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  • Another Fantastic Four reboot comes to theaters this weekend while Molly Gordon and Logan Lerman head on a romantic weekend that turns dark.
  • Totally acoustic Gypsy Jazz, with the audience in the round. Chris Vitas & David Morales Boroff, violins, Joe Amato, guitar, Jeff Pekarek, bass. Visit: https://dizzysjazz.com/
  • Please join us at ICA San Diego / Central on Saturday, February 15 for the opening of afra eisma: hush. This free art event in San Diego is part of ICA’s commitment to reduce barriers to contemporary art in our community. More information coming soon. We hope to C you there! ICA San Diego / Central 1439 El Prado, San Diego, CA 92101 February 15, 2024 4 p.m. – 7 p.m. __________________________ To reduce barriers to contemporary art, these events and exhibitions are free of charge. RSVP to attend C You Saturday! ICA members receive free drink tickets. Visit: 'C You Saturday!' – February 2025 ICA San Diego on Instagram and Facebook
  • Thursday–Saturday, 11 a.m. – 4 p.m. April 3 – 5 (3 Days, 15 total hours of instruction) AAC Art Studio This class will feature a quick review of the basics taught in Encaustics 1 and then move on to new techniques. These include the following: How to use the visual space effectively How to use color, pan pastels, paints and colored beeswax, stencils, and drawing tools Use of transparent colors Materials: The $75 material fee includes wood-panel supports, R & F encaustic medium, some R & F wax colors, heated palette, some brushes, heat guns, torches, some collage materials, images, things to embed; mark-making tools; gloves; scissors. Optional: you may bring to class an apron; mask for face, if sensitive to the smell of heated wax; paper towels; tracing paper; your own mark-making tools; dried botanicals to embed. Visit: https://www.ljathenaeum.org/classes/60a Athenaeum Music & Arts Library on Instagram and Facebook
  • Tuesday–Thursday, 10 a.m. – 4 p.m. March 25 – 27 (3 Days, 18 total hours of instruction) La Jolla Studio Geoff begins all classes with lessons in watercolor handling, notably the relationship between brush mixture and paper moisture and the concept of connection. During the daily demonstrations, the class will cover color mixing, brush handling, and contour drawing skills. Painting from life gives you the opportunity to observe directly from nature different forms of light and surfaces. There will be a focus on impressionistic interpretations of fruit and flowers through the use of watercolor techniques to express form: wet on wet, wet on dry, dry brushing, splattering, lifting, and most importantly adding water. Ideally students will learn to see nature in a new way. Materials: Geoff will share a materials list after registration. Visit: https://www.ljathenaeum.org/classes/19 Athenaeum Music & Arts Library on Instagram and Facebook
  • Join a panel of scientific and artistic thinkers for a deep look at the roles of fungi on the planet and microscopic elements within complex systems. The visiting Treseder Lab of UC Irvine examines fungi’s layered relationship to planetary life and discusses how fungi mediate and connect distant ecosystems. David Familian introduces life webs and AI as complex systems, a topic that comes to focus in the art exhibition, "Future Tense: Art, Complexity, and Uncertainty." Artists in residence with the Beall Center’s Black Box Projects working with the Treseder Lab, art collective Cesar & Lois introduce their ecosystem-based artwork that articulates fungal respiration and bioelectric signaling. Moving across perspectives in art and science, the panelists reframe how we picture the planet. Scientists from The Treseder Lab include Dr. Kathleen Treseder and researchers Eduardo Misael Choreno Parra and Melanie Taleen Hacopian. David Familian is artistic director of Beall Center for Art + Technology at UC Irvine. CSUSM Professor Lucy HG Solomon and Brazil-based Professor at UNICAMP Cesar Baio make up art collective Cesar & Lois.
  • Carmen Winant is a Professor in the Department of Art at Ohio State University, where she is the Roy Lichtenstein Chair of Studio Art, and an affiliated faculty member in Women's Gender and Sexuality Studies. Winant’s work poses a challenge to the ways that we understand women’s power, pleasure, labor, healing, and liberation to function, querying the aesthetic and political legacy of second-wave feminism. Winant’s appropriative installations and artist's books grapple with this question for all of its contradictory impulses: the awe of living in a revolutionary moment, a shared preoccupation with the female body as a zone of political strife, cognizance of the racial and class-based limitations of the second-wave movement; the mine- and not-mine nature of historical legacy. In using found photographs, Winant acts upon primary evidence (rather than indexical reference); the images incorporated into her work contend directly with the complex notion of socio-political inheritance. Winant has taught in Ohio prisons through The Ohio Prison Education Exchange Project (OPEEP) has also served as the Dean of Skowhegan School of Painting and Sculpture (2013-2015); and is a 2019 Guggenheim fellow in photography. Visit: https://visarts.ucsd.edu/news-events/20250210_carmenwinant.html UC San Diego Visual Arts on Instagram and Facebook
  • Friday, May 9, 2025 at 8 p.m. + Encore Sunday, May 11 at 10 a.m. on KPBS TV / PBS app. President Donald Trump is about to begin the first major foreign trip of his second term, traveling next week to Saudi Arabia, while also making stops in the United Arab Emirates and Qatar, nations which play a key role in mediating conflicts in the region.
  • Self-publishing one’s photographs in an on-demand photobook is more than just a fad. For more than two decades, photographers have embraced the process of creating, designing, and outsourcing their bodies of photographic works into small-edition books using various publishing software. By moving their images from the screen to the page, to an object one can hold in their hand, share with others, and memorialize visual projects into “a thing itself,” the photobook is the new paradigm shift for the photographic medium. This online course will introduce the history of the photobook in the context of early 20th century photography to the 21st century, challenging one to ask, “Why the book?” Within this context, the purpose of one’s book will be explored. Surveying and selecting individual images within a series, then editing images into a cohesive body of photographs, will drive the design, including creating dynamic layouts and prototype mock-ups for review. Using presentation software, such as Keynote or PowerPoint, one’s first look will be to critically examine scale, sequence, the visual space of each page, text, and other construction elements to heighten the experience of one’s photographs within the flow of a book. This is not a course on how to use publishing software. As the course proceeds, various publishing sources will be introduced and scrutinized from simple construction options to complex ones. Students will compare their level of skill with these proprietary software sources, selecting the best in regard to which book format has an acceptable degree and “ease of handling.” Further considerations for a publisher will be the design options needed to communicate the book’s purpose, selection of various papers, binding, and of course what is the final cost and turnaround time to hold the book in one’s hand. Requirements for successful completion of the course: Participants need a body of photographic works to create and design their book. The selection of a book design software is cost-free, but publishing costs for one book usually start at about $25 plus shipping. Turn around times are usually 6–10 business days. The course meets online consecutively for five weeks, taking one week off to outsource to publisher. There will be a final online class meeting (6th week) to review and celebrate one’s completed book! Max students: 12 Visit: https://www.ljathenaeum.org/class/102 Athenaeum Music & Arts Library on Instagram and Facebook
  • After surviving the Bataan Death March, Army Maj. James O'Donovan died in a prisoner of war camp. His remains went unidentified until this year.
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