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  • USTA Billie Jean King Girls’ 16s & 18s National Championships Scheduled for August 3 - 11, 2024 at San Diego’s Barnes Tennis Center National Tennis Tournament to Feature Top Junior Players From Across the United States Nearly 400 of the top junior tennis players in the country, aged 16 and 18 and under, will compete for the title of National Champion. In addition, the following wild cards to the 2024 US Open at the USTA Billie Jean King National Tennis Center in Flushing, N.Y., will be awarded to the tournament’s top finishers: 18s Singles Champion – US Open Main Draw Singles and US Open Juniors Main Draw Singles 18s Doubles Champions – US Open Main Draw Doubles and US Open Juniors Main Draw Doubles (required to play with same partner) 18s Singles Finalist – US Open Qualifying Singles and US Open Juniors Main Draw Singles 18s Singles 3rd place – US Open Juniors Main Draw Singles 18s Singles 4th place – US Open Juniors Qualifying Singles 18s Singles 5th place – US Open Juniors Qualifying Singles 16s Singles Champion – US Open Juniors Main Draw Singles The Girls’ 16s event will begin on Saturday, August 3 and conclude with the singles and doubles championships on Saturday, August 10. The Girls’ 18s tournament will get underway on Sunday, August 4 and conclude with the singles and doubles championships on Sunday, August 11. Both divisions feature 192-player singles draws and 96-team doubles draws. The Opening Ceremony for the USTA Billie Jean King Girls’ 16s and 18s National Championships will take place at the Barnes Tennis Center on Saturday, August 3 at 4:30 p.m. (PDT). Admission is free each day of the tournament and there is no charge for parking at the Barnes Tennis Center. For more information visit: ustagirlsnationals.com
  • Join us on Friday, July 26 at Normal Heights United as Songwriter Sanctuary continues a stellar summer lineup featuring the finest songwriters in San Diego. This month, Aaron Bowen, Angel René Wilson, and Francis Blume will share original music performed in a Nashville-style round hosted by the legendary Jeff Berkley. A full-time honors English major and law student at San Diego Mesa College, Angel René Wilson balances rigorous academics with his roles as a performer, writer, and founder of MARTYR, a local music and arts production company. He is currently working on his debut album, a book, and a short film, all set for release in 2025, while planning to transfer to UCLA in the fall. Aaron Bowen, a Southern California native, blends acoustic jazz and folk with a European flair, evoking Django Reinhardt and Paul Simon. With four generations of musicians in his family, Aaron's decade-long career as a songwriter and producer has flourished. Besides performing and producing, he builds unique electric guitars, inspired by his mentor at High Spirit Guitars in San Diego. Aaron's mission is to create and share authentic music and instruments, inspiring others to be true to themselves. Francis Blume, a singer/songwriter from Vista, CA, crafts a vintage sound that transports listeners to a nostalgic era. Drawing inspiration from icons like Roy Orbison and Elvis, his music blends heartfelt emotion with the charm of the 1950s and 60s. Known for his crooning style and evocative performances, Blume captures the essence of a bygone time, offering a refreshing and timeless musical experience. Time: Doors at 6:30 p.m., Show at 7:00 p.m. Suggested Donation: $10 (all ages) but please be generous in your support of these top tier talents whose creative work is their livelihood. All donations go to artists. No one turned away for lack of funds. Food/Drink: Concession snacks and beverages (with and without) are available for small purchase, thanks to our partners Normal Heights United and our sponsors at Duck Foot Brewing Company and Flying Embers. Attendees are welcome to bring their own food into the sanctuary - we recommend grabbing takeout from one of the many amazing restaurants on Adams Ave! (Please respect the space and dispose of all waste/recycling upon conclusion of the concert). Accessibility: Please direct any venue accessibility requests to Molly Lorden molly@nhunited.org. Masks are not required but welcome. If you are ill/contagious, please stay home for the safety of others. For more information visit: lindsaywhitemusic.com
  • Triggered by a 9.1 magnitude earthquake off the coast of the Indonesian island of Sumatra, the catastrophic event was the deadliest tsunami in recorded history.
  • Etiquette experts weigh in on what to do with that ugly sweater you got for the holidays.
  • Pop culture critic Linda Holmes has been making this annual list since 2010. Big, small, inspirational, silly — what these items have in common is that they are all wonderful and brought her joy.
  • In this lecture, Kara Cooney will discuss her latest book, Recycling for Death, a meticulous study of the social, economic, and religious significance of coffin reuse during the Ramesside and early 3rd Intermediate periods. Funerary datasets are the chief source of social history in Egyptology, and the numerous tombs, coffins, Books of the Dead, and mummies of the 20th and 21st Dynasties have not been fully utilized as social documents, mostly because the data of this period is scattered and difficult to synthesize. This lecture is the culmination of 15 years of coffin study, analyzing coffins and other funerary equipment of elites from the 19th to the 22nd Dynasties to provide essential windows into social strategies and adaptations employed during the Bronze Age collapse and subsequent Iron Age reconsolidation. About the Presenter: Kara Cooney is a professor of Egyptology at UCLA and Chair of the Department of Near Eastern Languages and Cultures. Specializing in social history, gender studies, and economies in the ancient world, she received her Ph.D. in Egyptology from Johns Hopkins University. Cost: Pay what you wish Visit: Living Room Lecture San Diego Archeological Center on Instagram and Facebook
  • An Israeli strike killed five Palestinian journalists outside a hospital in the Gaza Strip overnight, according to the Health Ministry. The Israeli military said it had targeted a group of militants.
