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As the U.S. and Mexico pursue $800 million in upgrades to wastewater facilities on the border, local officials are working on a smaller fix to improve conditions as soon as next year.

The documentary "Room to Move" follows choreographer and performer Jenn Freeman as she reframes her creative process to create an evening-length solo performance after an autism diagnosis at age 33.

Old rivals. New stakes. A World Cup final spot on the line. Argentina vs. England.

States failed to reach a Colorado River deal, so the feds are likely to impose a stopgap plan cutting California’s supply 10% through 2028. Worse than the cuts, though, is the uncertainty. Here’s what that means for California.

The thousands of unseen farmworkers who make our daily meals possible are the subject of an exhibit of work by artist Jimmy Dorantes, to be presented by The Photographer’s Eye in Escondido. "The Hands That Feed Us" will open on May 9 at the nonprofit gallery, with an artist’s visit and reception on opening day from 5 p.m. to 7 p.m., and will close on June 6. Dorantes has been photographing along the U.S.-Mexico border from a very young age, as his mother gave him his first camera at the age of three. His childhood home was on First Street in Calexico, directly across from the border fence, giving him a front-row seat on an ongoing social issue. Dorantes remembers border-crossers sleeping on the roof of his family home and hiding in a backyard tree to evade the Border Patrol. Dorantes is a visual storyteller who spent 25 years as a contract photojournalist for TIME magazine when it served as a major source for international news. "The Hands That Feed Us" is a personal homage to his roots, as Dorantes counted friends, neighbors and relatives among laborers working the fields. His mother’s family harvested crops in the Imperial Valley and traveled north during the Dust Bowl to find work. “It’s a very personal subject,” Dorantes said. “What I’ll be showing are pictures of migrant life, migrant workers sweating out in the fields like my mom would talk about. When I photograph the migrant workers, I’m kind of reliving the stories my mother shared with me.” One of Dorantes’ earliest portraits is of a 93-year-old farm worker he shot in 1974, when Dorantes was a 14-year-old high school student. “My friend, my high school buddy, said, ‘You have to take a picture of my grandfather. You’re not going to believe what he looks like,’” Dorantes recalled. The black and white image, "Mr. Nogales," shows nearly a century of field work in the man’s weathered face. Dorantes’ work has been shown at the Museum of Modern Art (MoMA), the California Museum of Photography in Riverside, and the Museum of Photographic Arts (MoPA) in San Diego. His book, “The Observant Eye,” received an honorable mention in the documentary books category in the 2025 International Photography Awards. The Photographer’s Eye Collective on Facebook / Instagram

Mizani, the San Diego Zoo Safari Park's 12-year-old male western lowland gorilla, had sinusitis and mastoiditis, an infection of the large bone behind the ear that can occur in both humans and gorillas.

Hangar 76 OMA Artist Alliance members and their guests are invited to gather each month for a lively social meetup hosted in San Diego and North County. These informal get-togethers offer a relaxed opportunity to connect with fellow artists, share ideas, and build community while exploring a range of hotspots across the region. Whether you’re catching up with familiar faces or meeting someone new, each gathering encourages conversation, collaboration, and camaraderie within the Artist Alliance network. This is a no-host event, attendees are welcome to purchase their own food and beverages. Ticket Prices: Artist Alliance Member: Free Oceanside Museum of Art on Facebook / Instagram

With just months until the midterms, President Trump relieved the remaining members of the U.S. Election Assistance Commission, a move condemned by Democrats and voting rights advocates.

The U.S. military has launched new strikes against Iran. The strikes began early Wednesday, hours after three merchant ships were struck in the Strait of Hormuz.

It's often a derogatory term used to describe digital dinosaurs and technophobes. That wasn't always the case. NPR's Word of the Week looks back at the not so backwards-looking Luddites.