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  • President Trump kicked off his second term with a dramatic crackdown on immigration. Critics call those moves cruel and unnecessary. But many of Trump's supporters are applauding these early steps.
  • La última propuesta presupuestaria del gobernador Newsom reduce la beca para la clase media a 100 millones de dólares. La Legislatura quiere aportar más de $900 millones para ello.
  • The data also highlights critical risks in other areas along the Guadalupe River in Kerr County, and nationwide as many Americans have a flood risk they are not aware of.
  • Join us for the public opening of the second "Reflections" Showcase! On view at the Gordon Gray Gallery from July 31 through August 24, the "Reflections" showcase features artwork by many of this year’s "Reflections" participants. This group of lifelong learners explored a variety of techniques and media, drawing inspiration from works in MCASD’s permanent collection and special exhibitions. About "Reflections" "Reflections" is an art-making workshop series designed for adults aged 55 and over. From August 2024 to July 2025, participants joined MCASD Educators to tour the galleries, engage in lively discussions, and create original artworks inspired by what they saw. The program fosters a welcoming space for critical thinking, learning, exploration, and creativity. "Reflections" is generously supported by the C.J. & Dot Stafford Memorial Trust, E.A. Michelson Philanthropy, and The Tippett Foundation. Museum of Contemporary Art San Diego on Facebook / Instagram
  • Stemming from Southern California, Jenny and the Tramps consists of hardworking musicians from the San Diego music scene. Starting out playing cover songs and entertaining fans for hours on end, they have now come together to write original material. Members consist of Jenny O’Henny and the brothers De La Rosa. Marrying elements of Soul and Funk , their influences range from Amy Winehouse to Stevie Wonder, the Beatles, and Wheeler Walker Jr. See More Events www.bardicmanagement.com/events
  • Join Justine of Jadiant Creations for a cozy and creative 2-hour fall wreath workshop! You’ll design your festive pumpkin-themed wreath using a charming autumn sign, a sturdy wreath base, rich seasonal ribbons, and premium deco mesh in warm fall hues. Jadiant Creations on Facebook / Instagram
  • Newsom's office did not provide further details on the proposal. It comes amid growing debate across the country over how to address the impacts of social media and smartphone usage, particularly on young people.
  • We invite people of good will to join us for a peaceful, positive, and creative demonstration of friendship across borders. We will affirm the values of peace, friendship, decency, and respect with our North American neighbors. Learn more about Friends Across Borders: https://www.friendsxborders.org/ Friends Across Borders on Facebook / Instagram
  • Nocturnal scenes of San Diego’s ubiquitous taco stands and a massive shipyard are the subjects of “Night Light,” an exhibit at The Photographer’s Eye Gallery that will feature fine art images by Philipp Scholz Rittermann and Marshall Williams. This free show will open May 10 and run through June 7. Rittermann and Williams are both accomplished San Diego artists, commercial photographers and teachers whose works have been shown at prominent venues locally, nationally and internationally. When Philipp Scholz Rittermann stepped into the metal shell that was to become the hull of the Exxon Valdez, he could not envision that he was documenting the first chapter of a future catastrophe. The year was 1985, and four years later the oil tanker would run aground in Prince William Sound, Alaska, bleeding its cargo of crude oil into the sea and etching the ship’s name into the log of notorious environmental disasters. Rittermann was a young man, recently arrived in the United States, when he landed an internship at the San Diego Museum of Photographic Arts, which led to his securing a pass to do night photography at the National Steel and Shipbuilding Co. (NASSCO) shipyard on San Diego Bay. The result is his collection, “Shipyard Nocturnes,” which will be shown at the nonprofit Photographer’s Eye Gallery. One of the featured images in the exhibit is Rittermann’s large black and white print shot inside the Exxon Valdez as it was being built. The work is remarkable for both its artistic appeal and what it came to signify. “I was standing inside one of the enormous holds and looking into this cavernous space that was the size of a cathedral on the inside, and an engineer walked by and I said, ‘So where are you putting the oil tanks?’ And he said, ‘You're looking at it.’ And I said, ‘Do you mean they go here?’ And he goes, ‘No, you're looking at it.’ “And I said, ‘Oh … this is the tank?’ And he goes, ‘Uh-huh,’ and walks away,” Rittermann said. “I thought, geez, what happens when you put a zipper in this?” Rittermann recalled, “and then four years later, that's exactly what happened.” Rittermann’s images stand as tributes both to industrial might and technology, and to the human fallibility that enabled such a disaster. “While the images haven’t changed since I made them,” Rittermann said, “the way I feel about them has.” Marshall Williams was inspired to create images of San Diego’s taco stands when he found himself waiting for a traffic light to turn green, and a neighborhood fixture caught his eye. “I was staring at the taco stand across the street when it illuminated and in that moment I was a bit startled by the transformation,” Williams said. “I saw this structure in a way I hadn't seen it before." “I came back to photograph it at the same time of the evening and from that point on I began to notice the different taco stands around town all shared many of the same elements, but no two seem to be the same,” he said. The result is “Taco Stand Vernacular,” a collection of images that captures the folk nature of one of San Diego’s most common fixtures — one so common that it is easily overlooked. Williams photographs them as day yields to night, and he produces his images in black and white. “As a photographer, we love that transitional moment between day and night when there is a balance and ‘best of both worlds’ from a lighting perspective,” he said. In daylight, these small structures are swallowed by their surroundings, he noted, “but in the early evening they are cloaked in a subdued ambiance and emitting their own light, exuding a sort of theatrical like presence.” “This has been an exercise in taking the commonplace and attempting to elevate it to an object of appreciation,” Williams said. “If taking the time to observe the details of a taco stand can change our view of it, what other details have we missed or left unappreciated in the hustle of our busy lives?” “Night Light” opens on May 10 and closes June 7. The gallery is open Fridays and Saturdays, from 11 a.m. to 5 p.m., and by appointment. There will be an artists’ walk-through on opening day at 4 p.m., followed by a reception at 5 p.m. Artists Rittermann and Williams will conduct a night photography walkabout on May 15. Consult The Photographer’s Eye website for details. Visit: https://www.thephotographerseyecollective.com/ and https://www.marshallwilliamsphotographs.com/taco-stand-vernacular The Photographer's Eye: A Creative Collective on Instagram
  • The festival runs through Sunday with screenings, panels and awards.
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