  • Sidro Saturday is BACK! Join us on July 20th, 12 p.m. - 4 p.m. for our summer edition - at El Salon Theatre and The Front Arte Cultura Gallery! Enjoy more local vendors, food, theatre performances, and ✨more✨ Free entrance. All ages. Visit: Sidro Saturday
  • Attention loyal Warriors fans! Celebrate Erin Hunter's The Warriors series with us! We will have fun activities, giveaways, and an opportunity to win a prize. If you love the beloved young readers series, you won't want to miss this meetup. We look forward to seeing you there! =^.^= If you have any questions, please contact the store at 619-220-0175. Visit: https://stores.barnesandnoble.com/store/1978
  • One of the predecessors of American folk music is European music from the Renaissance era, roughly the fifteenth and sixteenth centuries. Courtly Noyse brings that music to life, complete with period repertoire, costumes, and instruments, some of which you will recognize as the grandparents of our guitars, violins, and dulcimers. This will be an intimate concert with little or no amplification. Courtly Noyse plays recorders, viola da gamba, vielle, krummhorns, cornamuse, cornetti, shawms, sacbuts, Renaissance guitar, chalumeau, hurdy gurdy, bowed psaltery, mandolin, gemshorns, rackett, and various percussion instruments (and this list is constantly growing!). They may also cast their instruments aside at the drop of a (Tudor) hat, and burst into five-part vocal harmony. Jay Sacks plays recorder, cornetto, shawm, krummhorn, chalumeau, gemshorn, cavaquihno, cornamuse, percussion, and sings tenor. He has played with the Los Angeles Junior Philharmonic Orchestra, the UCLA Symphonic Band, the UCSD Wind Ensemble, the Merrye Windes, and The Westwynde Consort. He has sung with the La Jolla Symphony Chorus, the San Diego Master Chorale, Musique Classique, Schola Pacifica, and Full Measure Carolers. He presently plays with The San Diego Jazz Big Band and The Kearny Mesa Concert Band. Sandra Stram plays viola da gamba, vielle, recorder, and krummhorn, and sings soprano. She retired after thirty-four years teaching strings and recorder in San Diego County public schools. She still works as an adjudicator and clinician for SCSBOA, MENC, and Festivals of Music. Sandra holds a MM degree in viol performance, and also plays Baroque violin in Kensington Baroque Orchestra. She has served on the Board of the San Diego Early Music Society and frequently performed for the their “Old Master” concert series. While continuing to play violin and viola with local Baroque chamber groups, she also plays fiddle with the bands Billy Lee and the Gulf Coasters and The Wild Oats. Vickie Jenkins plays recorder, cornamuse, krummhorn, harpsichord, percussion, gemshorn, and sings. She teaches music at The Child’s Primary School and Gateways Summer School, and taught piano lessons for fifty years. During the holiday season, she sang with Full Measure Carolers. Vickie has performed with ensembles at San Diego Mesa College, Scripps College, and SDSU, and has a music degree from Scripps College. Other former groups include Pacific Camerata, Madonna Non Papa, Melismata, Las Voces, and Schola Cantorum. Laury Flora started his musical career with piano lessons at age five. He went on to study French horn and other brass, guitar, and violin. He has performed vocally with various choirs and madrigal groups, and founded several barbershop quartets. In addition to singing, he plays recorder, krummhorn, rackett, psaltery, gemshorn, sacbut, lute, and cornetto. He sings with the La Jolla Renaissance Singers, and has sung with Full Measure Carolers, an a cappella ensemble which performs holiday music in San Diego and Orange Counties. Laury built the krummhorns, psaltery, and rackett that Courtly Noyse plays. Lissette Ryan is a mezzo soprano who plays the harp, cittern, guitar, harpsichord, recorder, crumhorn, and hurdy gurdy. She teaches music in Alpine, finding immense joy in encouraging young musicians. You can also find her regularly performing with the Storytellers of San Diego, where she pairs harp with traditional storytelling, and with the duo String and Wheel. Cathe Sobke holds degrees in music composition and music theory from SDSU. She grew up playing piano, clarinet, and guitar, and was introduced to early music during graduate studies about twenty-five years ago. Recently retired from teaching at Southwestern College, she continues to teach privately and enjoys performing in many early music groups including The Goliards, as well as Kensington Baroque Orchestra, Dolce Dolore, The Granada Consort, Musica Nova Anitiqua, and Ensemble Lonato. Visit: www.courtlynoyse.com
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