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  • As music director of the Baltimore Symphony Orchestra, Heyward is the youngest to lead a major American orchestra and the first Black music director in the organization’s 107-year history.
  • Les Girls Theater scored a victory in the censorship battle but that only intensified an escalating war with the police who found new ways to harass dancers at Les Girls and other clubs.
  • "This is everywhere. Every community, every town, every state," one of the suspect's neighbors said. "It's going to be everybody's neighbor, everybody's classmate. It's not at all unusual anymore."
  • Date: May 18, 2023 Time: 5 p.m. - 8 p.m. Location: UC San Diego Atkinson Hall Host: Shahrokh Yadegari Agenda: 5 p.m. Performance in Atkinson Hall's auditorium 6 p.m. Atkinson Hall pre-function area/courtyard for reception RSVP to ideasqi@ucsd.edu by noon, May 18. The Qualcomm Institute’s (QI) IDEAS series presents “Pigments of Imagination,” an interactive virtual reality experience that frames the creative process as a narrative relating the inner-workings of one’s unique imagination to the universe around us. It is an observation on the beauty, fear, adventure, sadness and loneliness of self-discovery and the artist’s ultimate recognition of process as goal, as told through the story of a small child’s journey to the moon. The installation is designed to reimagine the popular music video in a virtual space as a dynamic, emotionally engaging experience by exploring distinctive relationships between spatialization, audiovisual reactivity and interactivity, which allow for a narrative immersion that maintains a structured arc and conclusion but unique experience with each use. This piece features musical contributions from UC San Diego Music’s King Britt, Steph Richards and Zach Konick, and vocalist Nick Tolford. Singular virtual reality experiences will be offered in addition to the general presentation. Bios: Timothy Gmeiner is a San Diego, California-based interdisciplinary artist and music producer. He has toured internationally under the name “Ill Poetic” and garnered public acclaim for his releases from artists and publications such as Rolling Stone, Pitchfork and Portishead. Through his company SoundRzn Design, he has provided audio and visual services for artists, universities and companies of various industries including the San Diego Symphony, OWN and HBO. He has worked as the Assistant Director at QI’s Audio Spatialization Lab and is currently enrolled in UC San Diego’s Computer Music Ph.D. program, where he focuses on audiovisual relationships in virtual and physical spaces. Current projects and collaborations focus on spatialized and interactive compositions in virtual reality, audiovisual live performance and large-scale real-time reactive installations. Eito Murakami is a master’s student at the Center for Computer Research in Music and Acoustics (CCRMA) at Stanford University. He graduated from UC San Diego with bachelor’s degrees in Interdisciplinary Computing and the Arts Music (ICAM) and Political Science/International Relations. Murakami is an electronic composer, performer, sound designer and virtual reality developer. By combining his classical music training with proficiency in audio and graphics software, he creates digital interfaces and instruments that promote intuitive musical performance. Specifically, he specializes in Unreal Engine to develop audiovisual infrastructure that allows multiplayer interactions in virtual 3D environments. Murakami is a former member of the Sonic Arts Research and Development group at QI.
  • In a workshop in an infamous refugee camp in Beirut, Palestinian women practice an ancient art form — as a livelihood, and also as therapy. The designs come from a homeland most have never seen.
  • The world's highest concentration of data centers is in Virginia. Many residents are not happy about that.
  • Opening Day events will include many of the traditional affairs, such as the hat contest in the Plaza de Mexico.
  • With empathy and intuition, advice columnist Sugar exemplifies the lost art of listening and healing. New York Times critic’s pick, "Tiny Beautiful Things" opens our eyes to the tiny moments when the world surprises us with care. “A theatrical hug in turbulent times” (Variety) Trigger Warning This play contains discussions of abuse, addiction, and complex family dynamics. Viewer discretion is advised, as the content may be emotionally challenging for some. Visit: scrippsranchtheatre.org/showtickets/ Scripps Ranch Theater on Instagram and Facebook
  • Candlelight concerts bring the magic of a live, multi-sensory musical experience to awe-inspiring locations like never seen before in San Diego. Get your tickets now to discover the best of metal at Adams Avenue Theater under the gentle glow of candlelight. General Info: - Duration: 60 minutes (doors open 60 mins prior to the start time and late entry is not permitted) - Age requirement: 8 years old or older. Anyone under the age of 16 must be accompanied by an adult - Accessibility: this venue is ADA compliant - Seating is assigned on a first come first served basis in each zone Tentative Program: Back in Black - AC/DC Master of Puppets - Metallica Paranoid - Black Sabbath Fear of the Dark - Iron Maiden Kashmir - Led Zeppelin Toxicity - System of a Down Chop Suey! - System of a Down Angel - Judas Priest Still Loving You - Scorpions Hurricane - Scorpions Killing in the Name - Rage Against the Machine Immigrant's Song - Led Zeppelin Smoke on the Water - Deep Purple Nothing Else Matters - Metallica Performers: String Quartet - Range Ensemble For more information visit: feverup.com
  • Nearly 200 people have already applied. For some, it could mean life-changing access to San Diego’s restricted and lucrative cannabis industry.
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