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  • A local chef answers Thanksgiving cooking questions.
  • The 400 Years Project is a pictorial collection of Native American life. It addresses colonization while centering the Native voice.
  • For this live online discussion, the Museum of Making Music welcomes three artists whose music is primarily founded upon the acoustic guitar. Cameron Knowler, Yasmin Williams, and Eli Winter join us for a roundtable discussion about their instrument of choice, their connection to it, and how it has influenced their lives and careers. Cameron Knowler: Cameron is multi-instrumentalist, educator, and recording artist who specializes in jazz, bluegrass and old time music forms. He has established himself as an accompanist, collaborator and solo artist, with a parallel focus on sharing his craft with others. His teaching methods are tailored to the aspirations of the student, methods which are rooted in practicality, theory, and intuition. Knowler holds a degree in jazz guitar performance from the University of Houston’s Moores School of Music, yet enjoys resisting the chokehold of normativism. He is based out of Los Angeles, California. Yasmin Williams: Yasmin is an acoustic fingerstyle guitarist with an unorthodox, modern style of playing. Her music has been commonly described as refreshing, relaxing, and unique and has been called some of the most imaginative guitar music out today. She utilizes various techniques including alternate tunings, percussive hits, and lap tapping in her music to great effect. She has won various local talent shows, was a finalist in the Rolling Stones Young Gun guitar competition, was the Grand prize winner of New York University's Ultra Violet Live talent show, and won the Gold Prize in the Instrumental category of the Mid-Atlantic Song Contest. She has been featured on several radio and television programs including New Sounds "Soundcheck" Podcast, NPR's "Weekend Edition Saturday show," "NPR Night Owl," "NPR All Songs Considered," "Woodsongs Old Time Radio Hour," and WUSA9, along with high profile magazine features such as Acoustic Guitar Magazine and Vintage Guitar Magazine. Eli Winter A self-taught guitarist and native Houstonian, Winter has been praised as a "generational talent" (NYCTaper) for his masterful instrumental music, which has received praise from Pitchfork, The Guardian, the Chicago Reader, the Sydney Morning Herald and others. On the strength of his first album, "The Time To Come," The Guardian featured him as an artist to watch for 2020. Winter has performed at Constellation, Hopscotch Music Festival, the Starlight Theater and Logan Center for the Arts, among many others. Winter received the David Blair McLaughlin Prize in Nonfiction from the University of Chicago. His essays and criticism have been published in The Economist, Texas Highways, the Brooklyn Rail, Chicago, Expressionless Objects and elsewhere. He is a 2021 Luminarts Fellow in Creative Writing. Museum of Making Music is on Facebook
  • Noah increasingly looked like a performer who was growing beyond the grind of a late-night Comedy Central show. If he doesn't find a new perch in the genre, the industry will be all the worse for it.
  • Laboe is credited with inventing the "oldies, but goodies" phrase, as well as with helping end segregation in Southern California by organizing live DJ shows that attracted a diverse audience.
  • Dr. Jeanne Marrazzo, a professor at the University of Alabama at Birmingham, will lead NIH's infectious diseases institute. Colleagues say she has a wide breadth of knowledge and a joyful demeanor.
  • Project [BLANK], San Diego’s most innovative interdisciplinary music organization, will team up with Nick Lesley of Space Time for a concert of "illuminated music" featuring various methods of real-time image and sound manipulation. Central to the program is a screening of Studies by pioneering video artists Steina and Woody Vasulka. The concert will feature live musical performances and other video works that take inspiration from the Vasulkas’ early experiments in electronic image-making. As the next installment of Project [BLANK]’s Salty Series, "SPACE TIME ART" is curated by local musician and media artist Nick Lesley and features live performances by Helixhand and Kevin Schwenkler. The program will begin with a screening of Steina and Woody Vasulka’s rarely-seen, Studies, a series of evocative short films created in 1970 and 1971 that employ the couple’s early experiments in digital and analog processing. Following the screening, multimedia artist Helixhand (Ash Capachione) will perform a live audio-visual piece using digital film, machine generated imagery, and animation in cobination with improvised sound loops and found audio samples. Musician and composer Kevin Schwenkler will follow with a musical exploration of a series of still images featuring live electronics and audio-modulated processing. In addition to the live performances, TV screens around the space will display electronic media works spanning several decades. Stay Social! Facebook & Instagram
  • Eight families fled the war and traveled 5,000 miles to Brazil to live in a town settled by Ukrainians over a century ago. The language and customs — and kindnesses — have eased their transition.
  • If you need an excuse to go out to dinner, this paleontological discovery might be it.
  • A recent visit to Afghanistan showed a country facing an economic crisis. The banking system has seized up. Credit cards aren't working. Afghans abroad struggle to send money to relatives back home.
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