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  • As archeologists in Saudi Arabia excavated an ancient tomb last year, they were surprised to find what's believed to be the earliest example of dog domestication in the region.
  • The final episode in Cinema Junkie's Giving Thanks to Film Editors trilogy. This time I speak with Oscar-nominated film editor Paul Machliss. He has had a wildly creative and innovative partnership with director Edgar Wright on films such as "Baby Driver" and "Scott Pilgrim Vs. the World." He talks about having to edit on the set for "Baby Driver" and then has some surprising recommendations for films that highlight diverse editing styles.
  • A long-term study of a statewide preschool program tracked students through the sixth grade and found those who attended prekindergarten falling behind.
  • A groundbreaking feminist thinker, writer and activist, bell hooks was clearly uninterested in being safe, respectable or acceptable, and charted a career on her own terms.
  • Join the KPBS and PRX podcast “Port of Entry” for a live interview with photographer Yvonne Venegas Host Alan Lilienthal interviews artist and photographer Yvonne Venegas live on the KPBS YouTube channel for an upcoming episode of the “Port of Entry” podcast. Join us for the live interview before it becomes a podcast episode and ask your questions. Spanish captions will be provided on the YouTube stream. The online event is free and open to all.
  • On view 7722 Girard (formerly Quint ONE) Nov. 6 - Dec. 11, 2021 Opening reception will be Saturday, Nov. 13, 6-8 p.m. In a new solo exhibition at Quint Gallery's 7722 Girard space (formerly Quint ONE), Lee Materazzi shows a series of photographs of conceptual, performance-style sculptural pieces, obscured and disrupted by thick color blocks that force the eye to a particular bend, nook or cranny of a body — often painted in otherworldly colors — and the shapes created are almost unrecognizable as human, though sometimes hyper-recognizable and intimate. Materazzi's work is informed by performance artists of the '70s, and pushes color and meaning into quotidian settings and poses. On view through Dec. 11 with an opening reception Saturday, Nov. 13 from 6-8 p.m., correlating with the reception for Mara De Luca's exhibition at the main gallery across the street, "West Coast Paintings." —Julia Dixon Evans, KPBS From the artist: "Across walls, floors, rigid corners, in folds, bent over - looking for the space, the movement-moment where form changes its outline, existing as new, as is. Activating the body as a medium, choosing autonomy- play of objectification/ body politics/ female sexuality. Alongside color, composition, texture change, surface variation, contrast of shapes, angles, curves, spatial relationships, harmoniously awkwardly, off-kilter. Moving closer to a particular hue or movement - adding or taking away to compliment, contradict, question; slightly grayish-lilac shades following a hip, torn edges of smokey teal, emerald green found on the floor. The arrangements and acts are considered sculpturally, but exist only temporarily. And, when everything is exact - it changes. Building an elaborate environment only to break it down to what is essential. Yielding to the space, the process, the abstraction. A line that deviates, rolls over you, a wave." - Lee Materazzi Related links: Quint Gallery on Instagram Lee Materazzi on Instagram About the artist
  • The unemployment rate in San Diego County decreased to 6.9% in July, up from a revised 7% in June but still well below the year-ago estimate of 12.3% — according to figures released Friday by the state Employment Development Department.
  • A new comedy series created by Issa Rae taps into the complexities of being an aspiring female rapper in the age of social media.
  • From sexist professors and low self-esteem to worldwide acclaim, the Finnish composer talks about her path to success and her relentless pursuit of sound.
  • In one of the poorest rural regions of the country's poorest state, a Black entrepreneur is helping Black owned businesses open and thrive even during the pandemic.
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