how companies use AI to make employment decisions such as compensation, hiring, firing, or promotions, but they may be in jeopardy because of their associated costs.

President Trump signed a series of executive orders doubling down on law enforcement, particularly related to Washington, D.C., but he equivocated on whether he will send troops to Chicago next.

U.S. officials confirmed a case of the flesh-eating parasite in a person who traveled from El Salvador. Screwworm typically affects cattle in South America but has spread north in recent years.

At its peak, China Evergrande Group was worth more than $50 billion. But it all came crashing down in 2021. It was massively in debt and unable to complete some existing projects.

Seven years after they merged, the soft drink maker and coffee pod innovator will become separate companies again. CEO Timothy Cofer said separate coffee and beverage businesses would be more nimble.

Last month, volunteers gathered data for the 2025 Point in Time Count — an annual measurement of unhoused folks in our region. We discuss the early takeaways from the perspective of homeless service providers.

It began on the edgy margins of a mainstream festival — which it's now eclipsed. But nearly 80 years on, performers and spectators say rising costs threaten the Fringe's alternative vibe.

We will explore the fundamentals of watercolor—adding pen-and-ink as well. The class is designed to break down fear and encourage spontaneity. All levels are welcome in this positive and encouraging class. Materials: Paper: two 22” x 30” sheets of 100%, 140 lb., rag, cold-pressed paper (such as Arches or Fabriano). Brushes: one #8, #10, or #12 round brush (with a good point); one 3/4” or 1” flat brush; one large (2” or 2 1/2”) cheap bristle brush (from hardware store). Other: palette (any palette with eight or more color wells will do); water container; sketchbook; two No. 2 pencils; 3/4” or 1”–wide masking tape; small drawing board (Gatorfoam board or Masonite, 12” x 16” minimum); paper towels (Viva preferred). Paint: Any colors you have. Must-have colors (at least 14 ml) are Daniel Smith New Gamboge; Winsor & Newton Burnt Sienna (do not substitute another brand for this one); Alizarin Crimson Permanent; French Ultramarine Blue; Phthalo Blue; Burnt Umber. Please prepare a selection of photo references. Have ready several still-life or landscape reference photos. Max students: 13 Athenaeum Music & Arts Library on Instagram and Facebook

From one of the first woman photographers, Anna Atkins, to lifestyle icon, DIY celebrity Martha Stewart—the Cyanotype Photographic Process continues to fascinate us with its beautiful tones of Prussian Blue colors, by the contact printing of objects (photograms), to using today’s digital negatives. This light sensitive process, activated by the ultraviolet rays of the sun and discovered by Sir John Herschel in 1842, has experienced several revivals since the 19th century. First in the 20th century with its rediscovery as an alternative process within university curricula worldwide to this last turn of century, in the 2000s, creating a revolt by fine art photographers in response to the onslaught of technology and its pesky pixel. In this two-day intensive workshop, we will push the process further by cyanotype printing on fabric, including the latest technique of exposing wet cyanotypes. We will be introduced to the basic procedures using commercially coated fabrics, then move quickly to hand-applied emulsions on various fabrics from cotton to silk. By embedding the photographic image within the “ply-ability” of fabric, we can explore finishing strategies for the image, from sewing, embroidering, quilting, and garment making to creating sculptural forms with the photograph on fabric. Materials: Materials provided with a $40 fee paid to instructor on the first day of class include chemistry and a contact printing frame. Recommended fabrics will be the responsibility of the student. Max students: 12 Visit: https://www.ljathenaeum.org/class/summer-16 Athenaeum Music & Arts Library on Instagram and Facebook

Join us for a fun still-life oil painting workshop inspired by a colorful summer tea party. All aspects of still-life painting will be covered in this two-day workshop: perspective, composition, color, and accuracy will be taught using a tabletop arrangement of cups, saucers, teapots, and flowers. Bright colors and a square format will encourage experimentation. Grab a coffee; we will begin each morning with a PowerPoint lesson followed by a demo on the painting process and technique. Afterward students will paint independently for the remainder of the morning. As the paintings progress, students will learn through discussion of creative issues and group critique. Pat welcomes students of all levels. Materials: A $5 fee will be paid to Pat on the first day of class. Please bring the following supplies: one square canvas or canvas panel: 10” x 10”, 12” x 12”, or 16” x 16”; half-dozen brushes: white bristle flat or filbert, #2, 4, 6; one medium-size palette knife; small, pointed round brush for detail, #2–4; Winsor & Newton Liquin; wooden palette; oil paints: Alizarin Crimson, Cadmium Red Medium*, Cadmium Yellow Medium*, Cadmium Lemon*, Phthalo Blue, Ultramarine Blue, Permalba White, Cadmium Orange*, Red Iron Oxide or Burnt Sienna; paper towels; Gamsol odorless solvent; container for solvent with lid. *Be sure to purchase true Cadmium colors not Cadmium Hue. Max students: 12 Athenaeum Music & Arts Library on Instagram and Facebook