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  • "The Tiny Exhibition" is a unique, one-day public art event at Liberty Station Arts Districts' First Fridays on June 5, 2026. This event presents a powerful collaboration between contemporary artist Lisa Bryson, Tiny Home Central, Piccola Tiny Homes and the non-profit The Warrior Village Project. Featuring a collection of meticulously crafted oil paintings, many are of a jewel-like size, on display inside a Piccola Tiny Home as art gallery organized by Tiny Home Central. A portion of the proceeds will benefit The Warrior Village Projects’ tiny home build program. The exhibition explores themes of scale, luxury, and sustainability, challenging the notion that size dictates value—in both art and living spaces. This event creates a poignant link between the site's legacy of military service and the project's contemporary mission, offering a compelling cultural experience while directly supporting a vital community cause. 10% of all art sales will benefit The Warrior Village Project's mission to house homeless veterans. Visit: https://tinyhomecentral.org/upcoming Tiny Home Central on Facebook / Instagram
  • San Diego native Andy Acosta stars in San Diego Opera's production of "Fellow Travelers," an acclaimed opera exploring love, identity and the Lavender Scare.
  • The Photographer’s Eye Gallery will present “Field Notes,” a collection of works by Oriana Poindexter, a marine scientist and photographer who creates images from kelp and other sea specimens she draws from the ocean. “I started photographing underwater with a 35-millimeter film camera,” Poindexter said. “Initially I was excited about what I was getting, but what I was really missing was what had originally gotten me interested in photography, which was the tactile printmaking process and the way you could translate an image from nature into this physical object.” Poindexter has a B.A. from Princeton University in Visual Arts and an M.A.S. from Scripps Institution of Oceanography at UCSD in Marine Biodiversity & Conservation, so it was natural for her to blend these two disciplines. After experiencing frustration with her attempts with negative film, Poindexter turned to the cyanotype process. Poindexter creates her art by laying marine objects like kelp on light-sensitive paper and exposing them to the sun. This creates an impression of the object on the paper, like a shadow, resulting in a cyanotype. Cyanotypes typically have a blue hue but can display a different color depending on the chemical used to treat the paper. “Once I realized I could do direct contact printing with materials I pulled out of the water, I could use that and combine all the things I had found exciting, like going out and searching and collecting, and then making these hand based physical objects that were able to translate both the scale and the detail of the giant kelp,” she said. Some of Poindexter’s prints are 17 feet long, which are created on fabric, such as silk or canvas. The longest image for The Photographer’s Eye exhibit is 80 inches. Poindexter, who lives in San Diego, has been camping and diving at Catalina Island for fifteen years, and much of her work springs from those waters. Also represented in “Field Notes” are works created during a summer immersed in Oregon’s coastal ecosystems. Poindexter’s photography has been featured in The Smithsonian magazine, The New York Times and The Wall Street Journal, and has been shown at Laguna Art Museum, Oceanside Museum of Art, and Center for Fine Art Photography. Poindexter will present an artist talk at the gallery on July 11, at 4 p.m., which will be followed immediately by a reception. She will conduct a workshop on making cyanotypes on July 12, from 10 a.m. to 2 p.m. For information and to sign up, contact the gallery at 760-522-2170. The Photographer’s Eye Collective on Facebook / Instagram
  • "Stories in Cloth: Communicating Through Textiles" is an exhibition presented by the La Jolla Historical Society in partnership with the Visions Museum of Textile Art. The show explores how textiles from around the world and throughout history have been used to communicate stories, identity, and shared experience. Focusing on three key themes—storytelling, activism and resistance, and cultural expression—the exhibition highlights historic and contemporary works, collaborations with local artists, and loans from institutions and artists. Stories in Cloth celebrates textiles as powerful tools for connection, creativity, and cultural expression. Featuring works by Charlotte Bird, Patricia Kelly, President of the San Diego People of Color Quilt Guild, Michelle Montjoy, Christine Lee, Maryam Bayat and Persian Place, Claudia Rodríguez-Biezunski of Sew Loka, and the Barona Cultural Center & Museum, this exhibition explores the stories, identities, and traditions expressed through cloth and textile art. Selections from the Visions Museum of Textile Art permanent collection further enrich the exhibition, creating a dialogue between contemporary makers and enduring textile traditions. La Jolla Historical Society on Facebook / Instagram
  • In her second year as San Diego poet laureate, Paola Capó-García continues bringing poetry and expression to every corner of the region — and wants more people to feel welcome in the world of poetry.
  • KPBS arts reporter Audy McAfee and her partner, Miles Price, moved to San Diego nine months ago. In this Price of San Diego story, they set out to see whether they could enjoy a day at the San Diego County Fair for under $200.
  • Friday panel highlights include Guillermo Del Toro, the Oscars of the comics industry, lumpia and sick-and-twisted animation.
  • The naming request was supported by the Kumeyaay Cultural Repatriation Committee, and is the first use of the port's naming policy — which requires historical and cultural significance as criteria.
  • At the Otay Mesa Detention Center, dozens of detainees gather around the facility’s four televisions to watch the games. While Mexico is the most popular team, other detainees have adopted a surprising nation as their second choice.
  • We will make beautiful bamboo mixed media art! Our classes are designed for adults. Children ages 10 and up are welcome if they can focus and work independently for the duration of the class. (*If a child participates, a parent or guardian must stay with them throughout the class to provide support. We also recommend that the accompanying adult join the class as a participant, so you can enjoy creating together. ) Seats are limited to 24 students. To make sure you have a spot, please register in advance through my shop or Venmo. Visit: https://villageartscenter.org/product/art-journal-by-mieko-anekawa/ Village Arts Education on Instagram and Facebook
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