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The San Diego LGBTQ+ Latine Coalition presents our 5th Annual Latine Pride — Celebrating the LGBTQ+ Community! As San Diego’s official Queer Latine Pride event, this is a space for folx to embrace the vibrancy of our community and celebrate the pure joy of our Queer Latinidad. Join us for music, food, community resources, vendors, performances, opportunities to connect, and more! Don’t forget to add Latine Pride to your calendar! Date: Sunday, October 5 Time: Noon-6 p.m. This is a family-friendly, all-ages event. Location: The Soap Factory 2995 Commercial St, San Diego, CA 92113 SD LGBTQ+ Latine Coalition on Instagram

Saturday, October 25, 2025 2–7 p.m. Catherine and Robert Palmer Gallery Helena Westra: "Lying Fallow" On view: August 9–October 25, 2025 Mark the final day of Helena Westra’s installation "Lying Fallow" with an afternoon of creative celebration at the Athenaeum Art Center. Drop in anytime between 2 and 7 p.m. for this free, all-ages gathering. Harvest the golden meadow grass from the installation and transform it into autumn treasures—wreaths, straw dolls, bundles, and other imaginative creations. Take home a piece of the artwork, enjoy time with friends and neighbors, and embrace the spirit of the season. Celebra el último día de la instalación "Lying Fallow" de Helena Westra con una tarde creativa en el Athenaeum Art Center. Llega en cualquier momento entre las 2 y las 7 p.m. a este encuentro gratuito y abierto a todas las edades. Cosecha el pasto dorado del prado de la instalación y transfórmalo en tesoros otoñales—coronas, muñecas de paja, atados y otras creaciones imaginativas. Llévate a casa una pieza de la obra, disfruta con amigos y vecinos, y abraza el espíritu de la temporada. "Lying Fallow" is a golden meadow brought indoors and an invitation to rest. In this installation of hand-gathered California grasses, artist Helena Westra creates a space shaped by slowness, reflection, and return. The title comes from the agricultural term “lying fallow,” used when a field is left unplanted for a season so the soil can restore its strength. For Westra, this idea becomes a metaphor for creative and personal renewal. Westra's installation draws from her own search for balance in a world that constantly demands effort and productivity. Elevated here instead is her deep reverence for the land, a connection between the cycles of her own body and the seasons, and the quiet, in-between moments we often overlook. This exhibition straddles late summer into fall, inviting visitors into a space that feels both grounded and dreamlike, where time slows down and the border between the external world and the inner self begins to blur. This is a show about pausing. About listening. About what can only grow after a period of stillness. "Lying Fallow" offers a soft-landing place for memory, for imagination, and for whatever may come next. "Lying Fallow" es una pradera dorada llevada al interior y una invitación al descanso. En esta instalación de hierbas de California recogidas a mano, la artista Helena Westra crea un espacio moldeado por la lentitud, la reflexión y el retorno. El título procede del término agrícola "lying fallow”, utilizado cuando se deja un campo sin plantar durante una temporada para que el suelo recupere su fuerza. Para Westra, esta idea se convierte en una metáfora de la renovación creativa y personal. La instalación de Westra se inspira en su propia búsqueda de equilibrio en un mundo que exige constantemente esfuerzo y productividad. En cambio, aquí se eleva su profunda reverencia por la tierra, una conexión entre los ciclos de su propio cuerpo y las estaciones, y los momentos entre cosas que muchas veces no notamos. Esta exposición, a medio camino entre el final del verano y el otoño, invita a los visitantes a un espacio que se siente a la vez conectado a la tierra y onírico, donde el tiempo se ralentiza y la frontera entre el mundo exterior y el interior empieza a difuminarse. Es una exposición sobre la pausa. Sobre escuchar. Sobre lo que sólo puede crecer tras un periodo de quietud. "Lying "Fallow ofrece un lugar de aterrizaje suave para la memoria, para la imaginación y para lo que pueda venir después. The exhibition can be viewed in the Catherine and Robert Palmer Gallery at the Athenaeum Art Center (1955 Julian Avenue, San Diego, CA 92113) during open gallery hours, Tuesdays through Saturdays from 11 a.m. to 4 p.m., and every second Saturday from 5 to 8 p.m., during the Barrio Art Crawl, and by appointment. Athenaeum Art Center on Instagram

