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  • Reporters for NPR traveled across North and South Dakota to see the challenges older adults in rural areas face when they need medical care — and to see what it's like for the people trying to help.
  • Polymer80 sold component kits that are easily assembled into working handguns that couldn't be traced. Regulatory pressure and lawsuits appear to have shut it down — but the Supreme Court may still rescue the business.
  • We expect this concert to sell out. We recommend buying your tickets now. Tom Paxton has become a voice of his generation, addressing issues of injustice and inhumanity, laying bare the absurdities of modern culture, and celebrating the tenderest bonds of family, friends, and community. In describing Tom Paxton’s influence on his fellow musicians, Pete Seeger once said, “Tom’s songs have a way of sneaking up on you. You find yourself humming them, whistling them, and singing a verse to a friend.” Tom has been an integral part of the songwriting and folk music community since the early 1960s Greenwich Village scene, and continues to be a primary influence on today’s “New Folk” performers. The Chicago native came to New York via Oklahoma, which he considers to be his home state. Brought to New York courtesy of the U.S. Army, Tom remained there following his discharge. His early success in Greenwich Village coffeehouses, such as The Gaslight and The Bitter End, led to an ever-increasing circle of work. Then, in 1965, he made his first tour of the United Kingdom — the beginning of a still-thriving professional relationship that has included at least one tour in each of the succeeding years. Tom has performed thousands of concerts around the world. That these fans still enjoy his work is a testament to the quality of his recent work, and to the enduring power of modern standards like "The Last Thing On My Mind," "Ramblin’ Boy," "Bottle Of Wine," "Whose Garden Was This?," "Goin’ To The Zoo," and "The Marvelous Toy." Tom’s songbooks, critically acclaimed children’s books, award-winning children’s recordings, and a catalog of hundreds of songs (also recorded by many renowned artists including Willie Nelson, Placido Domingo, Paul Simon, Townes Van Zandt, and Tiny Tim), all serve to document Tom’s sixty-year career. Tom received a 2009 Lifetime Achievement Award from the Recording Academy during the 51st Annual GRAMMY® Awards. He has received the Lifetime Achievement Award from ASCAP, and a Lifetime Achievement Award from the BBC in London. Tom Paxton’s place in folk music is secured not just by hit records and awards, but by the admiration of three generations of fellow musicians. An internationally recognized and loved cultural figure, he has always chosen goodwill over commercial success. This is the man who wrote and lives the words, “Peace will come, and let it begin with me.” By their name you might assume that the Don Juans rely merely on their good looks. However, you will be impressed to know that the group includes two GRAMMY® Award-winning songwriters, Don Henry and Jon Vesner. Their song, "Where’ve You Been" (recorded by Kathy Mattea) was the first song in country music history to sweep all major song of the year honors including the GRAMMY®, ACM®, CMA, and the Nashville Songwriter’s Association International (NSAI) awards. In the nearly 25 years since, Don and Jon have performed in venues from the Bottom Line in New York City to the Bluebird Café in Nashville, sharing stages with artists as diverse as Joey Ramone, John Hartford, Michael Johnson, and David Crosby. Their songs have been recorded by a multitude of artists including Janis Ian, Ray Charles, John Mellencamp, and Miranda Lambert to name a few. Working as a duo, the Don Juans bring an impressive array of songs, experience, and gifted musicianship. The DonJuans on Facebook / Instagram
  • Child care has long been seen as a problem for mothers to solve. Now employers see it's their issue too. In Alabama, a carmaker is working with a tech company to help employees find and pay for care.
  • Police have notified the state Department of Fish and Wildlife of the presence of a cougar in the city, police said.
  • The rapper Snoop Dogg has been taking criticism for performing at one of President Trump's pre-inauguration events over the weekend.
  • BEST PRACTICE is proud to present Belly, an exhibition of new paintings and sculptures by Los Angeles-based artist Aaron Douglas Estrada. Belly examines the metaphorical expression “belly of the beast,” a phrase used throughout history for being in the heart of a challenging situation. The work explores identity, the dynamics of commodities, and navigating through life’s everyday struggles. Each artwork becomes a repository for acts of decolonization and a testament to self-preservation rituals. It serves as an archive for memories, with the intent to both honor and question. This exhibition contains a diverse array of materials, sounds, and paintings. These include chandelier webs crafted from chains, hand-painted subwoofer music boxes that serve as veladoras (candles) filled with bouncing beans accompanied by audio clips. The sculptural works incorporate salvaged materials from random encounters and gifts from loved ones. The paintings are transformed from drop cloth canvas into serged tapestries that reference Indigenous textiles and cobijas. These materials allude to the intricate nature of identity and its challenges within a consumption-driven economy. This intricacy forms a web of socioeconomic factors that ultimately shape the very essence of our being. What does it mean to confront adversity, honor heritage, and exist in a world both challenging and beautiful? Aaron Douglas Estrada is an artist whose work explores the relationship between the body and its surroundings, moments of play, and the process of decolonization. As a first-generation Salvadorian native of Los Angeles, he draws inspiration from his upbringing in the city and his interactions with diverse cultures and lifestyles. Through his artistic practice, he documents the materials he encounters and captures the energy embedded within them, reflecting on collective memories and everyday life. His work serves as an archive for these memories, incorporating songs, sayings, and cultural symbols that carry multi-layered histories into his sculptures, paintings, murals, public artworks, and installations. Related links: Best Practice: website | Instagram Aaron Estrada: website | Instagram
  • As part of our series on "the Science of Siblings," we looked at how some brothers and sisters are best friends. Here are some of the stories you shared of close ties with siblings.
  • "Pásale Pásale" Written by Mario Vega / Music and Lyrics by: Eliza Vedar Conceived and Directed by: Maria Patrice Amon Set against the backdrop of the bustling Rive Swap Meet, "Pásale Pásale" transports audiences into a vibrant world where laughter, music, and solidarity reign supreme. When Señor Muchacosas decides to raise vendors' fees, a wave of anxiety sweeps through those already struggling to make ends meet. However, amidst the uncertainty, audiences become active participants in the journey towards self-determination, standing in solidarity with the vendors as they navigate the challenges ahead. Written by Mario Vega, with captivating music and lyrics by Eliza Vedar, and concept by Maria Patrice Amon, "Pásale Pásale" unfolds as a celebration of community, resilience, and the power of unity. Through infectious laughter, soul-stirring music, and heartfelt moments, the production invites audiences to witness the strength that emerges when communities come together in the face of adversity. Don't miss your chance to be part of this unforgettable theatrical experience. Performances of "Pásale Pásale" will take place at Bayfront Charter High School. Tickets are priced between $25 and $39. For complete showtimes, go here. Additional performances June 27-30 will be held at National City Chamber of Commerce, 901 National City Blvd.
  • Each year, families have to prove Medi-Cal eligibility or risk losing coverage. A San Diego assemblymember wants to take that burden away from families.
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