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  • Full of rhythmic drive and blues, this 60-minute program of violin-piano works explores how American and French composers were inspired by American jazz and musical friendships and includes William Bolcom’s Sonata No. 2, Maurice Ravel’s Sonata No. 2, Amy Beach’s "Romance," and John Corigliano’s Sonata. About Alicia Choi: Acclaimed for her “technical flair and gleaming tone” (The Berkshire Eagle) and for “possessing a big sound and a warm tone” (TwinCities.com), violinist Alicia Choi is an engaging and passionate performer. Her current season includes performances as Guest Concertmaster of the Kingston Symphony, concerts at the Chapelle Historique du Bon-Pasteur, the Festival de Lanaudière, and the Salle Bourgie Musée des Beaux-arts de Montréal, as well as concerts across Québec. Past performances include concerts in the Dame Myra Hess Memorial Concert Series, Indiana University's Jacobs School of Music Faculty Recitals, the New Brunswick Summer Music Festival, and the Thy Chamber Music Festival. Her solos with orchestra include performances with the Atlantic Music Festival, the Berkshire Symphony, and the Queens Symphony Orchestra under conductors Ronald Feldman, Constantine Kitsopoulos, and Julian Kuerti. Choi has previously served as an artistic director and faculty of the inaugural Harlaxton Chamber Music Festival in Grantham England, as well as performing and teaching faculty at the University of Florida ChamberFest, the University of North Carolina Chapel Hill Chamber Music Workshop, and Camp Musical Père Lindsay in Saint-Côme, Québec. From 2013 to 2017, Choi was Artist-in-Residence Faculty of the University of Evansville, Associate Concertmaster of the Evansville Philharmonic Orchestra, and a member of the Larchmere String Quartet. As a member of the LSQ, Alicia has toured and taught in various North American cities and institutions; performed at the Accademia Chigiana in Siena, Italy; won the Evansville Mayor’s Arts Ensemble Award; and released the first commercial recording of the Stephan Krehl String Quartet, op. 17 and Clarinet Quintet, op. 19 with clarinetist Wonkak Kim on the Naxos label. A graduate of Williams College and The Juilliard School, Alicia holds a Doctor of Music in violin performance from McGill University Schulich School of Music, where she has been an Instructor of Chamber Music since 2017. About Futaba Niekawa: Known for her verve and sensitivity, Niekawa pushes the boundaries of her artistry as a versatile pianist, chamber musician, and mentor across genres and disciplines. She has performed throughout the United States, Canada, England, Spain, Taiwan, and her native Japan. To date, she has released five recordings encompassing solo, four-hands, duo, and chamber music from classical to newly composed works. In demand as a collaborative pianist, Niekawa has performed with Atar Arad, James Campbell, Charles Castleman, and members of the Metropolitan Opera Orchestra and Chicago Symphony Orchestra, among others. She has been engaged as a collaborative pianist at the Banff Centre, New England Conservatory, Boston Ballet School, Meadowmount School of Music, the IU Summer String Academy, and the Perlman Music Program. Niekawa is currently a Lecturer in Chamber and Collaborative Music at Indiana University’s Jacobs School of Music. She earned her Doctorate of Musical Arts degree from the Eastman School of Music. In addition to her Sonata Seminar, her dedication to pedagogy and mentoring is shown through her appearances as a guest teacher at universities across North America, as a performer and presenter at the Regina Chamber Music Festival and Dream Big: Music Out of Bounds conference, and as an adjudicator for the National Society of Arts and Letters. Most recently, Niekawa has been a founding member of Chamberfest Brown County, a community music outreach initiative for the local area.
  • From the gallery: Quint Gallery presents a group exhibition of new sculptural work by Adam Belt, Christopher Puzio, and Chris Thorson. In these new sculptures, Belt, Puzio, and Thorson each concentrate material into essential compositions and forms, engaging in dialogue around labor-intensive process and fabrication. Some of these sculptures activate the space through the use of shape and shadow, while others activate an awareness of the light in the space in which they are exhibited. The exhibition will be on view from Aug. 6 to Sept. 17. There will be a conversation with the artists on Saturday, Aug. 13 from 5-6 p.m. moderated by Jacqueline Marino, followed by a reception. About the artists: Adam Belt’s practice has developed around perception within the scope of scientific revelation and natural phenomena through sculpture, site-specific installation, drawing, and painting. His newest series, Phase Forms, is a distillation of material and form into an essential mass removed from symbolism. The addition of white pigment to layers of polyurethane resin becomes akin to painting in three dimensions, and produces varying degrees of opacity, translucency, and transparency. Each block responds uniquely to changing light conditions, at times appearing weightless and transitory in a given space. Christopher Puzio’s wall sculptures reflect a shift in scale from a background of working in public sculpture and architectural intervention, but a continuation of interest in the way material and nature organizes itself into patterns. In these wall works, Puzio bead-blasts stainless steel to create a non-reflective effect which repels corrosion and absorbs light. Components of similar shape and varying size are welded together to divide space in a given form, reminiscent of mid-century modern breezeblocks which blended design with function. Shadows of repetitive patterns form on the wall, permitting the surface on which it is hung to become an extension of the sculpture. Chris Thorson’s Projectiles and Blunt Instruments distill common consumer products into solid cast bronze sculptures that shift in potential purpose. Sunscreen bottles, mouthwash, Neosporin: commercial items which are sold to protect, may now be a threat due to their substantial weight. In these works, function is displaced and is only recognizable through form. A departure from her body of work that hinges upon verisimilitude, these surfaces are oxidized through polish and patina, recording varying levels of corrosion and distress that are unnatural to their original container of glass or plastic. Related links: Quint Gallery on Instagram Quint Gallery visiting information
  • San Diego Gas and Electric shareholders launched their annual matching fund campaign to help teachers pay for classroom projects.
  • God of War Ragnarök's story, setting, and characters inspire just as much awe as its 2018 predecessor did, even as the game undercuts its grand scale with aggravating design decisions.
  • Dry, mild weather was predicted for San Diego County Monday.
  • Some winter weather has made its way to San Diego, bringing wind, rain and snow to parts of the region.
  • The first postseason game at Petco Park with fans since 2006 will be played Friday with the San Diego Padres and Los Angeles Dodgers.
  • Saturdays, March 23 - April 27, 2024 at 11 p.m. on KPBS TV / Stream Seasons 1 - 4 now with KPBS Passport! Luna Kunath is strong-willed but her penchant for naivety gets her into trouble. Sophie Pohlmann seems more mature, but her desire for harmony and fairness can be her weakness. From Walter Presents, in German with English subtitles.
  • Rich Osthoff told NPR that Santos — who went by Anthony Devolder — set up a GoFundMe campaign to raise money for the veteran's dog in 2016. Santos never delivered the cash. The dog died months later.
  • A game cast, solid jokes and a refreshingly light touch when it comes to adapting the deep lore of the beloved tabletop role-playing game make for a breezily fun film for Nerd and Normal alike.
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