Opening Reception | Nolan Oswald Dennis: "Demonstrations (i)": Presented with INSITE Athenaeum Music & Arts Library 1008 Wall Street La Jolla, CA 92037 October 25, 2025–January 17, 2026 Opening Reception: Friday, October 24, 5:30–8 p.m. Conversation with Nolan Oswald Dennis and critic KJ Abudu: 5:30–6:15 p.m. Joseph Clayes III & Carolyn Yorston-Wellcome Rotunda Galleries Nolan Oswald Dennis: "Demonstrations (i)" Presented with INSITE INSITE is pleased to announce Nolan Oswald Dennis: "Demonstrations (i)," opening at the Athenaeum Music & Arts Library in La Jolla, California, this October. Nolan Oswald Dennis (b. 1988, Lusaka, Zambia) is an artist based in Johannesburg, South Africa. Informed by the study of geological and planetary systems—and situated within African and diasporic relations to the land, cosmos, and anti-colonial political structures—Dennis’s work approaches the world as it is while mapping possibilities for transforming it. "Demonstrations (i)" marks the West Coast premiere of Isivivane, an ongoing project by Dennis that replicates rock specimens from geology museums and university departments in South Africa and parts of the world where the work has been shown. Originally commissioned for INSITE Commonplaces in Johannesburg in 2021, this project has since traveled to the Kunstinstituut Melly in Rotterdam, Netherlands; the Swiss Institute in New York; and Gasworks in London. Isivivane is a Zulu word which translates to a "pile of stones,” similar to a cairn, which marks a spiritually or historically significant site. Isivivane also means to make an individual contribution to a collective future. Manufactured daily by a 3D-printer on site, the new rocks become part of what the artist calls a Black Earth Library. This is an effort that has arisen from discussions with geologists and geology museum curators concerning restitution and repatriation of culturally significant objects. In asking the host institution to create digital and physical copies of more or less significant rocks, stones, and other small geological objects, Dennis suggests a geo-social system not built by a single person, but by many over time. Isivivane will be accompanied by related sculptures and drawings, and displays of rocks and minerals selected by the artist from local collections. "Demonstrations (i)" opens to the public at the Athenaeum with a reception on Friday, October 24, from 5:30 to 7:30 p.m. The closing of the exhibition on January 17 will be celebrated with the presentation of INSITE Journal__08: Reverse Forward and All at Once. The publication comprises documentation and essays related to the INSITE "Commonplaces" project curated by Gabi Ngcobo in Johannesburg, with commissioned work by participating artists Nyakallo Maleke and Nolan Oswald Dennis. Further public program announcements to follow. About Nolan Oswald Dennis Nolan Oswald Dennis is an artist based in Johannesburg, South Africa. They hold a bachelor's degree in architecture from the University of the Witwatersrand (Wits) and a master’s degree in art, culture, and technology from the Massachusetts Institute of Technology (MIT). Their work has been the subject of solo exhibitions at Kunstinstituut Melly in Rotterdam, Netherlands; Swiss Institute in New York; Zeitz MOCAA in Cape Town; and Gasworks in London. They have been featured in group exhibitions at FRONT Triennial (Cleveland), Lagos Biennial, Liverpool Biennial, MACBA (Barcelona), Palais de Tokyo (Paris), Seoul Mediacity Biennale, Shanghai Biennale, and Young Congo Biennale, among others. They are a member of the artist groups NTU and Index Literacy Program, research associate with the VIAD Research Centre at the University of Johannesburg, and a member of the Edouard Glissant Art Fund Scientific Committee. About INSITE Since 1992, INSITE has produced more than 250 artists’ projects conceived for specific sites and political-social contexts across San Diego and Tijuana, as well as in Mexico City. INSITE Commonplaces is a curatorial platform established in 2021 for producing work with artists and communities commissioned locally in different regions of the world. In addition to Johannesburg (Reverse Forward and All at Once), these long-term projects have taken place in Lima, Peru (Common Thread), and presently, the transnational region encompassing San Diego County and Baja California, Mexico (The Sedimentary Effect). The exhibition can be viewed in the Joseph Clayes III and Carolyn Yorston-Wellcome Rotunda Galleries at the Athenaeum Music & Arts Library (1008 Wall Street, La Jolla, CA 92037) during open hours, Tuesday through Saturday, from 10 a.m. to 5:30 p.m. Athenaeum Music & Arts Library on Facebook / Instagram

First, a new report from UC Riverside warns that aggressive immigration enforcement is taking a serious toll on children’s mental health. Then, we hear from San Diego County Supervisor Paloma Aguirre about new signs in the Tijuana River Valley that warn the public to avoid areas where toxic gases have been detected. Plus, a preview of Filmout, San Diego’s LGBTQ+ film festival, happening this weekend. Editor’s note: This episode originally misstated FilmOut’s history. The festival began in 1993, later rebranded briefly and became an annual event under its FilmOut name in 2005. The audio remains unchanged.

The Child Care and Development Fund sends money to states to help make child care more affordable for low-income families. Allegations of fraud in Minnesota have put the program under scrutiny.

Online sleuths have tried to uncover who placed a winning bet on the Venezuelan leader's arrest to no avail. Still, prediction market watchers say the bet appears suspicious.

In 2013, John Kindschuh was chatting with another patient in the hospital when his words abruptly slurred. That patient recognized something was wrong and called for help. Doctors were able to intervene.

The federal agency’s failure to meet the deadline came in the final days of a deadly year for immigrants in federal detention.

The California Courier uses the name of an established paper and doesn’t disclose apparent Republican ties. Critics call it “pink slime.”

The discharge petition is a way to force votes by sidestepping the speaker. For decades it was mostly forgotten, but has been brought back for bills on the Epstein files and to extend ACA subsidies.